Justin Edwards

Radio Times review

Miles Jupp's comedy In and Out of the Kitchen is an occasional pleasure on Radio 4, where it works perfectly; it's a small, quiet, irresistibly intimate bourgeois sitcom centred on writer/creator Jupp's precious food writer Damien Trench and his easy-going boyfriend Anthony (Justin Edwards).

The translation to television in this brief (three-episode) series isn't particularly comfortable, maybe because the alchemy of some shows just works better on radio.

But never mind, it's always a pleasure to meet Trench, a self-absorbed foodie snob who's appalled by supermarkets, trendy restaurants and overly familiar waiters. As we join the Trench household, Damien is agonising about baking a cake for his builders and re-adjusting his principles to write a column for a "Waitburys" magazine. "I write it, they print it, no funny business," he instructs his agent.

Space Ark pilot commissioned

Channel 4 has commissioned a non-broadcast pilot of Space Ark, a sci-fi sitcom starring Justin Edwards and Nico Tatarowicz (former Mongrels writer).

Radio Times review

"New and daring projects" were what comedy exec Shane Allen promised with this season of comedy pilots. This showcase doesn't feel as daring as a sitcom set in a monastery might once have done - when, for instance, a previous version of this project appeared on Radio 2 in 2000 and in an unbroadcast pilot in 2008, long before viewers gave clerical sitcoms their blessing via Rev.

This is worlds away from Rev.; it's a traditional studio sitcom with broad characters and pleasantly cartoony storylines - a bell falling out of a bell tower, drunken monks, and so on. Seann Walsh plays Brother Gary, who fled to the monastery to escape a conviction for benefit fraud. Mark Heap plays the monastery's second-in-charge, a former air traffic controller fuming with pent-up anger, and Justin Edwards looks promising as Brother Bernard, who likes a tipple.

In this secular age for the great god TV with its flock now fragmented, Charlie Brooker's Black Mirror dared to show streets that had been deserted for the goggle-box. But if you missed his satire you'll probably never guess the must-see: the Prime Minister having sex with a pig, to comply with kidnap demands and save a princess. We didn't see the actual act - not even Channel 4 could show that - though we got to watch other people watching: in pubs, on hospital wards, home alone, and in the corridors of power. Lindsay Duncan, who once stalked the corridors televisually as Maggie Thatcher, played the PM's press secretary; Alex MacQueen and Justin Edwards, who once stalked them in The Thick of It as, respectively, the baldy blue-sky thinker and the blinky-eyed Newsnight nutter, were in there, too. This was Black Mirror's first problem: these familiar faces didn't serve as reassurance when dealing with such shocking subject matter, they simply reminded you of programmes which were funnier, better.

Its second problem was believability, or lack of. Not the belief that such a scenario could play out, pig and all, but the one that the cops could be so stupid as to accept without checking that the severed finger delivered to the news network did in fact belong to the princess (it was fat and obviously a man's). For a story to shoot off into such flights of fancy, it first needs to have covered a few of the basics.

The satire, though, was good. Brooker is a sharp observer of the world whizzing round him, and being spun in every sense - where a government thinks it can conceal in the time-honoured way only for a little lad with a smartphone already to know everything, forcing a No 10 aide to concede: "It's trending on Twitter." And where a female journalist desperate for a scoop will ping photos of herself in the style of Ashley Cole to a government underling who'll blow what's left of national security on the issue because he's desperate for a shag.

Not a complete failure, then, and I liked the PM''first response to the kidnapping ("What do they want? Money, release a jihadi, save the f***ing libraries?"). I also liked the idea that a jobbing porn actor might be roped in to play the premier (that this fellow would be on some "By appointment to..." file). But much as I wanted to see Michael Callow with his SamCam deadringer wife as our current leader, I couldn't. That's no reflection on Rory Kinnear who was his usual brilliant self. Whatever else he does in his career, he'll always be answering questions about this.

Newsjack writers Q&A - 16th September 2011

Radio 4 Extra's topical sketch show Newsjack returns on Thursday 15th September with new host Justin Edwards and the usual team of Margaret Cabourn-Smith, Pippa Evans and Lewis Macleod.

Gareth Gwynn: getting ready for Newsjack

As possibly the least silly silly-season on record draws to a close, we're currently getting ready for the fifth series of Newsjack - which will see us at a new home (BBC Radio 4 Extra) and with a new host (Justin Edwards).

For those unaware, Sorry, I've Got No Head is a sketch show broadcast on the CBBC Channel.

Despite this being a children's show, it's surprising in many ways. For starters, there is quite a lot of good comic talent involved. Amongst those starring in the show include Marek Larwood, Justin Edwards, James Bachman, Marcus Brigstocke, Mel Giedroyc, Nick Mohammed, David Armand and Graham Norton in a voice-over.

The sketches include Jasmine and Prudith, a pair of eccentric posh women who believe everything costs a thousand pounds; Ross the schoolboy from the Outer Hebrides whose school has been badly damaged in a storm and is thus he is the only one who attends; the easily-scared Fearless Vikings; and The Witchfinder General who accuses anyone of being a witch if he doesn't get his own way.

Another interesting thing about Sorry, I've Got No Head is that it has no laughter track. Most TV sketch shows tend to have one, and you would expect a children's sketch show to do so as well, but this doesn't.

In a way the show treats the audience a bit more like adults than many other sketch comedies. The laughter track provokes you into laughing, which might explain why shows such as That Mitchell and Webb Look and The Armstrong and Miller Show have them, to encourage the viewers to laugh along and keep watching. Sorry, I've Got No Head doesn't see the need for one. Perhaps it's because this show is less of a risk as it's on a digital channel for children.

Sorry, I've Got No Head is quite a diverting show, which in its own way is entertaining for people of all ages. And if you're bit a embarrassed about watching it with other people, you can always look at it on the iPlayer as if it were a guilty pleasure.

New comedy improvisation show with a very talented cast. Hugh Dennis hosts and the performers include The Thick Of It's Justin Edwards, Perrier-winner Laura Solon, The Penny Dreadfuls' Humphrey Ker and Greg Davies from The Inbetweeners. It's a pacey mix of Whose Line Is It Anyway? (Dan Patterson created that and this) and Mock the Week but in a good way. It's new comedy, so try to give it at least two episodes before you whine endlessly on Twitter about how rubbish you think it is.

Second helping of this new comedy improv show from the makers of Mock The Week. Hugh Dennis, of the aforementioned topical comedy vehicle, is the most prominent name involved, but Fast and Loose is also a showcase for some of the most respected names on the live comedy circuit, such as Laura Solon and Justin Edwards (aka hilarious drunken children's entertainer Jeremy Lion).