
Joanna Lumley
- 78 years old
- English
- Actor and writer
Press clippings Page 13
David Walliams stars in this likeable adaptation of his best-selling kids' book about Ben (Reece Buttery), a neglected, plumbing-mad boy, and his seemingly boring gran (the brilliant Julia McKenzie) who's not what she seems.
Ben's selfish, ballroom-dancing-crazed parents, played as hideous comic creations by Walliams and a glammed-up Miranda Hart, drop Ben off at his gran's every weekend, where he's subjected to cabbage soup, painful silences and endless rounds of scrabble. At breaking point, he discovers valuables in her biscuit tin and forces her to confess her sideline as an international jewel thief. Their shared secret leads to an ambitious heist, but hot on the tail of gran's mobility scooter is nosy neighbour Mr Parker.
Although it takes a while to warm up, there are moments of real humour, especially in the hospital breakout and ballroom scenes. Expect to see more Robbie Williams on our screens too - he holds his own rather well as the faux-Italian Flavio. It's a slight story with a big heart, and it's surprisingly poignant when the Queen (Joanna Lumley - who else?) makes a plea for the young to respect the old.
Debra Waters, Time Out, 26th December 2013Gangsta Granny review
Whilst not a completely smooth drama (Joanna Lumley's dancing, anyone?), Gangsta Granny delivered exactly what you'd expect from a Christmas family programme: funny, heart-warming and rollicking drama.
Patrick Sproull, Den Of Geek, 26th December 2013David Walliams calls in a lifetime's worth of showbiz favours to create this talent-strewn version of his bestselling children's novel. Young Ben (Reece Buttery) is dispatched to stay with his grandmother, who runs a tight ship based on nights in, Scrabble and cabbage soup. He is, understandably, bored out of his tiny mind. Until somehow it transpires that gran was once an international jewel thief and she needs her grandson's help to tie up some unfinished business. Cue a crazy romp that takes in a meeting with the Queen (played by Joanna Lumley) and the unwanted interventions of a nosy neighbour (Rob Brydon). Walliams himself appears as Ben's Strictly-obsessed dad, opposite Miranda Hart as his mum. What japes.
The Scotsman, 23rd December 2013Joanna Lumley: Ab Fab movie will be 'fabulous'
Joanna Lumley has confirmed that Absolutely Fabulous creator Jennifer Saunders has an idea for a movie version of the cult classic.
Carl Greenwood, The Mirror, 30th November 2013All-star cast announced for Gangsta Granny
Julia McKenzie, Joanna Lumley, Rob Brydon and Miranda Hart will star in the TV version of David Walliams' best-selling children's novel.
British Comedy Guide, 24th October 2013Jennifer Saunders interview
The star of Absolutely Fabulous talks about Dawn French and Joanna Lumley, performing in front of militant audiences in the 80s - and why she wanted to write an 'all right' memoir.
Decca Atikenhead, The Guardian, 30th September 2013The comedy crime series Jonathan Creek returns for its first outing since 2010 and it's still as baffling as ever, although there have been a few changes...
The main change is that Creek (Alan Davies) has left the world of magic and his windmill home for an ordinary working life in an office, having married a lady called Polly (Sarah Alexander). While Polly goes away on a business trip, however, his sidekick Joey Ross (Sheridan Smith) tells Jonathan about a murder case involving an old friend's vanishing corpse in a locked room. Creek decides to dust off his duffle coat to take on the case - one that involves an old acquaintance of his: overbearing cop D.I. Gideon Pryke (Rik Mayall).
This episode had its ups and downs. I did feel myself giving a bit of a cheer when I saw Creek going through his wardrobe and pulling out his trademark duffle coat. The supporting cast performed well, although given that included the likes of Mayall, Joanna Lumley and Nigel Planer it's not surprising. What was surprising, however, is that given how energetic Mayall usually is it was interesting and refreshing to see him perform a role which demands almost no movement. There were some funny moments too, such as when Joey believes she has discovered a code, only to find out that Creek has solved it already. The way it's revealed was hilarious.
