Graeme Garden

The Goodies - Series 1 from Worst to Best

November 2015 marks the 45th anniversary of The Goodies, the long-running comedy series starring Graeme Garden, Bill Oddie and Tim Brooke-Taylor.

Bill Oddie remembers radio comedy that inspired Python

The broadcaster and birdwatcher looks back on I'm Sorry, I'll Read That Again, his rowdy 1960s radio comedy featuring John Cleese, Graeme Garden and Tim Brooke-Taylor.

The Frequency Of Laughter was a simple but effective idea: the history of British radio comedy from the late 70s to the present-day, presented in the form of interviews with pairs of participants, ranging from Graeme Garden through Angus Deayton to Meera Syal, all talking to Grace Dent, who asked the right questions.

5 things you might not know about the ISIHAC crew

Barry Cryer, Graeme Garden, Tim Brooke-Taylor, Jeremy Hardy and Jack Dee are taking the beloved radio show on the road. Here's some facts about them.

Entering its second series, Dilemma is a Radio 4 panel game hosted by Sue Perkins where the guests are forced to admit what they'd do in various - unlikely - ethical situations.

In this opening episode Paul Sinha was asked what it would take for him to stop supporting Liverpool FC; the poet Lemn Sissay was queried on plastic surgery; actor Margaret Cabourn-Smith was asked how far she would help her daughter if she was involved in a drunken hit-and-run; and Graeme Garden had to decide if would only watch ITV in order to preserve the BBC's future.

Aside from Lemn Sissay, the panellists all had their moments. But my favourite 'bit' was when the show opened out to the audience, and the panel then had to pass judgement on their dilemma - including a man who was at the show with two women and didn't know which one to take back home after. Safe to say he didn't come off well.

Dilemma's basically just a round-table discussion programme with jokes. It's nowhere near as fierce as other panel shows like Mock the Week, and if you like your panel shows to be a bit more relaxing then Dilemma is one to seek out.

Audience participation is taken to a new level in the return of the comedy series that puts its panel through a moral wringer.

Sue Perkins is quick to spot flaws in the panel members' justifications for their actions in hypothetical dilemmas, but even the unshakeable Sue is taken aback by a member of the audience who confesses his problem is which of the two women who have accompanied him to the recording he should go home with.

The funniest moment of the night, though, comes from comedy stalwart Graeme Garden. The dilemma he faces is whether to ensure the future of the BBC for ever by spending the rest of his life viewing what was, until recently, called ITV1.

Anyone who can claim that watching Emmerdale with all the lights switched off is a suitable replacement for Borgen is a comic genius.

The main Radio 4 comedy celebrating Christmas was I'm Sorry I Haven't a Clue, broadcast as a 45-minute long extended edition. Stephen Fry was the guest, alongside host Jack Dee, panellists Tim Brooke-Taylor, Barry Cryer and Graeme Garden, and pianist Colin Sell - although sadly no Samantha (Sven took the place as scorer).

In the special there was the usual selection of rounds, from "Mornington Crescent" to "Sound Charades", and "Nativity Radio Times" to "One Song to the Tune of Another", which allows the listeners to hear Fry's version of Goodness Gracious Me to the tune of The First Noel, a sound which makes you wonder who would win a singing contest between Fry and Jeremy Hardy...

One of my main complaints about the BBC's comedy programming in 2012 was the lack of coverage it gave to the ISIHAC's 40th anniversary. This show was almost the only marker of the celebration, whereas the 45th anniversary of Just a Minute was given extensive coverage, including a TV adaptation (the third in its history) and episodes recorded in India.

JAM's a great comedy too, of course, but I do think that ISIHAC is the better of the two. And if the BBC aren't going to honour it then hopefully I can here. Here's to another 40 years of funnies - maybe...

The Australians remaking The Unbelievable Truth for TV

The team behind the Australian sketch troupe The Chaser are remaking The Unbelievable Truth - a UK radio format adapted for television and championed by their comic idol, Graeme Garden of The Goodies fame - which has provided a rare mainstream platform for some of the biggest names (and a few new ones) from the local comedy circuit.

The Matt Lucas Awards is the radio adaptation of the BBC Radio 2 show And The Winner Is... in which Matt Lucas and his panel of guests - this week it was Jason Manford, Henning Wehn and Graeme Garden - present awards in unusual categories.

The main worry with any radio adaptation is will it carry off the transfer from radio to telly? By the looks of things I'd say that it's doubtful, which would be a huge shame because I'm a big fan of the radio show.

To me it seems that the TV version has strained too far from the original format. Let's start from the beginning with the opening titles. When I saw the original pilot that was on the BBC website some time ago (and which I've reviewed previously) there were some things I enjoyed, like the catchy "excruciating theme tune."

The song is good, but I can't stand the animated opening titles, which were just too cheesy. You don't need to mute your TV, but you do need a blind to cover the scene until the show properly starts. Also, a word of advice: don't put a character from a much more successful show (in this case Vicky Pollard) in the opening titles, reminding everyone that the older show was brilliant and this new show may well not be as funny...

Moving on to the actual show, the pilot was set in a ritzy studio while the series is set in a mock-up of what is supposed to by Lucas's flat. According to a blog by co-creator of the series Ashley Blaker, they thought the ritzy studio didn't work. But I don't think the flat works either. It comes across as a bit gimmicky for me.

Then you have certain awards in which the guests are made to do stupid activities, like drawing a nude model and having to sing terrible football songs while dressed up as the singers in question. It just gets more cheesy as the show goes along.

I hope the series improves, but to be honest I have my doubts. But if the BBC does decide to cancel it, I hope they don't get rid of it all together and it returns to the radio.

What is it with celebrities and their parents? First Sarah Millican uses her TV show to introduce the world to her dad and his words of wisdom, now Matt Lucas has roped in his mum Diana to provide the comic links for The Matt Lucas Awards.

Truth be told, Mrs Lucas proves good fun, and fits in rather well with the surroundings. Indeed, the show itself is as snug, cosy and comforting as a mother's embrace. If anything a little more edge would have been welcome.

The premise mimics traditional showbusiness award ceremonies, only with bizarre and previously neglected categories such as 'smuggest nation' and 'worst football song ever'. A panel of three celebrity guests are charged with providing the nominations and arguing their case, while host Lucas fires off non-stop quips before deciding on the winner.

It's a pleasant enough distraction, and inaugural guests Henning Wehn, Jason Manford and Graeme Garden proved good value, but The Matt Lucas Awards is clearly a show in the grips of an identity crisis.

The set - a studio-bound facsimile of Lucas' living room - is reminiscent of The Kumars At Number 42, while the format invariably invites comparisons to Room 101. The only truly original aspect of the programme - the designated performance corner where the celebrities indulge in costumed karaoke - is by far the least successful. I'm afraid it looked suspiciously like padding.