Guy Jenkin

Power Monkeys is successor to last year's riotously funny Ballot Monkeys, and also written by Andy Hamilton and Guy Jenkin, but this time a little more miss than hit. They absolutely nailed Donald Trump, by focusing not on him but on a moderate aide's frantic attempts to dial him down (Amelia Bullmore just keeps getting drolly better); and nailed, too, the sinistrata of the Kremlin, its all-too-believable obsessions with the skewed minutiae of the UK media, plus a damned fine gag about Noel Edmonds, surely nature's successor to David Icke. Where they failed was in the Brexit battle bus, by having a joke Ukip fringe-loon at the centre of things. I know this is chiefly written on the day, to keep it as topical as possible, but sometimes the set-up is more important, and the Brexiters were drawn, weeks ago, with a surprising lack of subtlety. I would worry more if the writers were not capable of both fluidity and nuance: expect the swivel-eyes Ukip cliche to soon Brexit the brus, and Jack Dee's dark cynicism to lighten our days. Ballot Monkeys got fiercely sharper as the vote approached: expect the same.

Power Monkeys preview

Channe‎l 4's new six-part topical comedy about the EU Referendum is the latest in 'ripped from the headlines' comedy f​rom the creators of Outnumbered and Drop The Dead Donkey, with each episode shot and edited on the day of transmission.

Honk honk! All aboard the Brexit bus

Power Monkeys is an EU referendum satire from the brains behind Drop The Dead Donkey that will fly by the seat of its pants.

Women take the comedy throne at Channel 4

Game of Thrones aside, it is the women who catch the eye in Channel 4's forthcoming comedy line-up.

Channel 4's commitment to cutting edge comedy continued with this satirical take on the campaign leading up to May's general election. Writers Guy Jenkin and Andy Hamilton employed the same technique they did during Drop the Dead Donkey and wrote some of the more topical jokes on the day that the episodes were filmed. This gave Ballot Monkeys a very relevant edge and what's more it was very funny to boot with special mention going to Ben Miller's frustrated Lib Dem supporter and Sarah Hadland's awful UKip member. Ultimately Ballot Monkeys wasn't just one of the funniest sitcoms of the year it was also one of the most inventive.

Seven questions with... Andy Hamilton

Andy Hamilton is an award winning comedy writer and stand up comedian, perhaps best known for co-creating and writing Outnumbered, who has recently been working on satirical television shows such as Ballot Monkeys and the comedy film What We Did On Our Holiday with fellow writer Guy Jenkin. Now he is back on the road with a new stand up show: Change Management.

There are surprises, though less charm, in new comedy from Channel 4's Bugsplat!, from Drop the Dead Donkey and Outnumbered writer Guy Jenkin. Bugsplat! is set on an English RAF base, where drone pilots coordinate attacks on far-away targets. The press of one big red button in a converted shipping container in a field annihilates enemies and any number of innocent "collaterals". This brutal premise forms the basis of George Brant's fierce monologue Grounded, which is currently running off-Broadway with Anne Hathaway as its drone pilot. But the treatment here is more daft than harrowing, reaching for dark humour in the fundamental absurdity of the situation. That is not, in itself, offensive, though the jokes never quite land, hovering uncomfortably between trying to be both cautious and outrageous.

In its opening scene, a target vehicle is tracked by a drone as it moves from wilderness to town to marketplace to an orphanage for blind children, the collateral damage of any attack becoming increasingly unacceptable. "It'd kill 50 children!" one observer objects. "Health and safety gone mad," grumbles splat-hungry pilot Lexi (a caustic Lauren O'Neil), as she hovers over the button. Eventually, she gets to press it. She celebrates with a drink - they've taken out the bad guy. Only they haven't, and the real bad guy tricked them, and WikiLeaks is all over it and what appeared to be an operational triumph quickly turns into a PR disaster, particularly since someone filmed them dithering over the approach.

Vincent Franklin, last seen in Russell T Davies's Cucumber, plays exasperated Wing Commander Barry, who tries his best to manage this messy cross between a bureaucratic nightmare and "Xbox shit". But for a modern sitcom dealing with such current subjects, it feels strangely old-fashioned. Were it not for the subject matter, it is easy to imagine it airing on ITV's 9pm Friday-night spot. There are touches of wit - I enjoyed the use of "to decease" as a verb - but the obvious problem is that the real situation is so tragic and absurd that it requires razor-sharp satire to slice it open. The Thick of It, which is a clear point of comparison, worked because its writing was ruthless. This doesn't go far enough. When Fiona Button's PR manager Gina attempts to take control of the disaster - "What's a cock-up but a triumph that hasn't been spun right?" - you're left wishing Malcolm Tucker would come and show them how it's all done.

Radio Times review

A great cast - Vincent Franklin from Cucumber, Hugh Skinner (dumb Will in W1A), and Rufus Jones (camp David, also in W1A) do their best in this queasy sitcom about drone pilots.

The bored little group are closeted in a cabin on a bleak airfield, their days characterised by long stretches of yawning boredom punctuated by administering sudden death in the Middle East, and sometimes they get it wrong.

It's a black comedy (there's a very off-colour gag about social services) but it's not black enough and consequently not funny enough. It's the kind of thing Charlie Brooker would do ruthlessly well, yet writer Guy Jenkin (Ballot Monkeys and Drop the Dead Donkey) lets it drift into farce.