British Comedy Guide
Taskmaster. Charlotte Ritchie. Copyright: Avalon Television
Charlotte Ritchie

Charlotte Ritchie

  • 35 years old
  • British
  • Actor and singer

Press clippings Page 11

TV review: Ghosts, BBC One

Not so much spine-tingling as spine-tickling comedy.

Bruce Dessau, Beyond The Joke, 15th April 2019

Dead Pixels: as addictive as World of Warcraft

You don't need to know your Azeroth from your elbow to enjoy this gut-bustingly funny new show.

Graeme Virtue, The Guardian, 10th April 2019

Dead Pixels interviews

Alexa Davies, Will Merrick and Charlotte Ritchie, stars of new E4 gamer comedy Dead Pixels chat to us about their gaming experiences...

Louisa Mellor, Den Of Geek, 4th April 2019

Dead Pixels, E4, review - gamers for a laugh

Witty sitcom about videogame addicts pits real life against fantasy

Jasper Rees, The Arts Desk, 29th March 2019

Charlotte Ritchie interview

The actor, singer-songwriter and Fresh Meat star on the things that make her laugh the most.

Harriet Gibsone, The Guardian, 29th March 2019

Dead Pixels generates comedy from gaming highs & lows

As if there wasn't enough good comedy on British television at the moment, with This Time, Fleabag, Derry Girls, Home and Timewasters currently on the air, Dead Pixels has now arrived to win laughs from the world of gaming.

Sophie Davies, The Custard TV, 28th March 2019

Charlotte Ritchie joins BBC1 comedy Ghosts

Fresh Meat star Charlotte Ritchie is joining the cast of BBC1's spooky new comedy Ghosts.

Radio Times, 20th November 2018

The 50 best podcasts of 2018

From Julia Davis's dark comedy Dear Joan to track-by-track teardown Dissect, Marc Maron to Meat and beyond, here are this year's finest audio offerings.

Hannah J Davies, Hannah Verdier and Harriet Gibsone, The Guardian, 30th June 2018

Review: The Philanthropist

The opening scene of The Philanthropist is ingenious, and provides a genuinely shocking comic moment that I'm unlikely to ever forget. So it's a shame that the rest of the play never really lives up to these first few minutes.

The Velvet Onion, 20th May 2017

The Philanthropist review

Across the board, supposedly soul-searching scenes often come to sound more like shallow, self-centred millennial whines than the intended existential angst.

Steve Bennett, Chortle, 27th April 2017

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