Frankie Howerd

Seven comedy icons with a seedy reputation

It seems that every day a new showbusiness career lies in tatters as the world finally catches up to the men who abuse their power to harass and grope women. But for decades bad behaviour has gone unpunished... here are seven comedians beloved in their day - and some even now - despite widespread reports of pretty salacious behaviour that surely would not be tolerated today.

Beryl Vertue: People don't give British comedy a chance

She represented Spike Milligan, Tony Hancock and Frankie Howerd. But Beryl Vertue refuses to believe that comedy's best days are behind us.

New exhibit shows archive pictures of BBC comedians

Compton Verney exhibition charts 60 years of comedy, from Hancock's Half Hour to Miranda Hart.

Ten comedians who have played Shakespeare

Including Catherine Tate, Benny Hill and Ken Dodd.

While not as laugh-a-minute as the first series of W1A, the new offering again crackled with good lines, from the pen (and now direction) of John Morton, who also tackled the monster that was the London Olympics in 2012, in a comedy of the same name. He likes a challenge.

Has he thought about the EU, and Brussels? That may be a farce too far. According to Morton's script his royal highness "needs a three-day lockdown on his loo".

As one person said in the meeting, "that's a little too much information".

The strength of this series is to mix what we assume happens within the BBC, with what actually does go on in the daft world of TV. "The Frankie Howerd room"? In the end, we don't have a clue as to where the truth lies.

If a quarter of what happens within those meetings is close to reality, it explains what we sometimes see on the screen.

It's good comedy, yes, but it does make you wonder, which we hope is the whole idea. Or is it simply a weekly video for BBC staffers to watch and reflect upon? For example, there was talk in the show of a new role as "Director of Better".

We laugh, but it might not be too far from reality either. What it does show is an organisation easily parodied for being obsessed with image. The BBC is not alone in that, but we do hope that coming up with decent programme ideas then making them is the real focus.

There was a funny storyline about Jeremy Clarkson. His surname was bleeped out, as someone was "tasked" with counting up the number of times he had said the word "tosser" in the past four years on Top Gear. Alas, the hapless "oh, cool, yeah" intern Will was given the job. If only he'd been given the task of sorting out the real-life Clarkson case.

The hour-long format did the show no favours. For example, there was a little too much from Perfect Curve, who are now genuinely the "world's most annoying PR agency". That aside, solid performances from the likes of Hugh Bonneville and Jessica Hynes have ironically made this one of the best comedy series on the BBC in recent years. One thing is sure, though, viewers will quietly desert the show before John Morton runs out of material.

After last week's episode, in which the reappearance of Steve's assistant Emma and Yolanda the photographer intensified the one-upmanship between Steve and Rob to grotesque levels, this week's instalment is a more amicable affair. Highlights include a day trip to Pompeii, which allows Coogan to do his Frankie Howerd impressions, and riffs on Gore Vidal and popular singers (Rob: "Where do you stand on Michael Bublé?" Steve: "His windpipe").

Radio Times review

At the beginning of this episode I started to think I might have had enough of comedians trading impressions in Italian beauty spots. By the end, I was completely converted again. The series always hovers on the edge of nothingy, self-indulgent banter, but it always saves itself and delivers terrific belly laughs alongside unexpected little shots of melancholy.

Steve Coogan and Rob Brydon are at Pompeii, wearing appalling shorts (Coogan's are those baggy, halfway-between-knee and-ankle ones) and reflecting on the disaster there. By the remains of one victim, in a display case, Rob does his "small man in a box" voice and it feels crass; but then it shades into a lovely illustration of how he struggles to take anything seriously - he's a prisoner of his own comic riffs.

That undertow of sadness only adds to the comedy, which this week covers Humphrey Bogart, Frankie Howerd and, briefly, Ken Bruce.

TV loves a tragic stand-up... but who's next?

We've had Kenneth Williams, Kenny Everett, Frankie Howerd and Steptoe & Son - now Tommy Cooper is getting the tears-of-a-clown dramatic treatment.