Ian Wolf

Up across the border, and luckily on the iPlayer, is this new mockumentary sketch show on BBC Radio Scotland.

Written and starring Pauline Goldsmith, Vivien Grahame and Jo Jo Sutherland, the series is meant to be a look at the lives of parents (or to be more exact, mothers), hanging around at the school gates waiting to pick up their kids.

Interesting ideas floated around the characters, especially Linda, a wannabe celebrity who (on her way to the school) calls up a glossy magazine letting them know where they can get good pictures of her.

My favourite characters in the opening, however, were a bit further afield. One was simply the show's monotone announcer, who was so inept that he kept reading the notes in the script literally (for example, saying "ironic tone" rather than speaking in an ironic tone). The other was the disturbingly creepy pious mother who seemed to delight in giving her son physical punishment.

This series certainly has its moments, and while it could be argued that it's patchy in places, it has more than a few laughs throughout.

In this new series on Radio 4, comic ranter Andrew Lawrence explores different social themes - from their impact in the modern world and throughout the rest of history - alongside fellow comedians Marek Larwood and Sara Pascoe.

In the opening episode, Lawrence looked at the subject of diet and food in his usual style; Lawrence's delivery is highly enjoyable if you can get into it. For some, it might be a bit too rapid-fire, but if you can keep up with the pace it does often pay off in big laughs.

Lawrence also cleverly avoids falling into the trap that many "ranters" fall into, which is that he avoids coming across as too angry. Some comedians often like to build up to a massive rage, but with his more deadpan approach Lawrence's commentary is a lot more subtle than most.

For those who do find the delivery too speedy for them, luckily the show is broken up with sketches and songs. The songs in question were something of a highlight in the programme, my personal favourite being Lawrence's guide to rickets. In the end, a good opening episode.

Switch is a comedy drama on a digital channel which has its work cut out. Mainly because it is on IIV2, which is quite possibly the worst TV channel in the country.

Switch is a supernatural comedy about a coven of four 20-something witches living in Camden. Each of the four witches, physiotherapist Grace (Phoebe Fox), travel loving Hannah (Hannah Tointon), fiery fashionista Jude (Nina Toussiant-White) and overworked Stella (Lacey Turner), each have their own problems - whether it is love, family relations or work - so not surprisingly they often end up using their magic to try and improve their lot, and more often than not it backfires.

In terms of laughs, it's somewhat thin on the ground. While the team behind the series have good experience with this kind of format (the show is made by the team who did Being Human), it all felt a bit thin. Part of the problem, I think, is that it's not in the right time slot. The target audience appears to be young women and girls, so why not make the show pre-watershed so that it could reach a bigger audience - and hopefully Switch would benefit from that.

The older actors, the authority figures in Switch, were the funniest - including Grace's old fashioned mother played by Caroline Quentin. There were also some good laughs from Stella's horrid boss Janet (Amanda Drew), who's placed under a spell to make her lose her short-term memory; but in the end makes her forget several decades. Good stuff.

There's one or two positive moments in Switch, but by and large it was a disappointment. That said, I think I'd recommend anyone reading this to watch Switch for two main reasons. Firstly (since just about everything else on the channel is rubbish), it's the best show currently on ITV2. By watching it, we might just encourage the executives at the network to buck up their ideas.

And secondly, as I mentioned before, the show is mostly targeted at young women. This is how Switch should be marketed. Forget the witches or merchandising. Just say that this is the show that could make Jeremy Clarkson's eyes bleed and you could well end up with a big hit.

Probably the best comedy drama currently on television, the third series of Getting On is still getting the laughs, although there's been quite a few changes.

For starters, the staff have been transferred to a new, brighter hospital. But this hasn't stopped Nurse Kim Wilde (Jo Brand), Sister Den Flixter (Joanna Scanlan) and Dr. Pippa Moore (Vicki Pepperdine) each - in their own way - trying to cope with their workload and each other. Their former matron, Hilary Loftus (Ricky Grover), has also now taken a consultancy role in the hospital, meaning he's just background noise - though he could have a say in who the hospital keeps as staff...

Most of the laughs come from the relationships between the three lead characters, helped along by solid acting and some cracking writing. Pippa had the best scenes in this opening episode, especially when chatting to some student doctors in the hope that they'd be interested in her latest medical project: an examination of "post-65 vulvas". Wonderfully funny, if slightly icky.

The drama is also coming off well, especially between Den and Hilary. This episode sees the staff going for medical check-ups, which sees Den discovering something shocking. I'll say no more.

Getting On's one of the best shows around, but as it is hidden away on BBC Four it's not given as big a profile as other shows. Maybe it might be time for a move to BBC Two?

Back for a second series on Channel 4, Friday Night Dinner has retained the comic spark that it had in the first.

As with the previous helping, the series sees the Jewish Goodman family trying to have a dinner on a Friday night, which - as always - ends up with chaos. Brothers Adam and Jonny (Simon Bird and Tom Rosenthal) fight and play pranks, while mother Jackie (Tamsin Greig) tries keep everything in order while cooking the "squirrel" - and father Martin (Paul Ritter) continues with his odd behaviour, refusing to wear a shirt.

In the opening episode, Jackie finds Adam's old diary, which he reveals that he disposed of Jonny's favourite cuddly toy when he was 11. As a result, Jonny tries to capture Adam's beloved "Buggy". In the meantime, Martin is constantly sneezing while trying to fix his lawnmower...

This was a great opening episode, mixing some off-the-wall humour (mainly from Jim, who claims playing the bassoon gave him "reverse hiccups") with some good old fashioned slapstick, which helps to bring around a great ending to the episode itself.

