Dominic Coleman

Red Dwarf XI: Krysis review

Red Dwarf delivers a surprisingly emotional episode that once again proves Doug Naylor and the gang still have the ability to surprise...

Landmark comedy season: Porridge gets an update

The depth of the night-time conversations between Old Fletch and Godber, in particular, to a great extent laid in what was not said. When Richard Beckinsale's Godber asks: 'Fletch, are you awake?' Barker - after a beat - replies 'No'. A whole world of pain existed within that silence, and this was missing.

Upstart Crow, series 1 review

Predictable in places, perhaps, but the ridiculous nature of some of these plot lines is arguably in the same vein as of the bards own greatest comedies.

We had a new comedy from Ben Elton, a phrase that's likely to strike fear into the hearts of any sitcom fan after the woeful The Wright Way. Thankfully Upstart Crow saw him back at his best although the show seems to have been made up of deleted scenes from Blackadder II. The show focuses on the life of Will Shakespeare (David Mitchell) as he splits his time between his family home in Stratford-Upon-Avon and his digs in London. As this was an opening episode, Elton seems to have focused on a universal subject matter namely the Bard's creation of Romeo and Juliet. In Upstart Crow though Shakespeare has all intention of having his young couple living happily ever after that is until he allows the lovelorn son of Sir Robert Greene (Mark Heap) to stay at his home until he goes to university. Unfortunately Florian (Kieran Hodgson) soon falls for Shakespeare's serving girl Kate (Gemma Whelan) and the Bard is forced to find a way out of a predicament that could cause him serious bother. Although you can see some of the gags coming a mile off, especially what will ultimately happen to Florian, Elton perfectly paces the show so that the gags never overpower the story. There's also a great running gag about the line 'Where For Art Thou' Romeo that is actually very clever and Elton also satirises the sexual politics of the time to great effect. Of the cast I found that Mitchell really anchored the action well as Shakespeare and his tortured academic persona really suited that of the Bard. In supporting roles I found Liza Tarbuck and Harry Enfield gave memorable turns as Shakespeare's wife and father respectively. Similarly amusing was the performance given by Dominic Coleman as the go-to performer of female parts who was hurt that he couldn't play the thirteen-year-old Juliet. Although there is the argument that a lot of Upstart Crow is just recycled Blackadder gags that's not exactly a bad thing as Elton's historical comedy still remains one of the best British sitcoms of all time. Whilst I don't think Upstart Crow will ever match Blackadder in terms of quality I still found it to be a consistently funny sitcom and a return to form for Ben Elton who I'd almost written off after the debacle that was The Wright Way.

Upstart Crow review

Gadzooks! After some high-profile flops in both hemispheres, Ben Elton has rediscovered his mojo... and all it took was a return trip to Elizabethan England.

With Miriam Margolyes on the checkout, you would think this supermarket comedy would be funny, but despite a strong ensemble cast, Trollied is still short-changing viewers in the laughs department. Samuel Anderson is great as the exasperated boss battling his way through first-aid training, as Brian (Stephen Tompkinson) spouts David Brent-esque words of wisdom. Elsewhere, Neville (Dominic Coleman) is desperate to stand up to his evil ex-wife, and when Linda (Faye McKeever) gets involved it produces moderately slapstick results.

One sitcom that really didn't surprise me at all was Sky One's Trollied, which delivered its second annual Christmas Special.

Whilst the Gavin and Julie story was definitely there to appeal to long time fans of the show, I've always felt Trollied is at its best when focusing on the funnier supporting characters. For example foul-mouthed Colin (Carl Rice) led a band of the male store-workers against a group of young cub scouts who had attacked them several times. Equally funny was when the hopeless Neville (Dominic Coleman) ended up doing the Christmas shopping for his ex-wife's new husband and later put a bet on it being a white Christmas.

The latter half of the episode, which saw the employees being snowed in, showcased the strength of the programme namely the focus on a group of disparate characters who formed a very strong family unit. After a dodgy third series, which saw the show lose some of its big name cast members, it was refreshing to see the show back to its best.

Though I wasn't a fan of the story that focused on security guard Ian (Victor McGuire) badgering the store's Santa, the majority of the plots were strong.

I have to say I laughed all the way through and found the material between Gavin and Julie to be rather touching. Whether the show can survive without Jane Horrocks remains to be seen, but I did feel she got a fitting and respectful send-off in this rather good Christmas Special.

Determined to prepare Sara (Sue Perkins) for the impending visit from her parents, Toria (Joanna Scanlan) takes her, Justine (Nicola Walker) and Jamie (Dominic Coleman) to her own parents' stately home in the country to give her a "coming-out trial run". A cosy half-hour of affable nonsense, kept afloat by Perkins's ability to be simultaneously droll and vulnerable.

Sara's very loud, very angry French ex turns up uninvited and colonises the living room where she melodramatically writhes around on the floor. It's a madly over-the-top, heavily accented turn from the estimable Raquel Cassidy (Jack Dee's long-suffering wife in Lead Balloon).

Meanwhile, Sara (Sue Perkins, also the writer) tries to pluck up the courage to ask out the lovely Eve (Shelley Conn). It's fun and sweet-natured and there's great support from Nicola Walker and Dominic Coleman as Sara's friends, dim Justine and precious Jamie.