Press clippings Page 5
Queen of comedy Charlotte Ritchie on Ghosts
She got gross-out laughs in Fresh Meat, died superbly in Call the Midwife - and now she's back communing with spirits in Ghosts. Is Charlotte Ritchie getting too famous to buy her own leggings?
Rebecca Nicholson, The Guardian, 4th August 2021Review: Feel Good, Netflix
The second series of Feel Good, Mae Martin and Joe Hampson's metafictional comedy-drama (dramedy?) leapt back onto Netflix on Friday. Those with willpower, or busy lives, might manage eke out the episodes. But it'll take a lot to do so. A truly compelling storyline, that takes us even further into our protagonist's past than the first series, is matched by inventive camerawork and fast-paced, realistic writing.
Bruce Dessau, Beyond The Joke, 6th June 2021Charlotte Ritchie talks Feel Good and more
The actor has crammed three sitcoms and a game show into 2021 - and we're only halfway through.
David Craig, Radio Times, 5th June 2021Feel Good Series 2 review
Unpacking the intensity of falling in love, the pain of addiction and the nervous excitement of building a career, Feel Good's second series is a near-perfect continuation of its funny and thought-provoking story.
Alicia Lansom, Refinery 29, 4th June 2021Feel Good Series 2 review
Mae Martin's queer love story is a deadpan delight.
Rebecca Nicholson, The Guardian, 4th June 2021Feel Good Series 2 review
BAFTA-nominated 'sadcom' tackles millennial angst with verve.
Catherine Gee, The Telegraph, 4th June 2021Feel Good Series 2 review
Mae Martin's queer romcom is sublime.
Rachael Sigee, i Newspaper, 4th June 2021Feel Good Series 2 review
Introspective comedy-drama achieves closure with many belly laughs amid the soul searching.
Brian Donaldson, The List, 4th June 2021Mae Martin and Charlotte Ritchie interview
Mae Martin and Charlotte Ritchie are trying to explain the new series of their comedy drama Feel Good, and they're struggling.
Tom Nicholson, Esquire, 4th June 2021Feel Good: season two review
Feel Good combines comedy and intimacy and it accurately depicts the struggles of a generation paralysed by anxiety.
Mersa Auda, The Upcoming, 2nd June 2021