Jonathan Ross

British Comedy Awards 2011: Ross On - Why?

Channel 4 went with the decision to install Jonathan Ross as host of The British Comedy Awards again this year. As a result, it was an evening stuffed with gags in the traditional Ross formula...

With Fridays being the unofficial stand-up night of the week (­seriously, check out tonight's telly - so much comedy there's not even room to swing a cat-sized reality show around), the award ceremony dedicated to all things funny sits among welcoming surroundings.

Jonathan Ross is on hosting duties so, as the show is live, we hope somebody at Channel 4 HQ has their quickest finger poised over the "bleep" button.

Those hoping to make winners' speeches include Miranda Hart, who deservedly won best new TV comedy and best comedy actress last year.

She's up for a ­whopping four awards this time, including the people's choice gong, which is voted for by us.

But the category's a toughie this year, with the marvellous Jo Brand and Sarah Millican also hoping to steal the honours. In our eyes, they all deserve to win.

The male awards aren't any easier to predict, with David Mitchell, Graham Norton and Jack Whitehall fighting to be named the nation's favourite male ­comedian (although, given the year he's had, John Bishop should have been up).

While all the names we've mentioned deserve their nominations, there are some categories where you get the impression one or two shows are just in there to make up the numbers.

But as this is comedy night and we're in such a jolly mood, we won't be so cruel as to name them.

Now in their 21st year, the British Comedy Awards have long served as a bellwether for the state of British comedy, from the quirky satire of the early 1990s, through the energetic sketch shows of the mid- to late-90s, to the recent success of family-friendly stand-up comics like Peter Kay, Michael McIntyre and John Bishop. Thanks to a sharp host, a ready supply of funny clips and a suitably witty audience, they've also been one of the few live awards ceremonies actually worth watching.

Tonight's event is hosted live by Jonathan Ross. Leading the nominees is Miranda Hart, who is up for four awards, while Harry Hill gets three nods. Hart, last year's Queen of Comedy winner, is up for the award again, with David Mitchell, Telegraph agony uncle Graham Norton, Jack Whitehall, Jo Brand and Sarah Millican also in the running. Tamsin Greig and Tom Rosenthal are nominated for best TV comedy actress and best comedy breakthrough artist respectively for their roles in Friday Night Dinner, while Hugh Dennis and Claire Skinner have been singled out for their contribution to Outnumbered. Downton Abbey's Hugh Bonneville receives a nomination for his role in the Olympic comedy Twenty Twelve.

Jonathan Ross presides as comedians and TV producers drink themselves wretched and honk and bellow over each other's speeches. Probable attendees include last year's victor Miranda Hart, and this year's nominees for the public vote, Jack Whitehall, David Mitchell, Sarah Millican, Jo Brand and Graham Norton. But best of all, it's live. That combination of booze and live broadcast is really the only reason for this in the first place.

Event prevew: The British Comedy Awards

It's that time again. Jonathan Ross, clad all in look-at-me threads and self-satisfaction, will take to the stage for some expensively scripted celebrity "banter", a little chummy backslapping with the usual suspects and the handing over of the British Comedy Awards.

Infinitely more lovable than Jonathan Ross, a shiny-suited Norton welcomes another four guests to his boisterous Friday night chat show. Gavin and Stacey's James Corden will be insisting we take him seriously following the stellar run of One Man, Two Guvnors at the National. Expect a torrent of jokes as fellow comedian Sarah Millican and Bradley Cooper of The Hangover Part II will also be vying for attention on the red sofa, while rock star Lenny Kravitz performs.

It's become clear that Ricky Gervais and Stephen Merchant are never going to make anything like The Office ever again. And, as they've said themselves, why should they: having created sitcom genius and revolutionised the genre, they are hardly likely to top it.