Part of the reason why Friday Night Dinner seems to work is the fact that it's based on something real, namely the actual experiences of such 'Friday night dinners' of the writer Robert Popper. It gives the show an extra footing from which you can get more laughs from, and it does seems to work.

Meanwhile on BBC One another family based sitcom had just begun, and while this series should be a hit, for some reason it feels a little... drab.

Me and Mrs Jones revolves around divorced mother of three Gemma Jones (Sarah Alexander), who is trying to raise two daughters, while her son has just returned from China to 'find himself'. Gemma not only work and family issues, but also has to deal with her ex-husband Jason (Neil Morrissey), who's now going out with a younger Swedish lady.

In terms of the cast, it looks great. The writers, Oriane Messina and Fay Rusling, worked with Alexander on Smack the Pony and later on one of my favourite shows, Green Wing. And Alexander as well as Morrissey are both established sitcom actors. But I just didn't find this show very funny.

Don't get me wrong, there are some laughs, such as the scene when Morrissey is at a children's football match and celebrates one of his daughters scoring a goal - unaware his face is covered in lipstick. However, most of it felt flat.

It could the fact that I'm familiar with their past work; I was expecting something more surreal and unusual from the writers. Not only was this not surreal enough, it wasn't as grounded in reality as either Friday Night Dinner, which also features a Green Wing actress in the form of Tamsin Greig, or the forthcoming Hebburn.

The show also featured the two daughters vomiting a lot, which was slightly off-putting. Personally, I feel that vomit and 'sick humour' are best applied under the "Elizabeth Mainwaring" rule - it's much funnier when it isn't shown, because the image in your head is much better than the one on screen.

Then again, it could just be that this episode had to follow perhaps the most awkward and unfunny episode of Have I Got News for You there's been in years. So in hindsight, Me and Mrs Jones probably deserves a second chance. Another viewing after a more joyful atmosphere may improve the output. At least I hope so.

Gigglebox weekly #60: Best Possible Taste; Red Dwarf

This week Ian Wolf meets Kenny Everett and encounters a bunch of smegheads.

This is the second time that digital channel Dave has brought back the crew of a certain Jupiter Mining Corporation space ship that's three million light years away from Earth.

The first return of Red Dwarf (the three-part Back to Earth broadcast in 2009) had its moments, yet was considered a slight anticlimax. But now Red Dwarf's returned with Series X, it's gone back to basics. Shot in a studio and in front of a studio audience (that's not canned laughter, despite what some people will tell you), has the gambit paid off? Well, I'm proud to say that it smegging has!

The characters really are just as great as they were before. In this first episode, the despicable hologram Arnold Judas Rimmer (Chris Barrie) becomes so resentful that he crashes - due to self-created malware. He becomes even more frustrated when he encounters the crew of another spaceship, which is supposedly lead by his brother Howard. Meanwhile, the slobbish last-human-alive Dave Lister (Craig Charles) is trying desperately to order some rubbish product over the phone.

The 'situations' were expertly delivered and gags landed too. Even the more subtle visual humour - Cat (Danny John-Jules) walking behind a shot holding a huge map of the ship they are on, for example - doesn't fail to tickle your funny bone.

I do miss some things, though. I miss both Kochanski and Holly, and I miss the fact that there used to be no ad-breaks in the middle of the show. But other than a few picky issues, it's great to see Red Dwarf back.

That's right; it's yet another melodramatic BBC Four biopic, exploring the life of a comedian including their darker, personal details - but this one contains some naughty bits.

The Best Possible Taste concerns the life of Kenny Everett, played here by Oliver Lansley. Lansley also plays most of Everett's comic characters, including Sid Snot, Cupid Stunt, Brother Lee Love and Marcel Wave, who commentate on the habits of their creator and his complicated love-life: namely being married to his wife Lee (Katherine Kelly), despite being gay...

Like Everett's own style of humour, the show itself was completely bonkers, with lots of quirky editing. There are several instances of scenes which display Everett's true feelings, only for the characters to stop the film and rewind it to show what really happened. For example, there's the scene at the 1983 Young Conservatives conference, in which in Everett's mind he wants to tell the world he's gay, but is stopped by Cupid Stunt, who then shows us that Everett actually blurted, "Let's bomb Russia!"

While The Best Possible Taste is worth a watch, it's not really one for the comedy anoraks. There's no mention of how his characters were formed, and several of his TV outings were not mentioned at all. Instead, the show mostly covers his private relationships and his DJ work. So, while this documentary may have been produced in the best possible taste, I can't say it was as funny as it could have been.

Another series of music-based panel show Never Mind the Buzzcocks began this week. It's the 26th series, and it has to be said it's starting to show...

Although they still have Phill Jupitus and Noel Fielding onside, producers are still sticking with guest hosts. This week's host was Katy Burke - who did an OK job - but the panellists are, like always, a mixed bunch. Sarah Millican is usually always reliable, but then you had Fazer from N-Dubz, who I think was only called on because he was the only member of the band who had not appeared on the show before...

Another guest on this episode was Olympian long jumper Greg Rutherford, whose contribution was somewhat dubious. While Burke managed to get some good one-liners from him, I thought that the round entitled "Name that Ginger" was slightly tasteless.

The "Identity Parade". was also problematic. Usually the round features band members - but they must be struggling to find anyone new because instead the line-ups consisted of the now grown-up baby on Nirvana's Nevermind album, and someone's super-fan...

Hopefully this was just a blip, but I can't help but feel that it's time to for Never Mind the Buzzcocks to either shape up or stop.