Press clippings Page 3
Graham Dickson, interview
Last week I sat with Graham Dickson to chat about his character comedy show Graham Dickson is The Narcissist at the Edinburgh Fringe.
Chris Mackrell, Black Diamond, 21st August 2017Three To See on 16 Aug
Three recommended shows to see on Wednesday 16 Aug...
ThreeWeeks, 15th August 2017Graham Dickson's perfect playlist
Every comedy impulse I've ever had has come from The Simpsons.
Graham Dickson, Chortle, 10th August 2017Interview with Graham Dickson
Graham Dickson takes some time to talk to Voice about the show, inspirations, and to give advice to young people.
Tom Inniss, Voice Magazine, 8th August 2017Just say yes
Improv is one of the more curious sub-genres of comedy.
Short Com, 2nd August 2017Spotlight: Graham Dickson Is The Narcissist
I caught up with writer and actor Graham Dickson.
Daniel Perks, Daniel Perks, 1st August 2017#EdFringe17 Comedy Q&A: Graham Dickson
Graham Dickson is The Narcissist is described as a meta-theatrical mind-fuck of a character show about an egomaniac called Graham Dickson. We fired over a Q&A to get more info.
Martin Walker, Broadway Baby, 30th July 2017Meet Fringe innovators Berk's Nest
An interview with Katie Churchill, Owen Donovan and Phoebe Bourke, the producers and directors behind some of the Fringe's most imaginative shows
Ben Venables, The Skinny, 28th July 2017Fringe 2017: Top picks and tips
With its 3,398 shows across 300 venues, we guide you through the world's largest arts festival.
Sarah Bradbury, The Independent, 18th July 2017The premise of Austentatious (18 June, 7.15pm, Radio 4) is that the great novelist actually wrote hundreds of lesser-known works, any one of which can be acted out by a troupe of improvisers including Amy Cooke-Hodgson, Graham Dickson, Charlotte Gittins and Cariad Lloyd if the audience only shout out its name. The extended canon includes Strictly Come Darcy and Mansfield Shark. The first one the team essay is Married to a Cad and a Bounder; the resulting programme works by marrying the pert formality and complex exposition favoured by Austen with a more modern sensibility. Most of all, it works, thanks to the comic reflexes of all concerned.
David Hepworth, The Guardian, 17th June 2017