British Comedy Guide
Jesse Armstrong
Jesse Armstrong

Jesse Armstrong

  • English
  • Writer

Press clippings Page 7

Peep Show could return in 10 years

"I could imagine coming to David and Robert in 10 years and saying, 'This is sort of a different show, but what do you think might have happened to them?' - in fact, I'd really quite like to do that," Jesse Armstrong admitted.

Morgan Jeffery, Digital Spy, 6th November 2015

Radio Times review

It's been more than three years since we last visited Croydon's gruesome twosome Jez (Robert Webb) and David Mitchell's Mark. The unscrupulous Jez was declaring himself to Mark's girlfriend Dobby in a field and Mark is still smarting pompously at the betrayal; so much so, in fact, that he has found a new flatmate, cruelly consigning Jez to a billet in druggie Super Hans's bathroom.

As we rejoin the action six months on from the regrettable field-gate, will Jerry (Tim Key) provide Mark with the requisite, er, fun with William Morris documentaries and reading nights in? It isn't long before Jez seeks to wheedle his way back home in what becomes a hilarious tug-of-love for Mark's affections (and spare room)....

Writers Sam Bain and Jesse Armstrong clearly want to raise the bar in this final ever outing of the cult "point-of view" comedy, which started in 2003. The gags are rapier-sharp and, despite all the usual chaos, mayhem and silliness, there is some deft plotting at work here, too.

Matt King's Super Hans is also brought joyously to the fore and it's lovely to be reminded of what a fantastic (and integral) character he is in the peerless world of Peep.

Ben Dowell, Radio Times, 4th November 2015

Sam Bain and Jesse Armstrong on Peep Show

'Hopefully we haven't left them too broken and destroyed'.

Henry Northmore, The List, 27th October 2015

Jesse Armstrong interview

Jesse Armstrong, the writer of Peep Show and The Thick of It debuts his first novel, which mixes the personal with the political.

Edinburgh Festivals, 30th July 2015

Fresh Meat series 4: things to expect

If you can't wait until later this year to find out what happens to the student gang of Sam Bain and Jesse Armstrong's Fresh Meat, then you're in luck - one of the cast has given us a few more ideas about what we can expect from the final series (apart from the fact that we'll all be very sad when it ends).

Huw Fullerton, Radio Times, 25th June 2015

Irvine Welsh and Jesse Armstrong on how to write comedy

Want to write comedy? At an event for Guardian members Irvine Welsh and Jesse Armstrong offered their advice. From making playlists for characters to finding inspiration in the people around you, here's what they shared.

Sian Cain, The Guardian, 23rd April 2015

Jesse Armstrong on his first novel

After co-scripting two major comedy hits, Jesse Armstrong thought he'd find writing a novel liberating. But going solo was a mixed bag of freedom and fear.

Jesse Armstrong, The Independent, 6th April 2015

Babylon box set review

With Peep Show creators Sam Bain and Jesse Armstrong on board, this comedy-drama makes serious points about police PR cock-ups - and it's really funny, too.

Andrew Collins, The Guardian, 2nd April 2015

After a pilot which felt slightly underpowered given the calibre of creative talent involved, this comedy-drama has really clicked into gear over a full series. While never quite becoming The Thick Of It for the eternally beleaguered Met, Sam Bain, Jesse Armstrong and Robert Jones's creation has trampled irreverently over all manner of sacred cows concerning our law enforcers' dealings with the media.

The Guardian, 13th December 2014

The penultimate episode of Sam Bain and Jesse Armstrong's slightly strange drama/comedy proposition, and the show remains perched on the edge of a Charlie Brooker-style dark drama, without quite breaking through. Still, there is some strong satire, great acting and excellent jokes. As ever, the armed response guys get the best lines, even in the middle of a cover-up ("I've shot him in the back. You can't make it out on these cameras"), while Liz attempts to turn a missing child into a career opportunity.

John Robinson, The Guardian, 11th December 2014

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