Brian Logan
- Journalist and reviewer
Press clippings Page 15
Athena Kugblenu review
Class act flips conventional thinking on its head.
Brian Logan, The Guardian, 20th May 2022Chloe Petts review
Skilful stand-up's debut, Transience, takes the heat out of fraught conversations about gender and is well worth the wait.
Brian Logan, The Guardian, 5th May 2022Jack Docherty review
As he tells the story of a one-night stand from 30 years ago, the comic explores youthful dreams and midlife disappointment.
Brian Logan, The Guardian, 28th April 2022Alan Partridge: Stratagem review - two hours of tremendous silliness
In a joyful return to the stage, Steve Coogan's deathless alter ego delivers a motivational lecture he keeps on derailing.
Brian Logan, The Guardian, 27th April 2022Barry Humphries: The Man Behind The Mask review
While an impish spirit remains, the comic behind Dame Edna Everage follows the well-worn template of celebs recounting their life stories.
Brian Logan, The Guardian, 26th April 2022What a calamity! Some Mothers Do 'Ave 'Em turned a bit of trouble into comic bliss
As the hapless Frank Spencer, Michael Crawford brought a light touch to the classic 70s sitcom but the stage version with a game Joe Pasquale feels creakier.
Brian Logan, The Guardian, 12th April 2022Katherine Ryan review
Missus - an account of her unexpected marriage to her childhood sweetheart and their surprisingly traditional new life together - is quite a departure from Ryan's showy cynicism.
Brian Logan, The Guardian, 3rd April 2022"A lot of kids' songs are absolute bangers": the comedy show about warring children's entertainers
Back by popular demand, Ed MacArthur and Kiell Smith-Bynoe are reworking their anarchic show about the rivalry between a toff and a TikToK rapper on the kids' party scene.
Brian Logan, The Guardian, 30th March 2022Lou Sanders review
The stand-up rallies from backstage illness to deliver a show about love, fear and roller skating.
Brian Logan, The Guardian, 24th March 2022Catherine Tate's The Nan Movie: when sketch characters run out of road
Tate's sweary grump went from TV to stage show to a misfiring film, proving how tricky it is to keep audiences on a lifelong journey with a comic creation.
Brian Logan, The Guardian, 23rd March 2022