Press clippings Page 4
When good TV goes bad: how Red Dwarf's star faded
With the departure of co-creator Rob Grant after series six, the show lurched into comedy-drama, navel-gazing and, eventually, utter smegging ineptitude.
Gabriel Tate, The Guardian, 18th September 2017Opinion: should Spitting Image return?
Every time Donald Trump is in the news you can be pretty sure that someone somewhere will post something on social media similar to the following: "Economic problems, loose cannon in the White House, female Prime Minister, Labour Party in disarray. It's the eighties all over again. What we really need is Spitting Image back."
Bruce Dessau, Beyond The Joke, 12th March 2017Comedy.co.uk Awards 2016 winners announced
The results of the Comedy.co.uk Awards 2016 have been announced. Red Dwarf, Upstart Crow, John Finnemore's Souvenir Programme and Taskmaster are amongst the winners.
British Comedy Guide, 23rd January 2017Red Dwarf XI: Krysis review
Red Dwarf delivers a surprisingly emotional episode that once again proves Doug Naylor and the gang still have the ability to surprise...
Pete Dillon-Trenchard, Den Of Geek, 14th October 2016Red Dwarf review: Samsara
Unfortunately, "Samsara" just wasn't very satisfying or amusing to me. I find it puzzling that Doug Naylor is churning out episodes this lukewarm, which have presumably been percolating in his mind for years. There was a good idea at the heart of this episode, suffering from how it was put across to the audience, and maybe a couple of amusing lines, but this was very forgettable.
Dan Owen, Dan's Media Digest, 1st October 2016Red Dwarf stage show considered
Red Dwarf writer Doug Naylor has suggested that the sci-fi sitcom could have a live stage show spin-off that tours the country.
British Comedy Guide, 30th September 2016This week in an autumn full of reunions and remakes we have another returning sitcom which has been running on and off for almost thirty years. I'm talking of course about Red Dwarf which returned to Dave after four years away for its eleventh series. Whilst I can't claim to be the biggest fan of Red Dwarf I did enjoy it in its early years on the BBC and also found the last series on Dave to be a real return to form. Therefore I was rather anticipating the start of series eleven however I have to say I was pretty disappointed by the results. It does appear that this time round the cast and creator Doug Naylor have a lot more money to play with which resulted in plenty of elaborate costumes, sets and special effects. However I found that these elements were exaggerated in favour of any of the wit or simple storytelling that provided the charm in series ten. The basic plot saw the crew of Starbug follow a gang of Simulants to Planet Earth of the 1950s in which all technology had been outlawed. The style of the world in which the quartet found themselves was similar to that of 1920s prohibition America with science and technology being outlawed to underground speakeasy-style clubs. A lot of the humour came with a visit to one of these clubs and a meeting with scientist/hooker Harmony de Gautier whose list of what she'll do for money was a gag-filled piece which didn't raise a chuckle from me at all. In fact I found myself sitting stony-faced throughout the piece which I found to be predictable, rushed and quite anticlimactic as the end came very suddenly. On the plus side I found the chemistry between Craig Charles, Chris Barrie, Robert Llewellyn and Danny John-Jules to be as spot on as ever. In fact I did appreciate the fact that they were on screen together for the majority of the episode and the early scene which reintroduced us to the characters was probably one of this instalment's best. However the opener of Red Dwarf XI couldn't help feeling like a cast reunion party where the actors looked to be having more fun than I did watching it. This is a shame as Red Dwarf can be a tremendously funny programme when it wants to be however judging by this first episode it looks like this new show will be one just for the fans who'll stick with the show regardless. But for casual viewers like myself there was nothing really to grab on to and I'm in two minds whether I'll stick with the rest of series eleven of a show which has lost a lot of what made the 2012 series on Dave so fun to watch.
Matt, The Custard TV, 25th September 2016Everything to know about the six ages of Red Dwarf
It's been four years since the last new episode of sci-fi sitcom Red Dwarf graced our screens. Now it's back, with the first of two new series premiering on Dave on 22nd September. But those of you unfamiliar with this comedy gem (and there must be at least a couple of you) may wonder what all the fuss is about, and who are those strange middle-aged men hanging round in space? Well, now we can enlighten you...
James Baldock, Metro, 22nd September 2016Red Dwarf creator wants the show to go beyond series 12
When asked if the show will continue beyond series 12 - which has already been shot - Doug Naylor said what we're all thinking, he really hopes so.
Katie Baillie, Metro, 13th September 2016Based on its initial airing this week, I hope to God that Over to Bill doesn't return as it was completely flawed from start to finish. The premise sounded promising enough as weatherman Bill Onion (Hugh Dennis) was fired from his job at the BBC and had to look for work elsewhere. His mate Jez (Neil Morrissey) promised to arrange a meeting with a powerful acquaintance but this meant that Bill had to keep his friend's horrible fiancée Selina (Helen George) on side. This wasn't easy as Selina was portrayed as a high-maintenance gold-digger who was only marrying Jez for the money he made selling his dog chewing gum idea.
I was surprised that Over to Bill was written and directed by such an experienced comedy hand as Red Dwarf's Doug Naylor because to me it felt like the work of a first-time writer. Every cliché was trotted out here from Bill accidentally drinking breast milk to him forgetting to bring a wedding gift to Jez's nuptials and having to stop at a petrol station to purchase a replacement.
In addition to the old-fashioned script, the characters were on the whole fairly unlikeable. The only exception to this rule was Bill's wife, played by the lovely Tracy-Ann Oberman, who I felt was far too good for this fool of a man. The fact that the final gag involved Bill and his wife donating bone marrow tells you all you need to know about a programme that more than suited the slot that was recently occupied by such duds as Father Figure and The Wright Way.
The Custard TV, 3rd May 2014