It's become clear that Ricky Gervais and Stephen Merchant are never going to make anything like The Office ever again. And, as they've said themselves, why should they: having created sitcom genius and revolutionised the genre, they are hardly likely to top it. What they did for an encore was Extras, which mocked their entry into the showbiz elite, yet celebrated it by bringing in all their new pals to amusingly send up their public images. They foisted the tedious witterings of their non-famous pal Karl Pilkington upon us, until he was in showbiz too. And Ricky made some disappointing movies and popped up in all his American showbiz mates' TV shows and on his pal Jonathan Ross' chat show and annoyed everyone by being offensive on Twitter (but maybe it was just him pretending to be offensive, except that still involved offending people, but they weren't his friends so they didn't really count). And meanwhile Stephen, er, did some "ironic" bank adverts.

OK, they did make the film Cemetery Junction, which wasn't about fame at all, but not many people saw that. Instead, Gervais in particular has seemed to relish spending his time in the public eye portraying a smug, annoying celebrity character to the point where the last line of Animal Farm seems to apply - looking "from pig to man and from man to pig ... but already it was impossible to say which was which".

So it is, ahem, small wonder that the pair's latest venture returns to that well, starring their showbiz chum and Extras guest star Warwick Davis, in a faux-documentary sitcom about a dwarf actor who runs an agency for other short actors (as Davis actually does) but who can't get any work for himself, even when he begs Ricky Gervais and Stephen Merchant to write him something. Confused? Yes, that's the point: life's too short revels in the boundaries between the real and the not-real, with most of the characters using their actual names, while playing themselves as venial twits.

The similarities to Extras can barely be overstated. While Davis has the starring role - and it was apparently his idea - the dialogue makes him actually sound like Ricky Gervais: you can hear those Brentian speech rhythms leaking out. It's oddly reminiscent of the recent films of Woody Allen, where he drafts in various young actors to play the "Woody" character and they all end up imitating those familiar nervous tics. Here, it's difficult not to hear Gervais's voice behind Davis's lines, such as: "I'm a bit like Martin Luther King, because I too have a dream that one day dwarves will be treated equally ... you say, oh no, it's not the same ... but I've never seen a black man fired from a cannon. Every day for a whole season and twice on Saturdays."

It's not the fault of Warwick Davis, who's absolutely fine in the role of a hapless fictional version of himself and clearly well up for any resulting confusion it may cause. But there's just so much of Gervais and Merchant, both in the references and on screen, that he's in danger of being squeezed out of what's meant to be his own show.

The show shares Extras' fascination with celebrity cameos and when Liam Neeson pops up to consult Gervais and Merchant, playing "themselves", on his stand-up comedy plans, Davis is relegated to the background while they milk the scene, surrounded by posters reminding us of all their previous work. Like Extras' Andy Millman, Davis' character has a useless hanger-on: instead of an agent, it's his accountant (Steve Brody, who was David Brent's useless agent in The Office Christmas Special). Even Barry Off Of EastEnders turns up, still playing the same loser.

Well, plenty of people loved Extras, of course, but given that it was a self-referential take on Gervais's own rise to fame, isn't making a meta-parody of it just a post-modern gag too far? But worse than that, the joke isn't all that funny anymore. There are a couple of laughs here, for sure (mostly from Neeson's bit), but the whole thing just seems like an indulgent, back-slapping waste of talent.

Jonathan Ross presents GOS Hospital with £658k cheque

Jonathan Ross presented the nurses at Great Ormond St Hospital with a cheque for £658,865.17.

Graham Norton may be heaving a sigh of relief that Jonathan Ross's ITV chat show finished on Saturday, alleviating competition for guests. Tonight the Telegraph agony uncle's line-up features a strong British contingent: actress Joanna Lumley, whose Greek Odyssey is currently on ITV1, Scottish actor James McAvoy (Atonement), who voices the forthcoming animated movie Arthur Christmas; professional Scouser John Bishop, who brings the jokes; and music from Sheffield combo Arctic Monkeys.