Bill Bailey (I)

For the uninitiated, The Museum of Curiosity is presented by comedy producer/godlike genius John Lloyd, and he's joined by a different 'curator' each series; Bill Bailey, Sean Lock and now the brilliant Jon Richardson. Three contributors - comedians, scientists, authors, historians, generally fascinating people - donate something the museum each week, and that something can be absolutely anything, no matter how huge, tiny, fictional or dead. I won't give away what Shappi Khorsandi, Terry Pratchett and Marcus Chown ("cosmology consultant of New Scientist") gave to the museum in the episode I saw recorded, but I will say that all three spoke passionately about their donation, and that Chown's made my brain hurt for days. The series will air later in the Spring.

More Burke & Hare Cast Announced

Details of the full cast have been announced for John Landis' Burke And Hare, and if you thought you were excited by the casting of Simon Pegg and Andy Serkis, prepare to do geeky cartwheels at the news that Jessica Hynes, Bill Bailey, Reece Shearsmith and Sir Christopher Lee are all on board.

Bill Bailey wings it with new comedy birdwatching show

... but how does the Buzzcocks funnyman rate Sesame Street's Big Bird, Pingu and the Eagles Of Death Metal?

Sean Lock Interview

He's written for Lee Evans, Bill Bailey and Mark Lamaar. He's a regular panellist on survey-based 8 Out Of 10 Cats, as well as the intellectually stimulating QI. But even he admits to being as thick as a brick.

The comedian who wants to make birdwatching cool

Bill Bailey tells Benji Wilson how humour can help bring a mass audience to unfashionable topics.

Graham Linehan's comedies are wonderfully surreal and self-evidently funny, but it's the warm-heartedness at the heart of Father Ted, Black Books and The IT Crowd that makes them endlessly rewatchable. Of course, it's a quality that makes them a sound choice at this time of recumbent vegetation, and so here More4 does the decent thing and not only screens Black Books - the demented Dylan Moran/Bill Bailey-starring series about despotic bookshop proprietor Bernard Black - but also follows it up with episodes from Linehan's other offerings. More enjoyable madness follows tomorrow.

Last Thursday's edition of QI was interesting for the guest-appearance of US comedian/actor John Hodgman, a regular on The Daily Show and "PC" in the original "Mac Vs PC" commercials. Hodgman's a big fan of the show, and was recently filmed extolling the virtues of QI during a public appearance where rallied support for a campaign to get BBC America to broadcast it (article). Clearly someone at QI noticed Hodgman's support and he was here rewarded with an appearance on the gameshow itself. I'm sure he enjoyed himself, but it made for an awkward half-hour...

Put simply, Hodgman was one of QI's worst guests - although not as bad as scruffy Scotsman Phil Kaye. It didn't help that his presence (not just as a rare guest from overseas) was highlighted by the unfair decision to stick him in the middle of teammates Sandi Toksvig and Sean Lock for the show's first ever three-person team. It felt very much like Hodgman had been crowbarred into the episode, and the show thus felt unbalanced. It also brought too much attention to Hodgman, who was suddenly given a weight of expectation - after all, why else would they upset the delicate balance of QI if he wasn't going to be comedy gold?

Of larger concern was the fact that QI's brand of comedy generally relies on wit and a certain level of surrealism. Sean Lock and Bill Bailey have that corner of the market sewn up between them. Americans in general don't seem to have the madcap comedy gene in their makeup. I'm struggling to think of any US comedians who have similar acts to Monty Python, Eddie Izzard, Vic Reeves, or Harry Hill. So, Hodgman was instantly lost during most of the rounds, while everyone else swam around talking bizarre nonsense.

Maybe Hodgman would be able to find his footing if he came back for future editions, as I'm sure it was very nerve-wracking to suddenly find yourself in the show you dearly love and have publicly championed. It's also worth mentioning that the comedy panel show subgenre is practically unknown in America, so he came in a little unskilled. At times, Hodgman just settled for answering questions in a straight-forward manner (which helped him win the show), in-between forcing out a few half-hearted attempts to be offbeat and funny. Still, at least he actually DID get involved. There are far worse examples of British comedians guesting on panel shows and saying literally four sentences. Which is even worse when you stop to remember these shows can take hours to film and they edit it down to a half-hour of highlights.

Why has Bill Bailey written a guide to the orchestra?

Bill Bailey's Guide to the Orchestra is an attempt to harmonise genial fun with serious musicology.

One good thing that came out of Bill Bailey's departure from Never Mind The Buzzcocks last year was the fact it has allowed him to concentrate on live work. This whimsical musical comedy show, recorded at Wembley in 2007, is proof of what a treat he is on his own: a set of short and devilishly sweet comic songs and stand-up that takes in everything from Immanuel Kant to a scat-jazz version of the Imperial March from Star Wars.

The line-up seems to change as often as the cast of your average soap but somehow this comedy music panel game has endured. Since the show's inception in 1996, Mark Lamarr and Simon Amstell have had spells as presenter, and Sean Hughes and Bill Bailey have both taken the role of regular team captain. Only Phill Jupitus has lasted the distance. Even the tone of the show has changed over the years - particularly after Amstell took over presenting duties. He put his own quirky, irreverent and somewhat juvenile mark on the programme and when team captain Bailey quit last year he referred to the guests as "gormless indie twerps". Now Noel Fielding (of The Mighty Boosh fame) will take the captain's seat opposite Jupitus, and Amstell will be replaced by guest presenters (beginning tonight with Gavin & Stacey's James Corden). Whether the show will survive after such a flurry of changes remains to be seen. Although Buzzcocks has long since left the illusion of improvisation behind, it has certainly become much "trendier" in recent years and, thanks mostly to the wit of Amstell and Jupitus, it has remained entertaining. Now one must hope that Jupitus can carry on that tradition alone. Joining the teams this week are the potentially dull Tom Clarke of indie band The Enemy and singer Paloma Faith but fortunately actor/comedians Ben Miller and Janeane Garofalo should help keep the proceedings lively.