Jon Plowman

John Lloyd: BBC satire W1A was 'appallingly truthful'

"I called Jon Plowman [the producer] to tell him how brilliant W1A was but also how painful it is to see something so appallingly truthful, not only at the BBC but in general. Painfully funny, too. It's so embarrassing you want to cry."

BBC producer Jon Plowman: I wish I'd made Brass Eye...

His hits include Absolutely Fabulous, The Office, The Thick of It and Psychoville - but veteran BBC comedy producer Jon Plowman still regrets missing out on Brass Eye.

Jon Plowman: 'No idea Twenty Twelve would be so real'

In essence, Twenty Twelve is an office sitcom, based around ordinary people who happen to be doing something huge.

Audio: Twenty Twelve 'is art imitating life'

A bus carrying an important delegation to the London Olympic Park was badly delayed because the bus driver didn't know his way around the capital. Sound familiar? It's not the news story but the plot of episode two of the BBC comedy Twenty Twelve.

But just how close to the truth is the Olympic spoof?

Jon Plowman, the executive producer of the series, told The World At One's Martha Kearney that it was a case of art imitating life.

"I think what's happened is they can't work out what disasters to have over there and so they're looking to our show to work out what should go wrong next," he explained.

TV comedy writers must be paid more, warns Jon Plowman

Former head of BBC Comedy, Jon Plowman, said that increased demand for shows means that pay rates for comedy writers will have to rise.

Beautiful People - the Eurovision episode

Executive Producer Jon Plowman introduces Episode 2.2 of Beautiful People.

Jon Plowman offered an intriguing glimpse of the BBC duty log at last week's Broadcast TV Comedy Forum. BBC2 black comedy Psychoville, which Plowman exec'd attracted complaints that it was "full of innuendo" and that a caption reading "Bristol, Avon", was inaccurate. ("When will you people realise?" the green inker wailed.) And a scene with the words "Fuck pig", emblazoned in blood at a murder scene laden wuth excrement and semen? Zero. "I despair what gets the British public annoyed," Plowman lamented.

This gothic BBC comedy-thriller written by Reece Shearsmith and Steve Pemberton is as brutal, gory and funny as The League of Gentlemen. But also present is a sense of whimsy, even at times an unexpected tenderness. The story begins with five people receiving a letter that reads, 'I know what you did', and leads to an explosive and tense finale. It's shot through with savage comedy, from one man's preoccupation with the bowels of conjoined twins to the slapstick of a blind man trying to make phonecalls on a Club biscuit. The story is brilliantly told and expertly performed, never more so than in the central, fourth episode which is the most rewarding half-hour of the series, shot to suggest one long take. The on-screen chemistry between the League regulars is a joy to watch and moments like Maureen fluttering her cardy to make like Superman are hard to forget.

In the interviews included in the extras on the DVD, producer Jon Plowman reveals Psychoville was written in six parts but when it became apparent the ending was too expensive, Plowman asked the Beeb to make it as a seven-part show, then asked the writers to request an extra, cheap episode. This is the extraordinary fourth ep and is proof that too little money can be an advantage. On the disc, there's even a fascinating split-screen option showing how it was shot.

War is hell, even if it's a comedy drama

From a chance conversation 10 years ago with Jon Plowman (then head of comedy at the BBC) about what happens behind the scenes in television news, the idea for Taking the Flak was born: a comedy drama about journalists in war zones behaving badly.