Anna Lowman

You wonder how some shows get commissioned. It's not that Channel 4′s new Room 101-a-like King Of... is terrible - it really isn't, and its neat scheduling alongside 8 Out Of 10 Cats (now with added Jon Richardson) and Chatty Man means I'll probably end up watching it again - but it feels a bit... well, cable. Not primetime terrestrial, barely E4 even. One of those high channel numbers that you only get to on the EPG when there's *really* nothing on.

The premise, if you missed it, is pure pub conversation fodder: what is the best of everything? In this episode, we covered the best holidays, the best job and the best cheese. This is too many bests, people. The only reason these conversations are fun in the pub is because they go on so ruddy long; every angle analysed, debated and dismissed before a consensus is achieved. Here they just bashed through them, and came to ridiculously arbitrary decisions: Stinking Bishop was named king of cheeses because guest Chris Evans likes it, chocolatier got best job (yawn) because someone in the audience was one and the spa break won best holiday (what?!) because host Claudia Winkleman just took an executive decision.

It was fine. A penguin trainer came on with a penguin that chased Claudia around the studio. A mouse was given the choice of several different cheeses. Sarah Millican was funny. But that, I think we can all agree, probably isn't enough.

When Horrible Histories beat the truly excellent third series of The Armstrong and Miller Show to the Best Sketch Show gong at the Comedy Awards last year, I was a bit miffed. Surely people were just being nice because it happened to be a bit better than your average kids' show? Nope. Turns out it's just really, really good.

This, actually, is Horrible Histories with Stephen Fry, a best-of collection with a plumb slot on BBC 1, 6pm on Sundays. All the cool cats have been watching it for years of course, but for johnny-come-latelies (that's the correct pluralisation, I believe) such as myself, this is a nice little catch-up.

The show has several things going for it, starting with the sublime source material. Author Terry Deary had the fine idea of getting kids into history by giving the facts a human face and a joke or two and - most importantly - not talking down to his readership. The producers of the CBBC show have perfectly transferred Deary's ethos to television, and added some genuinely excellent comic actors, including Simon Farnaby and Katy Wix. It's pretty wonderful.

This week, I was particularly tickled by a sketch in which the entire English Civil War was summed up at a frantic pace by a newsreader in front of a map of the UK - all very Peter Snow on election night, with ridiculous graphics and snarky asides. Plus, who doesn't want to learn about the Vikings through the medium of soft rock? Funny, silly and (whisper it) very informative.

10 O'Clock Live: A review now the dust has settled

Arguably (and it's an argument I'd make), the best bits were when the four presenters just sat around and chatted for a bit. They're all naturally funny, clever people - that's the point - so just free up a bit more time for them to show it, and this could turn into something great.

Eric & Ernie review

My expectations were rather high, but they were all met, indeed surpassed.

For the uninitiated, The Museum of Curiosity is presented by comedy producer/godlike genius John Lloyd, and he's joined by a different 'curator' each series; Bill Bailey, Sean Lock and now the brilliant Jon Richardson. Three contributors - comedians, scientists, authors, historians, generally fascinating people - donate something the museum each week, and that something can be absolutely anything, no matter how huge, tiny, fictional or dead. I won't give away what Shappi Khorsandi, Terry Pratchett and Marcus Chown ("cosmology consultant of New Scientist") gave to the museum in the episode I saw recorded, but I will say that all three spoke passionately about their donation, and that Chown's made my brain hurt for days. The series will air later in the Spring.

Tom Wrigglesworth was nominated for the Edinburgh Comedy Award at last year's Fringe, and although I missed Wrigglesworth's show, the fact that so many people I trust were eulogising about him suggested that he would nonetheless be a very worthy winner. This radio show is a half-hour version of his Open Letter to Richard Branson in which he recalls a particularly eventful trip on a Virgin train which saw him arrested and, eventually, effect a fundamental change on company policy. A very funny and eloquent man ranting and raving against unthinking jobsworths - gotta be worth a listen, right? Right.

I've been to a couple of rather wonderful recordings of Radio 4 comedy recently. First up was the live recording of two episodes - 1 and 3 oddly - of Party, a four-part sitcom version of Tom Basden's play that I saw up in Edinburgh (ok, and down in London) in which five young and essentially clueless idealists set up a political party in its self-appointed leader's shed (or summerhouse, as he insists). It's broader than the theatre version, certainly, but the writing's still wonderful, and the performances still pitch perfect. Jonny Sweet is especially brilliant as that disputed leader, a campus Clegg/Cameron/Blair-like lothario; and Tim Key's immaculate timing is given a great showcase as the newest member of the party, drafted in because he new dad owns a print shop (though he thinks he's there for another reason entirely).

Thank goodness for Bellamy's People and its 8-episode-instead-of-6-episode season! Pure character comedy, nothing on telly makes me giggle quite so much as this at the moment, and I'm not sure it's getting the recognition it deserves. A conversation about the show recently had me fighting with myself over which is my favourite character (white van man? old Humphrey Milner who's right about everything? the "reformed" criminal? every one Felix Dexter plays?) and which is my favourite performer (Lucy Montgomery is rather special, it has to be said). It's nothing ground-breaking, and not everything works, but it's impeccably performed, and it has a lovely tone about it.

TV Review: Psychoville 5

It is, in my opinion, the best thing on TV at the moment by a country mile.