Press clippings Page 7
Leicester Comedy Festival 2020 review: Josie Long
Josie Long tackles big issues at The Y, from motherhood to Mother Nature.
Isaac Ashe, Leicester Mercury, 14th February 2020Interview: Josie Long
Josie Long is known for her occasionally surreal, topical and often political brand of comedy (her periodic tours alongside protest folk songwriter Grace Petrie are tellingly titled Lefty Scum), so it may appear something of a departure for her new stand-up show to be quite so... well... normal.
Sophie Bell, Narc Magazine, 13th February 2020Josie Long developing TV version of Super November
Josie Long is working on a TV version of her cult 2018 film Super November.
Bruce Dessau, Beyond The Joke, 20th January 2020Josie Long interview
The writer and stand-up comedian on the things that make her laugh the most.
Harriet Gibsone, The Guardian, 10th January 2020Daniel Kitson to host benefit gig
Daniel Kitson is to host a special fundraising gig in aid of Social Activism and Stop Food Poverty.
Bruce Dessau, Beyond The Joke, 2nd January 2020Josie Long interview
Even faced with explosive baby poo, comedian Josie Long is feeling upbeat about new motherhood.
Alex Spencer, Cambridge Independent, 21st December 2019The decade in comedy
Mental health, sexism and watching stand-up through screens.
Tristram Fane Saunders, The Telegraph, 15th December 2019Interview: Josie Long ahead of Fife gig
She is the cult comedy icon, activist, podcaster and 2019 Celebrity Masterchef contestant who first visited Fife around a decade ago when she attended the legendary Fence Home Game events in the East Neuk.
Michael Alexander, The Dundee Courier, 13th December 2019Art exhibition showcasing work by comedians opens
Art Is The Best Medicine, an exhibition showcasing the artwork of comedians, has opened in London. It runs until 20th December.
British Comedy Guide, 13th December 2019Comics on why they make art
As a new exhibition on comedians' prints and portraits opens, Harry Hill, Vic Reeves, Lolly Adefope and more talk us through their masterworks.
Paul Fleckney, The Guardian, 7th December 2019