Jelka Van Houten

It's the Easter holidays (just on screen, you haven't missed a few months) and posh buffoon JP (the hilarious Jack Whitehall) invites his housemates to his rural retreat. Naturally, it's not as idyllic as it seems and scenes reminiscent of Withnail & I ensue. Josie (Kimberley Nixon) marks ex-fiancé Dave's wedding day in her own unique way, while socially inept Howard (Greg McHugh) and Dutch mature student Sabine (Jelka Van Houten) find themselves home alone together. There's soon a surprise proposition.

Michael Hogan, The Telegraph, 29th October 2012

Thank cosmic order for Fresh Meat, almost an hour of laugh-out-loud comic astuteness that single-handedly restored faith in the British ability to be funny. Written by Peep Show combo, Jesse Armstrong and Sam Bain, who are truly enjoying a beautiful creative moment, it's a student comedy neatly pitched between Peep Show and The Inbetweeners, and is arguably better than both.

Now in its second series, the show works on a multitude of levels. Each character is fully realised and integral to the set-up, the plots are loose but satisfyingly coherent, and the caustically absurd yet uncannily authentic dialogue succeeds in defining its own inspirationally demented world.

In Howard (Greg McHugh), the paranoid Scot, and JP (Jack Whitehall), the smug public schoolboy, the show boasts two of the finest comic creations to come along in years. Whereas the contrast between Sabine, the plain-speaking Dutchwoman (Jelka van Houten), and Me and Mrs Jones's Inca says everything that needs to be known about the difference between fresh and stale.

In last week's second episode, JP had mumps and, advised that he risked infertility, he rashly chose to store his sperm in the student house's shared freezer ice cube tray. Meanwhile the newly arrived Sabine was still getting to grips with the haphazard communal workings of the kitchen.

You might have thought you'd know how or, more precisely, where this particular climax was going to finish. The mark of the best comedy, however, is that it subverts the obvious even while playing it for all it's worth. In the end the payoff was hard to swallow, but only because it left me spluttering so violently with laughter.

Andrew Anthony, The Observer, 21st October 2012