However, in terms of the case itself, there were some flaws in it. My brother was watching the episode as well, and remarked on one of the clues, which was a pair of footprints right up against a wall. The way the footprints were formed we by a pair of shoes being dropped from a high window and landing perfectly next to each other just in that spot. As my brother pointed out, surely the shoes would not have fallen straight to the ground, but tumbled as they fell.
So in this case, the performances as we good, but the writing could have been better. A new series is in the works so hopefully the show will return to form.
Ian Wolf, Giggle Beats, 8th April 2013I hope Mr Hall, the BBC's new Director-General, sat down that Monday evening and watched Jonathan Creek and quietly applauded. I can't remember a 90 minutes - actually I can, Doctor Who last week, but this one isn't really for children - I enjoyed so much. Oh, bits are always beseechingly silly. And it comes along so seldom that we're almost bound to enjoy it. But this was still a winning showcase for simple, entertaining, catch-all British drama. So we got a jaunty-spooky theme tune reminiscent of Harry Potter, we got Joanna Lumley, we got both Rik Mayall (still impossibly handsome and delightfully hammy) and Nigel Planer off The Young Ones, a body that had escaped from a locked room, Sheridan Smith playing feisty-naughty modern, as is her winning wont, another body felled by a gargoyle pushed off a mansion (that was Midsomer or possibly Wycliffe), some good gags about academics and, of course, Alan Davies.
His Jonathan is married off now (to the very sexy Sarah Alexander) and has, and you can't quite blame him, thus reluctantly had to put on a suit and get a good job in her daddy's advertising agency. For a few minutes he actually looks rather cool and rather suited in fact to both the Don Draper comportment and life. But soon, excuses combine to let him dig out the old duffel and go off to solve impossibly complex cases with the singular hangdog exuberance that holds the whole extraordinary thing together. Some serious bits, too, not least when Ms Lumley, playing a lifelong atheist, suddenly realises, and with a certain horror, that everything she has ever believed might not be true. This occasional series might not change the world, but it should change the way we remember just how solidly good simple entertainment on the BBC can be when it has the guts to go with its own happy formula.
Euan Ferguson, The Observer, 6th April 2013With David Renwick's planned ITV sitcom frustratingly canned due to a creative dispute with channel bosses, Creek is the only outlet for one of the masters of TV comedy writing. The long-awaited Easter special saw Alan Davies and Sheridan Smith return, supported by Joanna Lumley, Rik Mayall and Nigel Planner, for a typically tricksy locked-room mystery.
Jack Seale, Radio Times, 6th April 2013You'd think that after 16 years and 28 episodes, Jonathan Creek might itself creak a little - how many more variations on the locked-room mystery can there possibly be? - but nothing could be further from the truth.
Plenty of fun is still to be had from the deliciously contrived plotting, melodramatic scenarios, star turns in supporting roles and sharp scripts peppered with neat comedy touches. Who cares that some of the exposition is so tortuous it borders on actor abuse?
A feature-length special, The Clue of the Savant's Thumb waits a full 15 minutes before the show's magician/sleuth hero makes an appearance. Instead, viewers are treated to a suitably overheated flashback preamble, set in 1968, involving sadistic nuns, hysterical teenage girls, stigmata, drug-induced visions and an unexplained death at a gothic mansion turned convent school.
And this was just the warm-up to the main event, in which the blood-drenched corpse of a legendary television producer disappears from the aforementioned locked room.
Alan Davies once again provides the calm centre around which all the mayhem revolves, with Joanna Lumley linking two of the three mysteries - writer David Renwick is never less than generous with his plotlines - and Rik Mayall still managing to deliver his trademark, wildly over-the-top performance, despite being cast as a wheelchair-using detective paralysed below the neck.
Harry Venning, The Stage, 5th April 2013