Press clippings
New book to shine a light on creation of 1970s sitcoms
Raising Laughter, a new book due to be published in September, will take a look at the creation of 1970s sitcoms. Writer Robert Sellers has interviewed a number of those involved in the shows.
British Comedy Guide, 17th June 2021Comfort classic: The Good Life
A show that gently sends up the English middle class is built on a sharp script and consummate acting.
Matthew Bell, Royal Television Society, 4th February 2021Reflections on Bob Larbey
As a chronicler of the human condition he was a leading member of that great pantheon of 'light entertainment' writers who - during an extraordinary period - created a true National Theatre of Britain.
Julian Dutton, The Huffington Post, 6th April 2014Lunch With Bob Larbey
A few years back, I decided I owed Bob Larbey a pint. I've long thought Ever Decreasing Circles is the best there is, and with John Esmonde having died in 2008, there was only Bob left to thank.
Jason Hazeley, Sitcom Geek, 5th April 2014Top sitcom writer Bob Larbey has died
Bob Larbey, one of Britain's most prolific sitcom writers with credits including The Good Life and As Time Goes By, has died aged 79.
British Comedy Guide, 4th April 2014When Richard Briers died recently aged 79, there was a huge outpouring of affection for one of our great comic actors. Audiences felt as if they'd lost a favourite uncle.
It was John Esmonde and Bob Larbey's 1975 sitcom, which ran on BBC1 for three years, that cemented Briers's place in our hearts. He played Tom Good, an ex-City man who turned his back on his old life to set up a smallholding with wife Barbara in the London suburb of Surbiton.
As a tribute, G.O.L.D. is broadcasting back-to-back episodes, starting with episode seven of series one, followed by all of series two and ending with the final episode of series four. Age hasn't wearied a minute of it.
Alison Graham, Radio Times, 3rd March 2013Good Life writer slams TV commissioning structure
Acclaimed sitcom writer Bob Larbey, whose credits include The Good Life and As Time Goes By, has criticised television's commissioning structure, claiming writers have to deal with too many executives and "jump through hoops" to get a commission.
Matthew Hemley, The Stage, 9th March 2010