Craig Cash

New comedy Rovers sees the reunion of Royle Family members Craig Cash and Sue Johnston. Cash stars in the role of Pete Moat a die-hard fan of non-league football team Redbridge Rovers and a man who is part of a motley crew of supporters who huddle together in the team's clubhouse. Among them is his best friend Tel (Steve Spiers) who recently came out as gay and now Pete has to share him with super-stylish boyfriend Mel (Seb Cardinal). Then there's twin brothers Bruce and Lee (writers David Earl and Joe Wilkinson) who enjoy winding Pete up and the brilliant Ronnie (Mark Silcox) who runs Redbridge Rovers' very meagre club shop. Overseeing everything is Doreen (Johnston) the queen of the clubhouse who offers up pints alongside salubrious gossip about the team's captain. As well as playing Pete, Cash also serves as director as he has done on previous Sky sitcoms After Hours and The Cafe with Rovers sharing the gentle vibe that both of those comedies offered. Rovers is particularly reminiscent of The Cafe as it is set almost exclusively in one venue and features a variety of colourful characters having fairly mundane conversations with one another. Earl and Wilkinson's script is extremely anecdotal and at times is too low-key for its own good. I feel where it works the most is when the characters are discussing their love of the football team and what it would be like to get to the heady heights of the Evo-Stick Premier League. The small scale nature of the club shop was also a nice little running gag which was aided by Silcox's performance as the deadpan Ronnie. I do feel it's too early to judge whether Rovers will be a success or a failure especially seeing as Earl and Wilkinson had to introduce a cavalcade of characters in one fell swoop. But although there were some funny moments nestled within Rovers I have to say that there wasn't really one character who I wanted to root for. Whilst I'm assuming that Pete is meant to be the character we sympathise with his jealousy towards Mel coupled with his astounding stupidity meant that he was hard to warm to. It also didn't help that Craig Cash was essentially playing the same character we've seen him portray in both The Royle Family and Early Doors. In fact everyone from Johnston to Wilkinson to Spiers was playing a similar version of characters we've seen them play in superior shows which made Rovers feel a little low rent. So, while it's not without its charm, I feel Rovers is destined to nestle in the second division of British sitcoms and will never be promoted to the premier league.

I'd been looking forward to Rovers. Anyone who loved The Royle Family would have been similarly interested to see it as it promised us a comedy about the dreary lives of the working classes, re-uniting Dave and Barbara (Craig Cash as Pete and Sue Johnston as Doreen), but it's there that comparisons with The Royle Family, or with any other decent comedy, have to end.

Rovers was a disappointment. Perhaps it's just a very gentle comedy, which seems to be the trend just now with recent BBC sitcoms such as Boomers and Mum. But are such shows "gentle" or just not particularly funny?

Rovers should have found it hard to be gentle, being set amid the northern English working class, whose lives seem to have been drained of all colour except the blue of their football team. This scenario should offer lavish opportunity for political comment and scathing observations - but there were none, unless we count a local woman who'd been "sloshing it about" and shamelessly wheeled her resultant "black baby" around a carpet showroom.

But Harry Enfield did this with his Wayne and Waynetta Slob characters in the 1990s, when Waynetta professed a need for "a little brown baby" so she could acquire imagined spectacular benefits from the council. There was little that was new in Rovers. Even its theme, melancholy brass band music, the nostalgic soundtrack of northern England, seemed pinched from Corrie.

Rovers - football comedy that doesn't quite score

The reunion of The Royle Family stars Craig Cash and Sue Johnston is welcome - but this new sitcom is pleasurable rather than honkingly funny.

Rovers: warm-hearted comedy with shades of Royle Family

Cash's work in the late Nineties paved the way for the success of Peter Kay's more raucous Phoenix Nights and subsequent sitcoms. The triumph of the recent Car Share might have reignited interest in warm-hearted comedy, but, at the moment, Rovers feels too mild. Yet character comedy such as this requires a long acquaintance - by the end of the run, we may have fallen in love with the gentle dreamers of the Redbridge Rovers' Clubhouse.

Rovers, Sky1, review

Lo-fi football sitcom starring Craig Cash and Sue Johnston has its heart in the right place.

Joe Wilkinson and Dave Earl's amiable new series - starring Craig Cash and Sue Johnston among others - is set in the clubhouse of lowly football team Redbridge Rovers, whose fans dream of promotion to the Evo-Stik Premier League. It's essentially about the characters who congregate in the canteen to banter and bicker very Britishly, and the rich bathos of their exchanges: "If we win today, we go to 16th. You don't get that buzz at a llama park."

Rovers: Premier League line-up puts the fun in footie

It makes sense for a football-themed comedy to air not only in the wake of underdog Leicester City's recent fairytale triumph, but also in the fever-pitch build-up to Euro 2016.

Rovers review

Nothing much happens of note in this world, and it's the comedy of contented smiles rather than gut-busing belly laughs. But Rovers is warmly amusing throughout, with a strong whiff of authenticity and characters you like spending time with. "Everyone's really nice, aren't they?" says Sam after meeting the tiny fan club. Yep, Sam, they are.

Craig Cash interview

Craig Cash talks about Northern warmth and his new sitcom Rovers.

This is the second episode in the current revival of The Comedy Playhouse where new comedies are put before us and maybe one of them will be made into a series. This is how several famous sitcoms such as Steptoe & Son and Last of the Summer Wine were born.

I adored last week's offering, Hospital People, but this week's is a vastly different type of humour. Hospital People was anarchic and surreal, done in the well-known "mockumentary" style where several characters who worked in a hospital were interviewed about their work. All of them were oddballs. Broken Biscuits is far more measured and sedate and the characters more realistic. Co-written by the comedian Craig Cash, it features several people who speak directly to the camera. There is the old couple who're having bother with their smoke alarm and who disapprove of their son's wife; she's far too concerned with shopping and even has John Lewis on speed-dial. There is a cranky old couple who run a guest house, thinking they're a cut above their rivals because they take care to place a single Rolo on the pillows and always pick the hairs off the soap. Gradually their "broken" stories merge and things become slightly more caustic towards the end.