Joe Thomas

"Are you on a spectrum?" upper-class dimwit JP (Jack Whitehall) asks his geeky flatmate Howard on discovering his ambition to list "everything known to man". Whitehall's exaggerated self-portrait of a performance provides most of the best moments in this fast-improving student comedy. It's the awkward, uncertain and mainly unhappy world of undergraduate love lives which provides the backbone to this episode, however, as Kingsley (played by Joe Thomas of The Inbetweeners) learns that too much of a good thing can lead to embarrassment and Oregon (Charlotte Ritchie) discovers her tutor might not be the sophisticated George Clooney type she'd hoped.

It's not a treat you get every day, the joy of stumbling on a loveable, bankably funny sitcom. So make the most of this, because after the assured start in episode one, Sam Bain and Jesse Armstrong's unromantic comedy set in a student house gets into its stride tonight.

Jack Whitehall is still the standout, playing sordid toff JP, fresh from Stowe and full of phrases like "The guy's a ledge", "No problemo" and "Heinous". His assurance is a little dented tonight when he bumps into two old school chums he's desperate to impress.

Meanwhile, the awkwardness mounts between star-crossed non-lovers Kingsley (Joe Thomas) and Josie (Kimberley Nixon) as the housemates decide to have a party - and it turns into a "brodeo".

Fears that oddball Vod (Zawe Ashton) may be a bloodthirsty murderer get the second episode of this student comedy from the creators of Peep Show off to a promising start - especially as the victim appears to be Russell Brand. Things become more predictable when Josie (Kimberley Nixon) suggests the housemates throw a party in the hope it might push her and Kingsley (Joe Thomas) together - hopes dashed when her boyfriend turns up unexpectedly. But that's minor trouble compared with the fallout when absentee housemate Paul discovers that JP (Jack Whitehall) has turned his room into a gym.

Joe Thomas: My face screams 'virgin'

Inbetweeners' Joe Thomas says he's still playing youngsters at 27 because he looks like a virgin.

Fresh Meat started off worryingly but pulled through

Fresh Meat played it refreshingly straight, with a confident cast led by The Inbetweeners star Joe Thomas.

New comedy drama about a student house share from Sam Bain and Jesse Armstrong, the men who wrote Peep Show, and starring Kimberley Nixon (Cranford), Joe Thomas (Simon from The Inbetweeners) and Jack Whitehall (actually good at acting!). Don't be put off by the initial "youth" packaging: this is smart, sympathetic and pretty much adorable from the get-go. Lots of laughs, but the use of Waltz #2 by Elliott Smith at the end near breaks your heart. What an opener.

Peep Show and The ­Inbetweeners fans, listen up. Fresh Meat stars Joe Thomas and was written by Sam Bain and Jesse Armstrong, so deserves your attention.

It's a great sitcom about freshers in a university house-share - a sit so ripe with possibilities you might wonder why it hasn't been strip-mined for com before.

Actually it has; of course there was the classic The Young Ones, and some of you might have seen a short-lived BBC3 comedy a couple of years ago with much the same premise called Off The Hook, starring another Inbetweener, James Buckley.

But Fresh Meat is much more assured and has wonderfully subtle ­characters.

Joe Thomas is the token normal one as Kingsley, and Kimberley Nixon plays nice, sweet Josie, his female ­counterpart.

More intriguing are Vod (Zawe Ashton) who's like a younger, female, sexually ­ambiguous version of Peep Show's Super Hans and Oregon (Charlotte Ritchie) who tries too hard to be tough and play down her swottiness - and fails at both.

There's also Greg McHugh as Howard (think a young, Scottish Nick Frost).

But it's stand-up and panel-show regular Jack Whitehall who steals the show as cocky public schoolboy JP.

We first meet him in the men's toilet waving a wrap of cocaine at a total stranger. We've never seen Jack acting before but he turns out to be surprisingly good at it. Unless - of course - this is what he's like in real life.

Inbetweeners star Joe Thomas strikes out on his own and heads to university as Kingsley, one of a mixed bag of housemates thrown together as freshers in this engaging but surprisingly straightforward new comedy from Peep Show writers Sam Bain and Jesse Armstrong. The horror of realising who the university wheel of fortune has stuck you with is cringe-inducingly on the money, with Jack Whitehall in scene-stealing form as posh schemer JP.

Written by Sam Bain and Jesse Armstrong, the creators of Peep Show, Channel 4's new comedy-drama about a student flat at the University of Manchester opens with a semi-naked man making grunting noises over some hanging meat, and the tone never quite rises afterwards.
But for viewers who aren't easily offended, Fresh Meat's script is sharp, the lead character Kingsley is a sympathetic figure blessed with the endearing habit of saying the wrong thing to women, and the Gap Yah public schoolboy is rather amusing, even if his language will horrify anyone over 30 (if they can understand half of what he's saying).

Fans of current comedy may recognise a couple of faces in the cast: Kingsley is played by Joe Thomas (best known as Simon, the melodramatic sap who moons endlessly over Carli in E4's The Inbetweeners) and JP, the Gap Yah public schoolboy, is played by Jack Whitehall, the stand-up comedian often seen on panel shows such as BBC Two's Mock the Week and Channel 4's 8 Out of 10 Cats.

There's nothing particularly, ah, fresh about Fresh Meat, but this new teen comedy drama has an inbuilt likability which ensures that it's instantly preferable to the likes of Skins.

Created by Peep Show overlords Sam Bain and Jesse Armstrong, it stars Joe Thomas from The Inbetweeners as a hapless first-year student sharing a house in Manchester with a gaggle of contrasting characters, including a quietly scene-stealing Greg McHugh (star of BBC Scotland's Gary: Tank Commander) and - this will take some swallowing, I know - hitherto useless comedian Jack Whitehall proving perfectly acceptable in his first acting role. Mind you, he's playing an objectionable posh twit, so it's hardly a stretch.

The distinctive fingerprints of Armstrong and Bain are all over the opening episode, which leans more towards comedy than drama, as the various misfits get to know each other while desperately trying to reinvent themselves.

Rather sweet at heart, it should be applauded for generally eschewing the puerility, moralising and self-conscious "edge" which usually blights this genre. And if all it achieves is in some way vaguely justifying the existence of Jack Whitehall, then that has to count for something. Doesn't it?