Dawn French

Biting political satire has never really been The Comic Strip's main selling point.

But films such as a "A Fistful Of Travellers' Cheques" or "Five Go Mad In Dorset", which took the mickey out of spaghetti westerns and Enid Blyton novels, proved that you don't always need a big target to score a cracking comedy bullseye.

Their latest effort - the first for six years - is a peculiar, stylish mishmash that re-imagines the Iraq Inquiry as a black and white film noir. ­Unfortunately, not all of it works, perhaps because their confusing vision of the 1960s contains songs from both The Beatles and Duran Duran.

That said, Stephen Mangan - of Green Wing and Alan Partridge fame - makes a surprisingly plausible stand-in for the former, guitar-strumming Prime Minister who, very much like Corrie's John Stape, becomes an almost accidental serial killer.

As the bodies pile up, he's pursued by a pair of policemen played by Robbie Coltrane and The ­Inbetweeners' James Buckley, all the while ­maintaining an air of innocence.

There's no appearances from ­stalwarts such as Dawn French or Adrian Edmondson this time around, but Jennifer Saunders pops in with another take on Margaret Thatcher.

We also have Rik Mayall playing a music-hall psychic who makes uncanny predictions about weapons of mass destruction, Peter Richardson, who also directs, pops up as George Bush in gangster mode, and Nigel Planer simply IS Peter Mandelson.

The joke seems to be not how much the actors look like the people they're supposed to be playing, rather how much they don't.

You'd never guess in a million years that John Sessions is supposed to be Norman Tebbit, for instance.

After a shaky start, Dawn French and Jennifer Saunders have found their radio feet and now provide a top quality show. There's less emphasis on their old records and more freedom to get on with what they do best - bounce off one another to the point of gentle anarchy.

Their most successful feature has been talking with their own mothers on air - there was no doubting where those comedy genes came from - and the familial baton is picked up today by guest Matt Lucas with his mum.

Apparently it's 20 years since Absolutely Fabulous burst on to our TVs. How can that be when it only feels like five minutes?

But at least it's an excuse for Jennifer Saunders to chat to her chums about the decade when comedy became the new rock 'n' roll and the alternative became the norm.

Reminiscing with her comedy partner Dawn French and hubby Ade Edmondson, the show gets off to an awkward start. Interviewer isn't a role that suits Jennifer and like the decade itself, this two-hour special only gets going at the midway point.

Clips of The League Of Gentlemen, The Royle Family and The Fast Show make a great case for a 90s revival.

And when Jen catches up with Joanna Lumley, there are hints that another series of Ab Fab might be on the cards.

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This gem from last year was executive produced by Hugo Blick, the man behind BBC2's mighty thriller The Shadow Line. However, if you come to Roger and Val expecting dark violence and crushing suspense, you'll be terribly disappointed. It's more like Blick's previous series Marion & Geoff or Sensitive Skin, a muted, micro-observed domestic drama that has enough funny and absurd moments to qualify as sitcom, even if that tag feels all wrong. Alfred Molina and Dawn French are superb as a devoted but prickly married couple with a tragedy in their past that only emerges via hints over the course of the series. The plotting is understated, to put it mildly (tonight's opener is taken up with hunting for the guarantee for a broken vacuum cleaner), but also sweet, funny and very sad. If you missed it first time round, record the whole series - you won't regret it.