Ardal O'Hanlon

Ardal O'Hanlon to headline Funny in Falkirk in October

The Irish funny-man, known for Father Ted, is the first comedy festival headliner to be announced.

Ardal O'Hanlon: I was a nervous wreck before shows

The standup, actor and author talks about stage fright, life after Father Dougal, being the son of a politician and how he prefers to snipe from the sidelines.

Pauline McLynn hopes for reunion with Ardal O'Hanlon

It's been nearly two decades since they starred together in Father Ted, but Pauline McLynn has revealed that she would love to work with co-star Ardal O'Hanlon again.

Radio Times review

Hunker down for a solid three hours of clips and talking heads, counting down the 50 best sitcoms of all time, as decided by a viewer vote. A limited roster of actors, comedians and journos pop up repeatedly with soundbites that aren't always insightful, but there are flecks of gold: Ardal O'Hanlon's paean to The Royle Family is joyous, and Shelley Long's paean to Ted Danson is... a bit scary actually.

The constant flicking from UK to US and from recent to classic means boredom never sets in, and the list holds surprises, too. Two British sitcoms from the 1980s are shock inclusions in the top ten. As for the top spot, it has to be Fawlty Towers... doesn't it?

Everest comedy gig postponed

The stand-up gig planned to take place on Everest next month has been postponed. Rhys Darby, Craig Campbell, Glenn Wool, Tommy Tiernan and Ardal O'Hanlon are now scheduled to leave London on September 22, 2015.

Stephen Fry & Ardal O'Hanlon lend voices to kids show

QI host Stephen Fry is voicing a character in forthcoming series Driftwood Bay, playing the aristocratic deer Lord Stag. Also in the series to be screened on Nick Jr is Ardal O'Hanlon - famed for his role as Father Dougal in Channel 4 comedy Father Ted - and Annette Crosbie from One Foot In The Grave.

Opinion: When a character sticks around too long

I recently read a preview of Ardal O'Hanlon's forthcoming November 21 Richmond Theatre gig in the Richmond & Twickenham Times which began "Ardal O'Hanlon, who you may know as Dougal from Father Ted..." I wondered what O'Hanlon would be thinking if he reads the Richmond & Twickenham Times, as Father Ted finished way back in 1998.

The first episode of brand new Channel 4 sitcom London Irish opened and closed with the four twentysomething Northern Irish expat protagonists getting bladdered in the pub. That's right, writer Lisa McGee (a Londonderry woman herself) isn't afraid to confront those national stereotypes head on. This would also explain the scene riffing on a certain budget airline's baggage policy, and the cameo from Father Ted's Ardal O'Hanlon.

It was sweet of Mr O'Hanlon to bestow on this fledgling show the blessing of the Irish sitcom elders, but if the ultimate aim was to fool us into thinking London Irish owes something to Graham Linehan and Arthur Matthew's work, the ruse failed. As with any sitcom about a mixed-gender group of twentysomethings made at any time since 1994, it's to Friends that London Irish must pay reluctant tribute.

This weight of influence bears down heaviest of all on Kat Reagan, whose character Niamh is a mildly irritating kook in the tradition of Phoebe Buffay. Television doesn't need any more mildly irritating kooks - Zooey Deschanel in E4's New Girl has seen to that - so the angry, sweary, pathologically stingy Bronagh (Sinéad Keenan) was a particularly welcome foil. Ostensibly, there were also two male leads, the garrulous Packy (Peter Campion) and childlike dreamer Conor, but McGee's script betrays her obvious preference for writing female characters and they barely got a look in.

It may be unchivalrous to note it, but, at 35, Keenan is knocking on a bit for a role as studenty as this. It's testament to her energy and talent, then, that her performance was so enjoyable, regardless. Bronagh's righteous indignation at the one-handed man who failed to inform her of his missing appendage before they had a drunken "ride" at a party was easily the best thing in this opening episode.

It's also the strongest hint that McGee's writing might be ballsy enough to eventually transcend the over-familiar setup. If you must make yet another sitcom about the messy social lives of twentysomethings, the Nineties institution on which to model it is not mushy Friends but misanthropic Seinfeld. Might the characters of London Irish all turn out to be shallow, sex-obsessed reprobates with no moral compass to speak of? We can but hope.