Cook & Moore

Was it madness or arrogance that persuaded the volunteers on Pete And Dud: The Lost Sketches that they could sketch in the shadow of genius? The idea of the likes of Angus Deayton and Adrian Edmondson attempting to emulate the comedy chemistry of Peter Cook and Dudley Moore seemed like the product of a lock-in after the Baftas. In other words, it should never have survived the cold light of day.

Yet, though it was light on belly laughs and clearly in thrall to its source material, Pete And Dud: The Lost Sketches was oddly entertaining. Introduced by lifelong Pete and Dud fan Jonathan Ross (and for once he seemed genuine), the set of sketches performed - 'lost' in the sense that the BBC unbelievably wiped the original TV tapes, so they only survive in audio or script form - at least served as a priceless reminder of one of the truly great comedy pairings.

It was like watching a rock tribute band who know all the words and get the notes in the right place. You could sing along but inevitably there was a spark missing. It was the brief clips of the real Pete And Dud that were worth sticking around for, the mix of surreal allusion, schoolboy smut and lady frocks making it clear how much the duo influenced everyone from The Fast Show to Little Britain.

There was a missed opportunity in the mix: Stephen Fry and David Mitchell, only featured as talking heads, would have made a perfect Pete and Dud.

Instead the originals were lovingly, though palely, imitated, new boy Jonny Sweet coming closest to catching the anarchic 1960s spirit that Pete and Dud encapsulated.

Now what we need is a series that rounds up every clip that still exists.

Jonathan Ross rounds off his BBC career this week with his final chat show on Friday, and this love-letter to comedy duo Peter Cook and Dudley Moore. Ross, a devotee of the pair's sardonic, surreal sketches, tells us that Pete and Dud were his first TV comedy love. Their series Not Only... but Also ran on BBC2 between 1965 and 1970. It will surprise no one to learn that the BBC subsequently wiped the tapes of many of its 23 episodes, some of which survive only in script form. Which is where we reach the chancy bit of Pete and Dud: the Lost Sketches. Ross's guests - including Alistair McGowan, Angus Deayton and Hugh Dennis - gather to re-create some of these vanished comedy gems. I hope it works.

It's one of the tragedies of 1960s TV that so many episodes coveted by posterity were wiped at the time, either because it was assumed they'd be of no further interest or simply to reuse the tapes. Peter Cook and Dudley Moore's Not Only... But Also fell foul of this folly. However, sketches have survived in script form and here Jonathan Ross assembles a contemporary cast including Angus Deayton, Ade Edmondson and Simon Day to recreate them, while Stephen Fry and David Mitchell among others consider Pete and Dud's legacy.

Right up until the late Seventies, it was common policy for the BBC to wipe reels containing previously broadcast programmes in order to make space in the archives and save money by reusing the tape. One of the most significant casualties was Dudley Moore and Peter Cook's seminal comedy sketch show Not Only... But Also, of which fewer than half of the 22 episodes survive - despite apparent efforts by Peter Cook to purchase the masters from the BBC before they were wiped. While some of Pete & Dud's famous routines have been recovered from other filmed performances, others now exist in script form only.

Hence this project, spearheaded by Jonathan Ross, to resurrect Moore and Cook's lost sketches by reperforming them with a group of contemporary comic actors, including Adrian Edmondson, Alistair McGowan (who is rather good as Sir Arthur Streeb-Greebling) and Outnumbered's Hugh Dennis. The scripts still sparkle despite the passing of time, but the performances, perhaps inevitably, make you miss the real Pete and Dud all the more. However, the film has undoubtedly been made with the best of intentions, and includes rare archive footage of the original duo in action too.

Richard Lester's adaptation of the play by Spike Milligan and John Antrobus is a truly bonkers curio. Set in a blasted post-apocalypse Britain where roughly 20 people have survived, all of whom steadfastly avoid discussing what has happened, the film features an impressive pantheon of 1960s British talent - Milligan, Peter Cook, Dudley Moore, Ralph Richardson, Arthur Lowe - attempting to carry on as normal with bicycle-powered public transport and the ever-present threat of mutation.

Lowe turns into a parrot, Moore turns into a sheepdog, and Richardson wearily endures his inexorable transformation into the titular rented accommodation. Bleak, dark, surreal, silly and truly unique.

The long-lost 1969 comedy The Bed Sitting Room is finally given the spotlight it deserves. Based on a rather freeform post-apocalyptic play by Spike Milligan, this is rightfully regarded as something of a missing link in UK comedy. Under Richard Lester's inventive direction, Britain is reduced to around a dozen characters following a nuclear "misunderstanding" and the population dwindles further as radioactivity causes people to mutate into parrots, wardrobes and the titular cheap accommodation - yes, Spike Milligan clearly did write this. It's a bleak and funny mix of music hall gags and Samuel Beckett-style existentialism with a cast including the great Michael Hordern, Arthur Lowe, Peter Cook, Dudley Moore and Marty Feldman.

Despite having been edited down from a much longer recording, Pete and Dud - The Lost Tapes was no "greatest hits" package and managed to live up to the implications of its title in impressive style. Most fans have never really known the majority of the featured sketches in anything other than précis form on the printed page.

What Peter Cook really thought about cuddly Dudley

Previously unshown out-takes from the infamously foul-mouthed 'Derek and Clive' recordings show the true extent of the animosity between Britain's most popular comedy pairing.