Brian Logan
- Journalist and reviewer
Press clippings Page 29
Rosie Jones review
The stand-up's new show, Backward, dissects the pitfalls of fame but her joyfully undercutting humour hasn't suffered.
Brian Logan, The Guardian, 24th January 2020Paul Sinha: 'I'm going for laughs in bleak places'
The gameshow star and former GP on how he wrote his 'career best' standup material after getting married - and being diagnosed with Parkinson's.
Brian Logan, The Guardian, 23rd January 2020Flo & Joan review
The charming musical misfits are funniest at their most absurd, serving up numbers that range from klezmer to folderol folk.
Brian Logan, The Guardian, 15th January 2020Maisie Adam review
The Yorkshire comic's endearing set about mistakes made in public roars into life with a final, extraordinary reveal.
Brian Logan, The Guardian, 12th January 2020Trygve Wakenshaw review
The New Zealander's minimalist Only Bones v1.4 combines the spellbinding and ridiculous but ultimately seems unsure what it wants to be.
Brian Logan, The Guardian, 10th January 2020Top 10 comedy shows of 2019
A double dose of Stewart Lee, Hannah Gadsby's follow-up to Nanette and London Hughes' uproarious blue humour tickled the comedy circuit this year
Brian Logan, The Guardian, 16th December 2019Suzi Ruffell review
A cool crowd warms to the standup's animated stories, daft moves and disarming candour in Dance Like Everyone's Watching.
Brian Logan, The Guardian, 9th December 2019Adam Kay review
Doc-turned-comic Kay recalls Christmases spent in hospitals - with anecdotes about peanut butter, ill-used confectionery and a blast of Spandau Ballet.
Brian Logan, The Guardian, 8th December 2019An Act of God review
Zoe Lyons is a pyjama-clad deity with wrath-management issues and a retinue of doubtful angels in David Javerbaum's enjoyable comedy.
Brian Logan, The Guardian, 2nd December 2019Jack Dee: Off the Telly review
Attacks on Extinction Rebellion and smashed avacado keep Dee in default pissed-off mode, but there are a few inspired moments.
Brian Logan, The Guardian, 1st December 2019