James Cary

Watching Comedy as a Comedy Writer

Whenever a new sitcom arrives on TV, I always try and watch it. I do this for a variety of reasons. The most obvious is that I'm sitcom writer myself and a bad person, and I therefore want it to fail. I then repent of this, and try to watch it without prejudice, remembering that I have more reasons to want this show to succeed. Why?

Before the first series of Hut 33 was broadcast last year there were those who wondered whether it was a wartime-based comedy series too far. What humour could the writer James Cary glean from the activities of codebreaking folk? Quite a lot, as it happened, as Cary tacitly admitted that the Enigma machine was not in itself a laugh riot, and that a few broadly delineated comic characters were what was wanted.

As a result Hut 33 could be set anywhere, at any time, and still be just as funny. You've got your dithering commander Joshua, to whom the fact that Britain is even at war comes as a surprise, your lascivious landlady Mrs Best, your psychotic Polish refugee Minka, all of whom get their fair share of laughs.

Mention the crack squad of code breakers working from Bletchley Park in the Second World War and thoughts turn to the brilliant young men of Robert Harris' novel Enigma. The team in this sitcom are more of a crap squad and have been placed inside Hut 33 where their incompetence - more social than work-related - can be safely hidden.

It's a bit like Dad's Army in as much as the humour is gentle and the characters are intrinsically appealing. But the humour is far saucier: Robert Bathurst plays an officer terrified by a sex-crazed barmaid, for example, while the jokes about gay sex would never have been allowed in Walmington-on-Sea.

When Another Case of Milton Jones got under way, it seemed like here was another Radio 4 comedy which would be vaguely amusing but nothing more. How pleasing was the result as the world renowned barrister became embroiled in a historical case centred around the origins of the tapestry. Try to imagine Indiana Jones meets Jeeves and Wooster (Milton has the trusty Anton) with a surprise helping of Wind in the Willows thrown in. What a difference Jones and James Cary's story, however silly, made to the proceedings, together with a fine cast and some good old-fashioned one-liners and wordplay.