Jenny Agutter

I wasn't expecting riveting edge-of-the-seat stuff, which is just as well as right from the slightly old fashioned title sequence I knew this wasn't going to reel me in.

The whole thing felt very old fashioned and slightly overacted, mainly by Head who seemed to have attended the Waking the Dead school of shouting as he brooded through each scene waiting for just the right time to bellow. Jenny Agutter was boring, and I didn't care for Warren Clarke, leaving it to Dean Lennox Kelly to emerge as the best of the cast but he didn't get much screen time till the final 15 minuets.

Unlike New Tricks, I didn't find this very funny and the fishing village location (shot in Northern Ireland) wasn't very interesting, either. I hope now that the threesome have found each other it'll pick up - the lengthy extract of the next episode seemed like it may be a bit better so I'll give it a second go, but the main problem is that the main characters aren't very likeable and need more personality and charisma.

It's a nice spin on a well-worn idea and all credit to writer William Ivory for enlivening it with silly twists, reversals and chortlesome moments. The two stars have a chemistry that makes for easy watching, and they got great support from Dean Lennox Kelly as Hedley, as the young turk who encouraged them out of retirement, and Jenny Agutter as Maurice's anti-crime other half, Barbara.

All in all, The Invisibles is another nice, quiet, heart-warming cup of Horlicks for that under-served generation of viewers who so eagerly took New Tricks to its heart.

Last night, it was decision time: The Invisibles v The Inbetweeners. The loser, the shambolic, hopeless, where-are-the-matchsticks-to-keep-my-eyelids-from-closing-FOREVER loser, was The Invisibles, which finally appeared after weeks of trailers featuring spidery, abseiling figures, implying a drama with the stylistic dash of The Thomas Crown Affair. That, like the drama itself, was a con.

This was a drama with something to say - something obvious and clunking - about ageing. Over and over again. The Invisibles, you see, also refers to the elderly within society. So, Morris (Head) hated the new block of flats that he and his wife (Jenny Agutter) moved into because they were for old people and had smoke alarms; and under the door drifted leaflets for coffee mornings and bridge-for-beginners' courses.

Lame drama chafed against lamer comedy. The duo first tried to burgle a friend's place as practice (they banged their knees, leading to more grumbling about ageing). The tone went absurdly Mission: Impossible as they prepared to rob a gangland chief's place (expensive bits of kit, slinky music). But they were caught, beaten up and eventually saved by the pub landlord, a younger guy in thrall to them because his dad was once part of their gang.

To match Morris's grouchiness, I'll say that burglary is unpleasant, burglars are not to be celebrated, especially ones such as Morris and Sid, so totally lacking in comedic value. Surely we live in an age in which the myth of the gentleman criminal is tarnished: the subtext of The Invisibles is that crime was once a stylish business, with swaggering sophisticates robbing for the hell of it rather than the next crack fix, which is tosh. Anyway, Morris and Sid are dislikeable, inept, poorly characterised crooks. I hope they get collared or someone nicks their free bus passes.

A new comedy drama series that's at least a breath of fresh air from the endless round of whodunits which dominate prime time. There are criminals here too, but such feeble relics of robbers that when they're involved in a car crash during a police chase they get out to see if the bobbies are ok.

With Jenny Agutter and Shameless's Dean Lennox Kelly helping make up a solid cast, there's a couple of genuinely funny moments in the first episode, with the promise of more to come.

Telegraph Article

Anthony Head, Warren Clarke and Jenny Agutter talk to The Telegraph about the worst crimes they've ever committed.