Andy Hamilton (I)

Andy Hamilton & Guy Jenkin Interview

The Independent meets Andy Hamilton & Guy Jenkin. If a show has ever made you laugh, these two probably wrote the script. They gave us a rare interview for Red Nose Day, which this year includes an episode of their hit comedy Outnumbered.

Thank heaven for Andy Hamilton's hellish comedy, back on form for its latest series. Hell - where Liberace is forced to share a pit with the Ayatollah Khomeini and where innovative bankers get extra liquidity injected into their systems via a rather nasty route - is still overcrowded. And if that isn't enough to get Satan aerated, then the arrival of man's best friend throws him completely. What the hell is going on when dogs are allowed in? While others may moan that the original idea has run out of steam, I beg to differ. The devil still has the best lines.

Andy Hamilton's glorious radio comedy returns for a new series. It may be bad luck for Hamilton's bank account that it's unlikely to transfer to TV (too expensive, too topical, too funny) but it's good news for listeners who discover tonight how many bankers are now in Hell, what to do with a dog that's suddenly turned up there and why God appears to be on a gap year. Hamilton, as ever, plays Satan, attended by lesser devils Scumspawn and Thomas (Robert Duncan and Jimmy Mulville). Annette Crosbie plays Satan's crisply academic biographer.

I've never quite warmed to Andy Hamilton's comedy about Satan and his minions, but there's no doubt it's phenomenanally popular - hence its return for another series.

In Outnumbered (BBC1, Saturday), I get the strong sensation that Ben and Karen have been mixing with rough children behind the camera. Andy Hamilton and Guy Jenkin, who write, direct, produce and generally lead astray, have been seen whispering to them between takes.

The best sitcom currently on TV has to be Andy Hamilton and Guy Jenkin's Outnumbered, which succeeds in being both charming and funny in equal measure.

Hugh Dennis and Clare Skinner star as the parents to three young children. That's about it, concept wise, and the plotlines are equally uncluttered. This week the family were delayed at a foreign airport and pass the time by playing games, crashing luggage trolleys, teasing police dogs, terrorising a passenger on crutches and trying to explain to a four year old child why religious fanatics might want to blow their plane up.

Apparently much of the younger cast members' dialogue is semi improvised, which accounts for the stunningly spontaneous performances and some unexpectedly bizarre lines. For the grown ups there is a terrific script to deliver, packed with intelligence, wit, subtlety and imagination. Dennis and Skinner make the most of it, and also manage to generate considerable screen chemistry that holds the whole show together.

Sitcom lets kids improvise

The series has been almost universally praised by the critics, and has even been compared in some quarters to The Simpsons in its portrayal of what Brian Appleyard describes as a 'dysfunctional family redeemed by love'.

You could argue that Outnumbered ploughs a familiar comic furrow. It is, after all, about besieged middle-class parents dealing with three children, and it has antecedents that stretch all the way from Joyce Grenfell to My Family. But familiarity is irrelevant when the scripts - written by the Drop the Dead Donkey team, Andy Hamilton and Guy Jenkin - are as acutely observed and as funny as this. The absence of a laughter track frees it from the straitjacket of gags, allowing it to veer off into unexpected directions. And best of all, there are the performances by the young actors. If you haven't seen them yet, you're missing something remarkable.

Andy Hamilton and Guy Jenkin Interview

A short Q&A interview with the writers of the show conducted during the build up to the second series.

An odd piece of scheduling for a brilliant comedy. I hope this doesn't turn into another Trevor's World of Sport for co-writer Andy Hamilton, because the second series of this insidiously clever piece of work deserves an audience. Hugh Dennis and Claire Skinner return as parents Pete and Sue, constantly trying (and generally failing) to corral their brood of three boisterous children. The beauty is in the fact the kids are rarely working from a script, with a lot of the comedy coming from just letting the child actors get on with it and see what happens. Cracking!