Hugh Bonneville

Hugh Bonneville interview

Hugh Bonneville explains why the corporation is right to show its sense of humour.

Hugh Bonneville interview

TV Choice met Hugh Bonneville, who plays Ian, at the BBC's New Broadcasting House in central London where W1A is also filmed. So that's all good!

Hugh Bonneville locked out of BBC whilst filming W1A

Hugh Bonneville reveals that life imitated art recently when a doorman refused him entry to BBC Broadcasting House while he was filming upcoming satire W1A.

Two US actors and a stiff upper lip grace Norton's studio tonight as Matt Damon, Bill Murray and Hugh Bonneville drop in to give us the lowdown on their roles in George Clooney's The Monuments Men.

Quirky songbird Paloma Faith turns on the funk in the studio with her latest single, Can't Rely On You. If you can't wait until tonight, here's a rollicking live version doing the rounds online that was recorded in a kitchen, complete with backing singers and an acre of tartan.

Hugh Bonneville may star in Mrs Brown's Boys film

Downton Abbey star Hugh Bonneville is being lined up to star in a film based on Mrs Brown's Boys.

Michael Frayn's latest novel Skios is a side-splitting comic delight, which takes in almost every sub-genre from drop-your-pants farce and slapstick to verbal jokes and a satire of intellectual poseurs. Published last year, the book was criticised for over-reliance on farce at the expense of characterisation, but this adaptation, by Archie Scottney, provides more balance to the competing elements.

Hugh Bonneville plays scientist Dr Norman Wilfred with only a little of the weary grandiloquence the actor cultivated on Downton Abbey. Wilfred arrives on a Greek island to give a speech to a cultural foundation, but his place has been assumed fraudulently by Oliver Fox, played with blase charm by Tom Hollander.

Thwarted seductions alternate with Fox's pseudo-philosophical assertions, lapped up by an adoring coterie that dare not declare that the emperor - like several of the cast - isn't wearing any clothes.

Jon Glover brings the house down with his rendition of Spiros and Stavros, two manic cabbies whose question as to the identity of their passenger - "Fox Oliver?" - is taken for a talismanic local phrase. The question of identity and mis-identity is at the heart of the piece, although I couldn't help wondering why someone doesn't whip out their smartphone and unmask the interloper.

Hugh Bonneville plays Dr Norman Wilfred, eagerly awaited lecturer at an annual scientific meeting on the Greek island of Skios. But someone else turns up, passing as Dr Wilfred. This charming chancer is Oliver Fox (Tom Hollander). Meanwhile, Dr Wilfred is stuck in a remote villa with Georgie (Janie Dee), who has been sweet-talked by Oliver into spending the weekend with him, and no luggage. The script is by Archie Scottney, from the novel by Michael Frayn, the cast (which also includes Stacy Keach and Joanne Whalley) is as grand as you'd expect from those independents Jarvis & Ayres.

Amongst the programmes over Christmas this week included a dramatisation of David Walliams' children's novel, Mr. Stink.

The story follows a young girl, Chloe (Nell Tiger Free), the eldest daughter of a vile right-wing mother (Sheridan Smith) who wants to become an MP, and whose main policy is getting the homeless off the streets in any way possible. Chloe encounters a tramp, who goes by the name of Mr. Stink (Hugh Bonneville), so called because of his terrible odour.

Mr. Stink's only companion is his dog the Duchess (Pudsey, the winner of Britain's Got Talent), and so Chloe becomes friends with him and eventually persuades him to move into her shed - all while trying to avoid the wrath of her mother.

It's no surprise that this and indeed all of Walliams's children's books have a heavy influence from Roald Dahl. Much of the humour in Mr. Stink's visual, which for a pre-watershed children's comedy isn't a surprise, but it was good. It ranges from Chloe's younger sister Annabelle (Isabella Blake-Thomas) taking part in a historical re-enactment society dressed in full medieval armour, to both of them giving Mr. Stink a full makeover. There are also the throwaway comments in the show, such as Stink claiming that he is "lice free, but no stranger to worms."

In terms of a children's comedy, this seems to tick all of my boxes. It's inoffensive, it's witty, and it's not too childish so adults can watch it without feeling embarrassed. No doubt that more Walliams novels will be adapted for future Christmases.

Given that Giggle Beats is first and foremost based in the North East, I thought it was only right to review a Christmas comedy presented by someone from the region. Luckily The Sarah Millican Television Programme was a joyous programme.

Like the series broadcast earlier in the year - which is coming back early next - the show is a mixture of stand-up and interviews, in which Millican covers all things concerning telly. The stand-up routines are good in themselves, but this is to be expected because it's what she does best. The only problem's that because this is television, she can't be as rude as she is on stage.

However, the interviews allow Millican to be rude in a different way. In this case she gets to ask all sorts of cheeky questions to her guests (Hugh Bonneville, Shane Richie - complete with an attempt to kiss each other via a giant TV screen - and her father Philip). It puts me in mind of the character Mrs. Merton, but without the need for a comedy character. The guests know they're going to be mocked, so in a way everyone gets what they want.

The other thing I like is that the special is less gimmicky that the first series, with less reliance on props. The closest to a funny prop in this show was Sarah's Christmas outfit and some mince pies. Hopefully this more simplistic approach is continued in series two.

Gigglebox weekly #70

This Christmas Ian Wolf encounters a pong, kissing via TV and two doses of Hugh Bonneville.