Christopher Guest

Kerry Godliman interview

Being offered a plum job without the need to interview or audition is a lovely thing in any field of work. But when that call comes from comedy giant Christopher Guest - part of the team behind classics including This is Spinal Tap, Best in Show and Waiting for Guffman - to be in his next film, well, it's all the sweeter.

Anybody who saw the faux documentary presented by Brian Pern (Simon Day) on BBC4 knows that the frontman of Genesis-esque prog rock band Thotch is a great comedy creation.

Director Rhys Thomas, who co-wrote the series along with Day, brilliantly portrays the life of an ageing rocker as he tries to keep himself relevant with a modern audience. The stories of Pern refusing to be in a room with his former bandmates (played brilliantly by Paul Whitehouse and Nigel Havers) were perfectly pitched. The creation of a Thotch jukebox musical was an equally enjoyable subplot especially when the show's director Kathy Burke decided to cut all of the overly long Thotch songs from the show.

I personally enjoyed the final few moments of the comedy as Pern was dragged into the police station in a manner that would suggest he was part of a Yewtree-type investigation. But the punchline itself was brilliantly delivered as was the reaction from Pern's manager John Farrow (Michael Kitchen).

Part of the charm of Brian Pern is the fact that everyone is willing to go that extra mile and, in the case of those playing themselves, send up certain elements of their characters. Martin Freeman is a prime example of this as he tries to capture Pern's mannerisms in order to correctly portray him in the musical.

Meanwhile, a cameoing Tim Rice perfectly sums up his feelings about the Jukebox musical and how they've taken away from his type of musical theatre.

Although some of the jokes don't hit the mark, Brian Pern: A Life in Rock is a perfectly constructed mockumentary that owes a massive debt to the work of Christopher Guest. The fact that the sitcom is only three parts means that it won't outstay it's welcome and at the same time will leave the audience craving for more from Day's egotistical prog rocker.

Radio Times review

The gloriously silly spoof documentary from Down the Line star Rhys Thomas may have grown up with a move from BBC Four to BBC Two - even if its lead character, played by Fast Show alumnus Simon Day, certainly has not. There's also a slight format change. Pern, former front man of fictional prog rock band Thotch, no longer narrates and this opener is more of a spoof arts doc fronted by Thomas and focusing on Stowe Boys, a West End rock musical about the band directed by Kathy Burke. What could go wrong? Well, everything of course.

Yes, it clearly owes a debt to Spinal Tap, Christopher Guest's 1984 masterpiece, but Thomas (who won a Rose d'Or for a Freddie Mercury documentary) has a scalpel-sharp eye for rock-star foibles. And there are joyous contributions once again from Michael Kitchen as Pern's fantastically arrogant and unpleasant manager John Farrow, Paul Whitehouse as the band's guitarist Pat Quid and Nigel Havers's priapic Tony Pebblé (pronounced "Peblay").

It's been a rum little monkey, Family Tree (BBC Two), full of bad jokes and oddball characters.

But, as Chris O'Dowd's Tom Chadwick dithered over his future in a 'there must be a series two'-type cliffhanger, there was a surprising melancholy to waving farewell to this curious bunch at the airport.

The satire on the whole Who Do You Think You Are? TV franchise was a tad overcooked - surprisingly so, given the pedigree of writer/director Christopher Guest - but there was just enough wit scattered among the branches of Tom's extended clan to make up for the feeling that no family could contain this many nutters.

'Do you find that being around books makes you more clever?' Tom asked potential squeeze Ally. 'No, it makes me feel like all the ideas have been written already,' she replied. They were made for each other.

And Fred Willard's Al Chadwick had a camp hoot with a stream of bad gay jokes. 'How do you fit four gay men on one bar stool?... turn it upside down!' So wrong.

Tom (Chris O'Dowd) is still in California with his new-found relatives in Christopher Guest's transatlantic mockumentary. The Chadwick clan's investigation into why their ancestor Charles fought for both sides during the American civil war is punctuated by Tom's startled amusement at his extended family's pasted-on quirks, because why bother with actual personalities when you can give your characters a gently eccentric passion for historical re-enactments (or conspiracy theories, or owls) instead?

Third part of Christopher Guest's quietly bonkers comedy. This week, Tom discovers that his grandfather, William, competed in the so-called "austerity Games" in 1948 (a genuine event, though "vintage" footage of the egg-and-spoon race probably shouldn't be trusted). Meanwhile, Bea struggles for the right kind of gig, and it turns out it isn't children's birthday parties. While Family Tree might not be quite the right showcase for Nina Conti's particular gifts, she - and naughty little Monkey - are always great fun.

With star Chris O'Dowd and This is Spinal Tap creator Christopher Guest attached, there has understandably been quite a bit of hype and expectation surrounding this new comedy series. Thankfully, three episodes in and that hype is looking increasingly justified.

It's difficult not to draw comparisons to the creator's previous comedy ventures: while some of the gags are groaningly predictable (as when cocky Pete is pitted against a small child in the boxing ring - what could possibly happen?), the very best jokes in the series are the deadpan, subtle 'did I just hear that' variety that made ...Spinal Tap so funny. Tom's ventriloquist sister Bea (Nina Conti) is particularly hilarious, her id-outlet monkey hand puppet sharp, rude and wonderfully weird. Their appearance this week as wedding entertainment is predictably disastrous.

Meanwhile, this episode takes Tom's bittersweet - and rather hopeless - search for his family history into the world of sport after he makes another discovery. Hopefully those discoveries will keep on coming as this is getting better by the week.

Christopher Guest: Characters that aren't so everyday

A lot of people have asked me what my role in Family Tree was. Actually, only one person has asked me and that was my wife.

Co-written and directed by Christopher Guest, pioneer of the mock-documentary format, Family Tree stars Chris O'Dowd as a man intent on tracing his family history.

The performances are naturalistic, the pace leisurely, the humour gentle, the focus meandering and the format flexible enough to include mock-doc TV interviews - despite it not being set up as a documentary - and for Nina Conti, who plays O'Dowd's sister, to employ her ventriloquist puppet monkey as a co-star.

The show is amiable, entertaining, whimsical and intriguing, but - a terrific blind date scene notwithstanding - it doesn't seem that bothered about being funny.