
Jo Brand
- 67 years old
- English
- Writer, stand-up comedian and actor
Press clippings Page 45
It's a sad day for stand-up comedy fans. Now that Jonathan Ross has almost served his sentence, this will be the last outing for Live At The Apollo. And there's no word yet on if or when the series will return.
First up tonight is Russell Howard, who toddles on stage looking like a lost schoolboy but within seconds turns into a kid pumped up on too much Sunny Delight. With the customary energy we know from Mock The Week, he bounces from one subject to the next, starting with bizarre heckles then evil sandwiches and bus stops with hats to scary 13-yearolds and why you should never underestimate little old ladies.
He also has a genius way of livening up a trip to Ikea - if you've had a few drinks and live near a branch that's open until midnight, you might want to head off straight away (but only if it's walking distance or you know a sober driver, OK?).
The second act is Jo Brand, who tackles topics including Russian brides, the dangers of going to the pub, Barbie dolls and why Bruce Forsyth should wear baggy trousers that show off his bum crack.
I know, it's not an image I want to think about for too long either..
Jane Simon, The Mirror, 16th January 2009In the final helping of this superb stand-up show, Jo Brand and Russell Howard make us laugh. Well, this has been a tip-top way to end the week, hasn't it? We can't quite remember what it replaced in the schedules, but we're pretty sure it can't have been as consistently funny as this. To round off this run of comics, who've sometimes told some very naughty stories, is the First Lady of Stand-up, Jo Brand. Also joining her on the bill is fresh-faced Russell Howard, also known as the blond one on Mock The Week.
What's On TV, 16th January 2009Miranda Hart is shaping up as the Big Lady of the future. If Dawn French built a career out of being hefty without mentioning it, and Jo Brand did it by mentioning it incessantly, Hart's new sitcom (so much a trailer for a TV version that they are already filming the TV version) trades on her not only being big, but very tall and extremely posh. And frequently taken for a man. She has never had sex (a consignment of chocolate penises comes into the shop. They're very lifelike,
she says. No they're not,
says her waspish co-owner). She has terrible chat-up lines: I weighed my breasts. They cost £1.48 to post, and you'd have to use Parcel Force.
She's terrific. Wasted on TV.
If you have never caught a Commercial Breakdown (previous recipients of its unique career-damaging magic are Jasper Carrott and Jo Brand) then you're very lucky. It claims to be an unmissable collection of the world's funniest, wildest and weirdest television adverts, each one a mini-masterpiece in its own right.
Historically, however, it has always been a bit of a lame duck, with enhanced laughter tracks and bad scripts for the comic linker - in this case Carr.
Of course, this new incarnation might see the concept raise its game, with Carr a renowned perfectionist.
Christian Cawley, Quintessential Comedy, 11th June 2008Radio Head: Jeremy Hardy Speaks to the Nation
Rowland Rivron, Sandi Toksvig, Mark Steel, Mark Thomas, Jo Brand, Graham Fellowes, Russell Brand . . . the list of modern comedians that divides the nation is a surprisingly lengthy one. And it will be only part of the listening public that will be rearranging its life to be in front of the wireless when the latest series of the sociopolitical lecture Jeremy Hardy Speaks to the Nation kicks off next Tuesday (Radio 4, 6.30pm).
Chris Campling, The Times, 31st March 2007Women's Troubles starts with a terrible handicap, the excruciating chairing of Frances Edmonds. Here is a woman who appears to believe that studied verbosity - especially if tricked out with a babyish voice and a camp jolly hockey sticks attack - is inherently comic, and words like "cogitations" and "luminary" signs of wit. [...] On the other hand, the team captains - the ubiquitous Jo Brand and Jan Ravens - and their female guests are genuinely funny.
Anne Karpf, The Guardian, 8th January 1994