John Cleese

The nostalgic can wallow in plenty of retro-fare this Christmas, from old Morecambe and Wise specials, by way of Tommy Cooper repeats and this splendid profile of the poker-faced comedian who was still selling vacuum cleaners at the age of 38 when, in 1967, he had one last throw of the dice and entered Opportunity Knocks. Dawson's deadpan humour is appreciated here by John Cleese, Robert Webb ("it's quite easy to play the piano badly and not be funny") and Russell Kane ("some of us younger people did muddle him up with John Prescott"). Touchingly, Dawson stopped cracking mother-in-law jokes when his wife's mother died.

Excellent clip/talking head profile of Les Dawson, progeny of the north-west club scene, and from his late 30s until his death, a mainstay of comedy and light entertainment on television. Proper stars like John Cleese and Robert Webb duly doff their caps, which is diverting enough, but the real fun is in the archive material, whether it be Les singing with Lulu, his magnificently satirical piano-playing, or his deadpan one-liners. Features many a reference to Dawson's equivalent of Moriarty, his mother-in-law.

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As the story goes, in May of 1974, following a now legendary 1972 stay at the Gleneagles Hotel by members of the Monty Python troupe, a pilot script written by John Cleese and his then-wife, Connie Booth, was submitted to the BBC. A clearly unimpressed 'comedy script editor' by the name of Ian Main sent the following memo to BBC Television's Head of Comedy and Light Entertainment.

This comedy drama is an "accurate" retelling of the events surrounding the making of Monty Python's Life of Brian and the accusations against its blasphemy.

You know right from the start what you're letting yourself in for when Jesus comes onto the screen speaking Aramaic and then farts into a disciple's face. The main cast; Darren Boyd (as John Cleese), Charles Edwards (Michael Palin), Steve Punt (Eric Idle), Rufus Jones (Terry Jones), Tom Fisher (Graham Chapman) and Phil Nichol (Terry Gilliam) are great at portraying the original stars, or rather exaggerated versions of them. For example, Cleese is characterised as Basil Fawlty, Palin is the nicest man in the world and Idle is a "greedy bastard."

The programme was full of references to both Python and events relating to the modern day, and introduced by a rolling credit sequence akin to the way many episodes of Flying Circus had, which I personally found hilarious. There are other connections to the Python saga, too, like Palin's wife being played by Jones in drag (Rufus or Terry, take your pick).

Then there are the links to the actual film, such as the debate between bishops and devils which is akin to the People's Front of Judea talking about "what the Romans have ever done for us". Holy Flying Circus also refers to offensive comedy incidents in the present day, like Jerry Springer the Opera and just about anything to do with Frankie Boyle.

My favourite scene in the entire programme, however, was a cameo from Alexander McQueen as the BBC's Head of Rude Words. His wonderfully stiff performance as a typical Beeb executive reading out the rudest words he could think of was delightful. There was no racist, sexist or homophobic language - but there was a member of the Ku Klux Klan earlier on so you could argue that was covered as well.

I know many critics were dissatisfied by the fact it wasn't entirely factual. All I have to say to that is if you want something factual then watch a documentary.

Holy Flying Circus, a comedy drama based on the furore that surrounded the release of Monty Python's Life of Brian in 1979 was bold but disappointing. The decision to go for the full Monty, as it were - the programme erupted with animations, fantasy and sketches, amid multiple warring sitcoms featuring feckless church hall Christians, wacky TV executives and bantering Python lookalikes - was a recipe for silliness, but little else. The putative battle between freedom of expression and religious sensitivity rumbled lightly on, but you got the feeling that everyone was having too good a time to take it seriously. I'm not sure I was. The impersonations were quite uncanny - Darren Boyd as John Cleese (in Basil Fawlty mode) and Steve Punt as Eric Idle - but also quite unfunny. A homage to Monty Python is a hostage to unfavourable comparisons with the real thing (and following it up with Life of Brian on BBC4 wasn't the masterstroke it might have seemed), but more important, Pythonesque humour - its loud irony, its juxtaposition of opposites, its attack on the dullness of accountants, its gleeful anachronisms, its men dressed as women - has had its moment at the cutting edge. How else could Spamalot have happened? I had to put my fingers in my ears during some mirthless scenes with Michael Palin (the excellent Charles Edwards notwithstanding) in bed with his unattractive wife (supposedly Terry Jones in drag). As for the Christian protesters - should we still be depending on speech impediments for our laughs this far into the 21st century?

But in the spirit of saving the best till last, I should say there was a brilliant sword and lightsaber fight between Cleese and Palin, the pair of them flying about as puppets on sticks. If it's not on YouTube by the time you read this, I'll eat my parrot.

Darren Boyd was super as John Cleese in Holy Flying Circus on Wednesday but he makes less of an impact here as the single dad accidentally recruited by MI5. Today is his first day in the office, but his training mission - retrieve a red bag from some scaffolding - is scuppered by an unexpected source. This is more worth catching for Rebekah 'Pulling' Staton's ambitious secret agent, Caitlin, who is becoming something of a show-stealer.