Press clippings Page 33
Black Mirror - "The Entire History of You"
The final part of Charlie Brooker's Black Mirror anthology comes instead from the mind of Jesse Armstrong, one half of the writing partnership behind comedies Peep Show and Fresh Meat. This marks a change of style for Armstrong, as there wasn't much to smile about in "The Entire History Of You" (well, beyond the one cereal joke).
Dan Owen, Dan's Media Digest, 19th December 2011Charlie Brooker's third 'Black Mirror' draws 870k
Charlie Brooker's third Black Mirror hit a ratings low, only picking up 870k viewers (including +1) for Channel 4 last night, overnight data suggests.
Alex Fletcher, Digital Spy, 19th December 2011I'm trying very hard to admire Charlie Brooker's Channel 4 series Black Mirror. Because I gather it's against the luvvie law not to. But, Christ, if last week's snail-paced instalment was any slower it would have been a photograph. Schoolboy satire. With a sledgehammer. Sophisticated it ain't.
Kevin O'Sullivan, The Mirror, 18th December 2011Surrealist bluffers guide to the British Comedy Awards
Will Ricky Gervais behave like a dick? Will anyone recognise Charlie Brooker as a comic? And will Miranda make anyone laugh, ever? Read on to find out...
Joshua Burt, Sabotage Times, 16th December 2011The 12th best programme of 2011 according to the Radio Times.
The second and third of Charlie Brooker's techno-fables were provocative and strange; but the first, "The National Anthem", was extraordinary, the edgiest, most zeitgeisty TV fiction all year. Tackling the mob mentality of "the online hive-mind", Brooker imagined a prime minister challenged via YouTube to have broadcast sex with a pig, or see a kidnapped princess die. It wasn't just the warped premise that was so powerful, it was the way politicians were shown to be at the mercy of social media and comment boards. Beautifully played, it was deliciously black and thought-provoking. And very funny.
David Butcher, Radio Times, 15th December 2011In this secular age for the great god TV with its flock now fragmented, Charlie Brooker's Black Mirror dared to show streets that had been deserted for the goggle-box. But if you missed his satire you'll probably never guess the must-see: the Prime Minister having sex with a pig, to comply with kidnap demands and save a princess. We didn't see the actual act - not even Channel 4 could show that - though we got to watch other people watching: in pubs, on hospital wards, home alone, and in the corridors of power. Lindsay Duncan, who once stalked the corridors televisually as Maggie Thatcher, played the PM's press secretary; Alex MacQueen and Justin Edwards, who once stalked them in The Thick of It as, respectively, the baldy blue-sky thinker and the blinky-eyed Newsnight nutter, were in there, too. This was Black Mirror's first problem: these familiar faces didn't serve as reassurance when dealing with such shocking subject matter, they simply reminded you of programmes which were funnier, better.
Its second problem was believability, or lack of. Not the belief that such a scenario could play out, pig and all, but the one that the cops could be so stupid as to accept without checking that the severed finger delivered to the news network did in fact belong to the princess (it was fat and obviously a man's). For a story to shoot off into such flights of fancy, it first needs to have covered a few of the basics.
The satire, though, was good. Brooker is a sharp observer of the world whizzing round him, and being spun in every sense - where a government thinks it can conceal in the time-honoured way only for a little lad with a smartphone already to know everything, forcing a No 10 aide to concede: "It's trending on Twitter." And where a female journalist desperate for a scoop will ping photos of herself in the style of Ashley Cole to a government underling who'll blow what's left of national security on the issue because he's desperate for a shag.
Not a complete failure, then, and I liked the PM''first response to the kidnapping ("What do they want? Money, release a jihadi, save the f***ing libraries?"). I also liked the idea that a jobbing porn actor might be roped in to play the premier (that this fellow would be on some "By appointment to..." file). But much as I wanted to see Michael Callow with his SamCam deadringer wife as our current leader, I couldn't. That's no reflection on Rory Kinnear who was his usual brilliant self. Whatever else he does in his career, he'll always be answering questions about this.
Aidan Smith, The Scotsman, 13th December 201115 Million Merits but the script ain't one
Charlie Brooker and Konnie Huq get dark on the second installment of Black Mirror, but was she just there to fellate him while he banged this out?
Amber Paradine, Sabotage Times, 12th December 2011Nauseous reaction to a joke-free satire
For my part, mild amusement turned first to distaste and then to nausea. No doubt Charlie Brooker would say this is precisely the reaction he was after..
Rachel Cooke, The New Statesman, 12th December 2011TV review: Black Mirror
In the second episode of Charlie Brooker's darkly comic Black Mirror, The X Factor gets its comeuppance in a nightmare worthy of Orwell. It's striking to look at and beautiful - the virtual reality, the interactiveness, all the screens...
Sam Wollaston, The Guardian, 11th December 20112011 has been like an end-of-season finale
This year, so much has happened it's impossible to remember it all in one go.
Charlie Brooker, The Guardian, 11th December 2011