British Comedy Guide
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Brian Logan
Brian Logan

Brian Logan

  • Journalist and reviewer

Press clippings Page 74

2013 comedy preview: Alexei Sayle and Harry Hill return

Plus Bill Bailey presents his dub version of Downton Abbey and catch US comic Sarah Silverman for one night only.

Brian Logan, The Guardian, 30th December 2012

The Boy With Tape on His Face - review

Sam Wills's silent comedy show has evolved double-quick from Fringe novelty to mainstream smash, and deservedly so.

Brian Logan, The Guardian, 21st December 2012

Jerry Sadowitz - review

I laughed lots during the first 20 minutes of this show. There was no time to interrogate - far less to justify - why.

Brian Logan, The Guardian, 12th December 2012

Nick Mohammed - review

It's not a substantial show, but the character's egoism, hyperanimation and the randomness of his commentary are highly amusing.

Brian Logan, The Guardian, 6th December 2012

We Are Most Amused - review

The best is saved for last, in the form of a new Blackadder sketch that casts Rowan Atkinson as chief executive of Melchett, Melchett and Darling bank.

Brian Logan, The Guardian, 29th November 2012

Ross Noble: wake up call

Famed for his inspired nonsense, Ross Noble is now switching to 'real things'. The comic tells Brian Logan why.

Brian Logan, The Guardian, 12th November 2012

Josie Long - review

One problem is that her overgrown-child persona cramps the political material.

Brian Logan, The Guardian, 8th November 2012

Seann Walsh - review

Not many standups could benefit from protective headgear. But Seann Walsh spends as much of this show bashing the microphone against his skull as he does speaking into it.

Brian Logan, The Guardian, 7th November 2012

Seann Walsh - review

The larger problem isn't that Walsh appears boorish, it's that he doesn't appear at all. By the end, I felt I knew nothing about him, save that he's a precocious master of the stand-up's art.

Brian Logan, The Guardian, 7th November 2012

The best comedy shows for Christmas 2012

Richard Thomas teams up with The Divine David, a taped-up clown brings the physical comedy, and Robin Ince resumes his annual bash for unbelievers.

Brian Logan, The Guardian, 4th November 2012

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