Press clippings Page 7
TV review: Inside No. 9: Merrily, Merrily, BBC Two
It certainly floats my boat.
Bruce Dessau, Beyond The Joke, 20th April 2022Inside No. 9: Merrily Merrily review
New series of Inside No. 9 often kick off on a lightish tone, a gentle palate-cleanser for knottier or more chilling plots further down the line. But Merrily, Merrily strikes a melancholic note as three old university pals reunite after 30-odd years for a nostalgic trip on an eerily empty lake.
Chortle, 20th April 202221 of the funniest women in Britain
Podcasters, journalists, comics, writers... The British women who know how to have a laugh.
Dominic Maxwell , Ben Dowell , Jane Mulkerrins, Monique Rivalland, The Times, 6th February 2022After Life Series 3 review
Ricky Gervais's foul-mouthed comedy about grief and community returns for a final six-episode run. Despite its good qualities, however, it fails to pluck at heartstrings quite like it intends.
Louis Chilton, The Independent, 14th January 2022After Life Series 3 review
Only Ricky Gervais could get away with a show this toothless.
Emily Baker, i Newspaper, 14th January 2022After Life review
After Life's saving grace is the cast of lovable freaks around Ricky Gervais.
Ed Power, The Irish Times, 14th January 2022After Life, review: the emotional depth of a Post-It note
Ricky Gervais's Netflix project has gone from perfectly watchable to a soggy pudding of a series that wallows in its own thin-skinned misanthropy.
Chris Bennion, The Telegraph, 14th January 2022After Life Series 3 is proof that Gervais has lost his edge
If jokes are offensive shouldn't they also be funny?
Adam Bloodworth, JOE, 14th January 2022Mandy review
These 15-minute episodes are like extended sketches, a comedy form that is almost never seen now. Morgan, who writes and directs the show as well as being its central character, has done a splendid job of repairing and restoring the format.
Christopher Stevens, Daily Mail, 6th January 2022Mandy review
Thesps given timely mocking by Dragons' star.
Carol Midgley, The Times, 6th January 2022