Brian Gleeson
- Actor, writer and executive producer
Press clippings Page 2
Frank Of Ireland review
A rude, strange and grumpy delight.
Emily Baker, i Newspaper, 15th April 2021Frank Of Ireland sucks the charm out of Gleeson bros
The Gleesons lean on their inherent chemistry as real-life brothers to make Frank and Doofus' codependent relationship ring somewhat true, and sometimes it works.
Caroline Framke, Variety, 12th April 2021Brian and Domhnall Gleeson interview
Domhnall Gleeson can't stop laughing at his brother's jokes. Throughout our interview, the actor shrieks with laughter whenever Brian Gleeson delivers a dry quip (which is often).
Radio Times, 10th April 2021Domhnall and Brian Gleeson interview
'People will be surprised to see us in a comedy like this'.
Alexi Duggins, The Guardian, 10th April 2021Preview: Frank Of Ireland is a slow burn
It's not Derry Girls - but it's not Waterworld either.
Suzi Feay, The Financial Times, 9th April 2021Brian and Domhnall Gleeson on their zany new sitcom
As rude as Peep Show and as clever as Fleabag, the brothers' latest project reflects their anti-Hollywood upbringing. The best thing about acting, they say, is the biscuits.
Olly Richards, NME, 8th April 2021Channel 4 orders Gleeson brothers' sitcom
Actors, brothers Domhnall Gleeson and Brian Gleeson have written and are starring in a brand new Channel 4 sitcom called Frank Of Ireland.
British Comedy Guide, 29th February 2020The best new TV comedies of October-December (Part 1)
Here's part 1 of the best new TV comedies that have aired in the UK over the last three months...
Sophie Davies, Cult Box, 15th December 2018The Bisexual: review
The Bisexual will hopefully be the start of dispelling the myths and stigma surrounding bisexuality, and will open people's eyes to the wonderfully diverse spectrum that is sexuality and gender.
Samantha Yates, Telly Binge, 27th October 2018The Bisexual: A comedy that wants to have it both ways
Brian Gleeson is the straight man in a sex comedy set among millennial Londoners.
Peter Crawley, The Irish Times, 18th October 2018