Press clippings Page 2
The 10 funniest comedy shows of 2020
There wasn't a lot to laugh about as venues closed and gigs were cancelled. But stand-ups still delivered silly, edgy and heartfelt gags. Our critic picks his favourite new material.
Brian Logan, The Guardian, 21st December 2020Review: The Comeback
An enthusiastic, packed house (though with empty seats spacing out bubbles) gave The Comeback a standing ovation. That reception partly reflected the pleasure of being at a live show, enjoying all those vibes we've been missing, but there was no doubt that this show gives a good time.
Howard Loxton, British Theatre Guide, 17th December 2020Review: The Comeback
For all its smartness, it has at its centre a sweetness and an innocent enjoyment of comedy for comedy's own sake that feels the perfect antidote to the complicated world we are living in, a vaccine against cynicism.
Sarah Crompton, What's On Stage, 17th December 2020Review: The Comeback
Shallow if skilfully constructed silliness from offbeat double act The Pin.
The Stage, 16th December 2020The Comeback review - comedy that sparkles by The Pin
Described as 'the cure for theatre' by producer Sonia Friedman, Alex Owen and Ben Ashenden's debut play is full of heart, pleasing pratfalls and endless flips of perspective.
Brian Logan, The Guardian, 16th December 2020Review: The Comeback
The Comeback allows two immensely talented, up-and-coming actors to talk live on stage about the charms, eccentricities, and general fun of their industry - all the while telling a genuinely hilarious and engaging stage play.
Nick Ferris, A Younger Theatre, 16th December 2020The Comeback review
There's plenty of charm, but don't fall for the hype.
Clive Davis, The Times, 14th December 2020Review: The Comeback
No sooner has The Comeback hit the West End stage than it will be forced to close, as London goes into Tier 3 coronavirus restrictions from Wednesday.
Steve Bennett, Chortle, 14th December 20202020 in comedy: where will future stars come from?
As established names go global online, the next generation of stand-ups face losing their launchpad.
Tristram Fane Saunders, The Telegraph, 12th December 2020