Gareth Edwards (II)

Victorian television-making techniques

When Mark Evans, writer of The Bleak Old Shop Of Stuff, first suggested we make a Victorian television programme I assumed he meant a programme set in Victorian times.

TV review: Misfits, E4

Smutty innuendos, far-fetched storylines and joker Nathan - how we've missed the Bafta-winning Misfits.

TV review: Holy Flying Circus

Monty Python's Life of Brian is still easily one of the funniest films ever made, but at the time of its release it attracted nothing but controversy.

You may have heard this when it first went out in the 6.30pm comedy zone but if you are generally averse to what's offered in those slots and thus missed it, grab it now. Mark Evans writes one of the wittiest, most ingenious scripts on the air, a Dickensian pastiche with a slight Rocky Horror Show echo. Director Gareth Edwards has cast it beautifully and the actors (Richard Johnson and Anthony Head among them) give it their considerable all.

Ronnie Corbett Christmas return: Puns upon a time

Gareth Edwards says the comedy of word play deserves a revival.

Why poke fun at Charles Dickens?

Charles Dickens is a genuine national treasure, his works read by millions and the television adaptations usually ratings hits. But his novels and characters are also ripe for satire, says Gareth Edwards.

That Mitchell & Webb End of Series Quiz

As the producer of That Mitchell and Webb Look I often imagine what it would be like to have thousands of fans clamouring for an end-of-series-four quiz.

Motivating Mitchell and Webb

As the producer of That Mitchell and Webb Look I'm often asked if it's as much fun working with David and Rob as it is watching them. The answer is of course no.

That Mitchell and Webb Format

Any amateur historian with a bit of initiative and a metal detector will have discovered that That Mitchell and Webb Look is a spin off of David and Robert's radio show That Mitchell and Webb Sound.

Mitchell & Webb Special Effects

As the producer of That Mitchell and Webb Look I've had a lot of make-believe questions about the special effects we use. Here are the ones I've decided I hear most often.