Ben Willbond

In Michael Frayn's classic novel about Fleet Street, Towards the End of the Morning (1967), there is a memorable hack who rivals a sloth, doing no work from one week's end to the next. Alistair Beaton, once a speechwriter for Gordon Brown, is writing in the same tradition but satirising a new era. Electric Ink - about a newspaper's struggle to go digital - cannot compete with Frayn's genius but made me laugh none the less.

I was aware, too, of the serious question underlying the mirth: whose side are we on? Do we support Maddox (played with magisterial pomposity by Robert Lindsay), a vain, old-school hack who has just written a long (and, according to his news editor, "tedious") piece about a radical Muslim cleric? Or do we back charming twentysomething Freddy (a hilarious Ben Willbond), who speaks in a vivaciously streetwise way and turns out to be an Etonian trying to live down his education?

Freddy is new-media-savvy while Maddox sneers at the phrase "embracing the digital age", maintaining that a handshake is as far as he is prepared to go. Yet, at the end of the first round (with five to follow), it is Maddox - to my astonishment - who, in his stubborn, devious, old-fashioned way, seems to be winning.

Ever the investigative journalist, he discovers that Freddy's story on a new plague ("Generalised Affective Social Stress Disorder") is as bogus as its author - not worth the screen it is printed on.

Kate Kellaway, The Observer, 7th June 2009

For this particular instalment, Jones found himself casing the catwalk as a professional photographer at a Milan fashion shoot. Despite being pretty lousy at the job - his only relevant experience was taking pictures of animals - he still ended up jetting off to South America to snap an eccentric and often angry Miss Venezuela.

To attempt to explain what happened next would be far too ambitious, let's just say that Jones' adventure featured encounters with Big Foot and a tribe of eco terrorists, and that was after he discovered what going for a Brazilian really meant.

The joy of the programme was in the writing, particularly the running gags, and the way it was performed by Jones and the cast, which included Tom Goodman-Hill, Dan Tetsell, Ingrid Oliver and Ben Willbond.

Lisa Martland, The Stage, 24th November 2008

This should become the official 'revenge of the nerds' comedy. Written by and starring Ben Willbond and Justin Edwards, this is a tale of two men caught in a perpetual adolescence - one a frustrated hetrosexual, the other a frustrated homosexual.

The fact they are teachers at a sixth-form college permits them to continue living in a flashback episode of Men Behaving Badly set in a school. The comedy is character-driven first, situation second, plot third, but it definitely works.

Radio Times, 14th May 2008