Press clippings Page 6
It was pig-in-clover happiness just to watch the extracts from Dad's Army, It Ain't Half Hot, Mum and Hi-De-Hi! in the Omnibus tribute to Perry and Croft, who wrote them.
Nancy Banks-Smith, The Guardian, 19th April 1995By relative standards, shows like Dad's Army and Porridge are miracles of observation, and even by absolute ones they are astonishingly good: the best of each (and both are getting repeats now on BBC1, thereby providing a feast of viewing) will never look entirely like period pieces, but will always retain their capacity to surprise. Compare the floundering abstractness of 'The Grove Family' to the subtleties of social nuance in 'Dad's Army': it's a clear advance.
Clive James, The Observer, 6th June 1976Well, people enter Are You Being Served? by walking downstairs, one by one in more or less fancy dress. Original it ain't. Indeed, it is strangely familiar. It reminds me of that stuff of which not a drop is sold until it's 10 years old. The effect is much the same: you tend to fall on the floor and feel utterly ashamed of yourself afterwards.
Nancy Banks-Smith, The Guardian, 9th April 1976Clearly trying to do another Dad's Army, Jimmy Perry and David Croft have come up with something called It Ain't Half Hot, Mum. [...] The whole thing is calculated to yield mirth in plenty. Unfortunately the air of calculation is precisely what comes over strongest. Windsor Davies, however, playing a neurotic sar'-major with imperialistic convictions, was very funny straight away. Judgment reserved.
Clive James, The Observer, 6th January 1974This pain-wracked (I hope) pair write "Dad's Army" (BBC1) and "It Ain't Half Hot, Mum" (BBC1) which is about the misadventures of an army concert party in India is, I think, funnier. I particularly recommend the performance of Windsor Davies as the Sergeant Major.
Nancy Banks-Smith, The Guardian, 4th January 1974Jimmy Perry's and David Croft's inaugural script was pretty feeble, with an over reliance on strained little jokes, but again this may be only a scene-setting problem.
The Telegraph, 4th August 1968