Dean Lennox Kelly

After 11 series and all manner of twists and turns, it's time for Shameless to bow out in fittingly ridiculous fashion. Frank is home after a stint in prison, but Monica has a revelation which leads to the return of familiar faces including Fiona and Kev (Anne-Marie Duff and Dean Lennox Kelly), as Gallagher history threatens to repeat itself. Although Paul Abbott's stylised take on social deprivation lost its way a while back, this final snapshot of the Gallagher clan brings back memories of the show's glory days.

It's the end of an era tonight as we bid farewell to Frank Gallagher (David Threlfall) and the Chatsworth Estate he's roamed in assorted states of alcohol and drug-induced delirium for 11 seasons. It's been a shadow of its former glories of late but at its peak, Shameless was a truthful, bawdy and poignant portrait of working-class Britain struggling to survive through hard times. It also launched the careers of a raft of top acting talent and some its former stars, including Anne-Marie Duff, Dean Lennox Kelly, Elliott Tittensor and Jody Latham have returned to bow Shameless out with one helluva party!

Paul Abbott's rambunctious drama has been in steady decline for years now, so it's time it signed off. Ironically this cracking final episode highlights just where things went wrong: the moment the focus shifted from that clan of lovable rogues, the Gallaghers, to the more straightforwardly criminal Maguires.

But as Frank is released from jail - in for benefit fraud, naturally - and is confronted by an unwanted surprise from Monica, the stage is set for many of the old regulars to return as the Gallaghers feel the push and pull of fractious family relations.

Anne-Marie Duff, Dean Lennox Kelly, Elliott Tittensor, Jody Latham and Kelli Hollis all turn up, but really it's David Threlfall's show to steal. He's never been more nauseating, compelling and heartbreaking as the reprehensible Frank, struggling to face further family responsibility. Will the feckless waster ever appreciate anything more than a party?

It's appropriate that David Threlfall, the one constant of this unfeasibly durable show, steps behind the camera for its final-ever episode. And fun, too, to see Anne-Marie Duff's Fiona joining the likes of Lip (Jody Latham), Kev (Dean Lennox Kelly) and Carl (Elliott Tittensor) in one last doomed attempt to tame the wild beast that is Threlfall's Frank Gallagher.

The plot, for what it's worth, sees most of the Gallagher brood reuniting for funeral so farcical that Fiona determines to take the remaining kids back down south with her. Can Frank, just out of prison and with itchy feet, rediscover a modicum of interest in fatherhood? A couple of half-hearted jokes about Jesus and abortion show that the series hasn't entirely sacrificed its aggressive taboo-busting for cartoonish irrelevance. But this is a shabby, subdued finale to a show that once fizzed with vigour, invention and purpose.

The lower-class heroes of the Chatsworth estate have been providing high-quality entertainment for more than nine years now, but it's finally time to wave farewell to the Gallaghers, the Maguires and the rest as Shameless airs its final episode.

Former cast members Anne-Marie Duff, Dean Lennox Kelly, Elliott Tittensor, Jody Latham and Kelli Hollis all make a reappearance for the Shameless curtain call, as iconic alcoholic Frank Gallagher ends his prison stint for benefit fraud and receives an unwanted surprise from Monica (Annabelle Apison).

This is Shameless's 100th episode, a statistic that, for many, will serve merely as a reminder of the series' descent towards mediocrity. This feature-length episode at least manages an ersatz impression of the show's glory days, however. Frank is arrested for the assault of an elderly Jockey employee, but can't remember anything about the incident. Carl, failing to find any allies on the estate, calls on series favourite Kev to save his dad. The writing's sharper than it has been in years, and the returning Dean Lennox Kelly puts in a characteristically excellent perform-ance as Kev.

The comedy drama celebrates its 100th episode tonight. It's become standard to say Chatsworth Estate isn't the place it used to be. Its survival however is down to outlandish but inventive storylines and crackpot characters that compel. Creator Paul Abbott pens this birthday outing. Elderly barmaid Cynthia (Beatrice Kelley) strikes gold on a scratch card and is promptly assaulted. Evidence points to Frank (David Threlfall) who looks set for a spell inside. Things look up when Kev (Dean Lennox Kelly) returns to take charge.

Seven years after the Chatsworth Estate became a byword for the skanky English underclass, Shameless notches up its 100th episode, written by Paul Abbott.

It's a 90-minute saga that sees Frank Gallagher (David Threlfall) banged up and demonised by his neighbours for a terrible crime he didn't commit.

Or at least he's pretty sure that he didn't: his memory of what actually happened on the night in question is, as ever, a bit on the hazy side.

With Abbott at the controls, Shameless's uniquely picturesque dialogue ­practically qualifies as a regional dialect in its own right - shot through with lashings of swearing, of course, as well as colourful metaphors, in jokes, shorthand and slang that you only half understand, plus some hilariously unlikely insults: "You ginger- haired hanging basket," being one of the few that's actually fit to print.

With his dad in the frame, it's left to Carl Gallagher (Elliott Tittensor) to man up and try to seize control of the situation. But he's going to need some help. His old neighbour Kev (Dean Lennox Kelly) fits in like he's never been away.

Dean Lennox Kelly interview

As Shameless celebrates its 100th episode, TV Choice talks to Dean Lennox Kelly, who was last seen as Kev Ball four years ago.

Romantic comedy drama has always been a precarious juggling trick to pull off, especially in the shadow of the Cold Feet's unassailable reputation. So all credit to writer Peter Souter for even attempting the feat with Married, Single, Other.

An ensemble piece, the show uses three contrasting pairs to explore various aspects of heterosexual, thirty-something, white, Anglo-Saxon coupledom. There is one black character, but so far she has had to conduct her relationship off-camera.

First up are Lillie (Lucy Davis) and Eddie (Shaun Dooley), partners and parents for 16 years, but yet to commit to marriage. Then we meet Babs (Amanda Abbington) and Dickie (Dean Lennox Kelly), practitioners of wildly satisfying sex, but emotionally incompatible and financially insoluble. Finally there's bed-hopping playboy Clint (Ralph Little) cherishing an uncharacteristic devotion to Abbey (Miranda Raison), a beautiful model who is tired of the attentions of shallow men.

So far, so formulaic, but Married, Single, Other really does strain to impress with dialogue that is clever to the point of infuriating. All of the characters, including the teenage cast members, effortlessly exchange the kind of badinage that looks great on paper, but tests an actor's abilities, and patience, to the limit. Davis and Dooley just about pull it off, everybody else struggles to convince.

Little has the hardest time. His casting as a smooth-talking, worldly-wise ad man/lothario is irretrievably undermined by the first shot he features in, with bare chested Clint seen sitting in his bed beneath a giant soft-porn nude photo that would offend the sexual sophistication of a 12-year-old boy. Quite how everybody involved failed to realise that this visual shorthand screamed 'I am emotionally and sexually retarded' is beyond me.

Clint, the show labours to assure us, is flawed, but likeable and this is largely how I feel about Married, Single, Other. There's not enough comedy and too much schmaltz, but episode one did contain several surprises and one genuine shock, with the characters sufficiently engaging to merit sticking with a little longer. Which isn't the advice I'd give to Abbey regarding Clint.