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Solo. Gemma Palmer (Felicity Kendal). Copyright: BBC
Felicity Kendal

Felicity Kendal

  • 78 years old
  • English
  • Actor

Press clippings Page 3

Felicity Kendal reveals she had affairs

Felicity Kendal reveals she had affairs when she and couldn't be more different than her The Good Life role.

Alan Sharp, The Mirror, 19th May 2013

Felicity Kendal recalls Good Life actor Richard Briers

I try not to do regrets - I think they're such a waste of time - but I now have one. Not having kept in closer touch recently with Richard Briers, or Dickie as I used to call him, is a real sadness to me now that he has gone.

Felicity Kendal, The Telegraph, 17th March 2013

A look at the Silver Jubilee Good Life performance

At the conclusion of the myriad of events surrounding the recent Queen's Diamond Jubilee celebration, I started thinking back to the Silver Jubilee in 1977 when Her Majesty and Prince Philip, the Duke of Edinburgh, attended a taping of an episode of The Good Life (Good Neighbors in the States), starring Richard Briers, Felicity Kendal, Penelope Keith and Paul Eddington.

Bill Young, Tellyspotting, 12th June 2012

Solo: The Complete Series on DVD (Link expired)

As such, Solo is a sitcom of some integrity, albeit not many big laughs; a mature and thoughtful slow-burner before Lane's sitcoms became a miasma of battle-of-the-sexes bitterness and hysterical caricatures, and an interesting addition to the specifically English, middle class genre of the 'sadcom' where the mass of men - and women - lead lives of quiet desperation...

James Gent, Tachyon TV, 5th May 2012

From the Good Life to good time girl: Felicity Kendal

Deploying her husky and mischievous chuckle, Felicity Kendal laughs to recall her early encounters with prostitution.

Patrick Marmion, Daily Mail, 19th March 2010

Felicity Kendal: Barbara follows me like a good fairy

She's preparing for a classic West End role, but for many she'll always be their dungareed dreamboat. Rhiannon Harries meets Felicity Kendal.

Rhiannon Harries, The Independent, 7th March 2010

Miranda is apparently created in a 1970s retro sitcom factory in which leftover bits of Penelope Keith and Felicity Kendal had been mixed up with some Cath Kidston wallpaper to create a kind of comedy mache, if you will - which was in turn left to dry inside a set made of balsa wood and tissues (though sadly not in front of a live studio audience) before viewers are invited to see whether their laughter makes it fall over or merely wobble a bit before righting itself...

Comedically speaking, Miranda Hart's size is apparently everything, so I fear she can never be considered funny outside of the context of her height, and nobody ever says that about Stephen Merchant.

Hart presumably came to terms with the innately sexist Tall = Funny equation (she's 6ft 1in) some years ago, so gags focusing on the idea of a thirtysomething woman who is clearly slightly surprised to be 6ft 1in are bound to feel a bit weird, as if Hart had only just swallowed the contents of the "Drink me" bottle and woken up all oooooh-errr!

But if you can accept the idea that a large lady tripping over cardboard boxes a lot, and being styled like Danny La Rue ("Oh Miranda, why are you dressed like a transvestite?!"), and having an unrequited crush on a handsome chef, not to mention Patricia Hodge as her elegantly trim mother, are intrinsically amusing, then Miranda is very amusing.

For everybody else, though, it's merely a cheap-looking sitcom starring a big girl who keeps being mistaken for a man ("Did he just call me Sir?"), despite not looking remotely like one. Kind of camp, sort of silly and a little bit sweet, but not, I think, quite enough of any of those to matter, Miranda feels like a throwback to an ancient, lost comedy era that is, if not quite pre-Cambrian, then certainly mid-20th century, pre-Cowell.

Kathryn Flett, The Observer, 15th November 2009

The Mistress (BBC2) began a month ago as a showcase for the wistful comic talents of Felicity Kendal and is now developing into one of the finest inventions to come from the pen of Carla Lane. It is a three-dimensional comedy of romantic adultery which is simultaneously funny, sentimental and viciously truthful.

Celia Brayfield, The Times, 8th February 1985

You can quite see why Felicity Kendal was chosen to take the curse off The Mistress (BBC2), a new comedy series by Carla Lane. It's the wholesomeness, she can't help it. Buttons could take her course in cuteness. She is all bubble-and-squeak or, as Cole Porter remarked appreciatively, Mickey Mouse.

Nancy Banks-Smith, The Guardian, 18th January 1985

The Good Life (BBC1) is by now clearly established as the best Nice Couple sitcom on the screen, partly because Richard Briers and Felicity Kendal are a genuinely Nice Couple, but mainly because of the inspired interference from their snotty neighbour, Margo. [...] A meticulously groomed, flint-profiled ballbreaker with a taste for leopard-skin prints, Margo is the repository of every known prejudice common among the landless landed gentry - as bigoted as Alf Garnett but without his flexibility.

Clive James, The Observer, 21st December 1975

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