Jennifer Saunders

Jennifer Saunders's cosy West Country WI sitcom returns for its third run. Tonight's series-opener sees the Clatterford Guild oppose a local barn conversion - until they hear rumours that it's to house a certain celebrity. The whimsical wit may split sofa opinion, but there's no doubting the quality of the cast, which is a Who's Who of Britcom: Sue Johnston (The Royle Family), David Mitchell (Peep Show), Sally Phillips (Smack the Pony), Pauline McLynn (Father Ted) and, of course, Saunders's comedy partner Dawn French.

Dawn French and Jennifer Saunders: interview

As Jam & Jerusalem returns, Dawn French and Jennifer Saunders talk about sexism in comedy and the joys of turning 50.

Saints be praised! Sunday night television is saved by the return of Jennifer Saunders's fabulous comedy centring on the activities of the Clatterford Womens' Guild. It's brilliant, gentle stuff, but cut with a sense of anarchy that you'd expect from Saunders's writing. Sue Johnston, Dawn French and Pauline McLynn are all back, with great support from Rosie Cavaliero, David Mitchell and
Maggie Steed, amongst others. This first hour long episode of three has the villagers getting flustered over a planning application - then they find out it might be for Charles Dance...

It's tempting to think of Vernon as the middle-aged incarnation of Edmondson's infamous 80s character, punk Vyvyan from The Young Ones. If so, he's mellowed. There's less ranting and more angst.

Much of the comedy is based on the inverse generation gap. "Shouldn't you be getting a place of your own?" cries his daughter as he trawls the lonely hearts ads. But that's the least of her troubles when her tutor improbably takes a shine to Dad.

Not all the jokes sit quite comfortably in the politically-correct world of 2008. And Teenage Kicks doesn't break any radical new ground. We've seen plenty of children raise their eyebrows at their parents' behaviour before (Mrs Edmondson, aka Jennifer Saunders, in AbFab anyone?).

In fact, it has a rather old-fashioned feel. But it does it well. You know who you are supposed to laugh at. And, at the end of a long week, that's quite demanding enough.

Jam and Jerusalem is distractingly top-heavy with star turns. Appearing in Jennifer Saunders' new sitcom is clearly a prestige gig for an actor, so much so that Hywel Bennett can be recruited for the sole purpose of being killed off and getting the plot moving.

Sue Johnstone stars as grieving widow Sal, forced by bereavement and redundancy into the companionable embrace of the local Women's Institute. Cue a host of comedy cameos from people accustomed to having their own shows.

My inclination is to despise Jam and Jerusalem, like Chelsea FC, for greedily snapping up all the available talent. However, like Chelsea FC, the show is rather successful. Saunders' script is poignant and amusing - there was even a moment of comic genius featuring a false arm - the characters just the right side of eccentric and the starry cast certainly deliver the goods. My favourite performance was Rosie Cavaliero's bereavement counsellor, gently admonishing Sal for processing her feelings of grief in entirely the wrong order.

Two main gripes. First, how come Sal was completely composed and unaffected by her husband's funeral? Second, what is Dawn French doing? Everyone else in the cast has adopted a naturalistic acting style, whereas French has opted for a more panto approach in playing the village idiot.

A brand new game for Friday nights: spot Joanna Lumley. She's absolutely unrecognisable as a bonkers bicycling pensioner in Jennifer Saunders' gentle rural comedy set in Clatterford in Devon - one of those imaginary villages where you can't step out of your cottage without tripping over a dozen or so gurning eccentrics.

But what this lacks in laughs it makes up for in star names. As well as Saunders playing a rich, horsey, friend of Madonna-type, there's Pauline McLynn from Father Ted, Sally Phillips from Smack The Pony, Maggie Steed as the leader of the Women's Guild, a bubble-permed Dawn French as the village idiot, and David Mitchell of That Mitchell And Webb Look.

The piece was actually written for Sue Johnston who plays Sal Vine, the practice nurse whose doctor husband rather thoughtlessly keels over and dies.

Perhaps because of the huge cast, and the way slapstick comedy runs alongside sadness, this first episode feels like a patchwork quilt knocked up from leftover wool.

But some scenes, such as when Sal is visited by a hopeless grief counsellor (the brilliant Rosie Cavaliero) suggest it might be worth giving it a chance to find its feet.

The omens are good for this new Friday-night comedy: it's packed with talent - including Joanna Lumley, Sue Johnston, David Mitchell, Pauline McLynn, Dawn French and Sally Phillips. It's also written by Jennifer Saunders, whose flappywomen comedy formula may not be universally popular, but it has a devoted following among viewers.

But, my goodness, it's hard to find laugh-out-loud moments in this first episode - or even smile-politely ones even though the setting of the action should inspire them: a small Devon village characterised by League of Gentlemenly oddness.