Alison Steadman

"It is the autumn of 1922, give or take a year or two," rolls out the upper-class, Noël Coward-esque voice of the unnamed narrator of this six-part comedy drama. Cut to Vera Sackcloth-Vest (played with crazed gusto by the fabulous Miriam Margolyes), writer, gardener and transvestite, who is struggling with her staff at Sizzlinghurst Castle. Why do they insist on calling her madam instead of sir? Country life in Kent is so tedious and Vera longs for some excitement. What she needs is to elope with a lover, but first she had better run this past her devoted husband, Henry.

Writer Sue Limb echoes the literary styles of the Bloomsbury Set with pin-point accuracy. Our introduction to Ginny Fox (a brilliantly perceptive, if rather cruel, take on Virginia Woolf, portrayed with obvious relish by Alison Steadman) has the introspective writer staring at a crack in the ceiling for hours and being reminded of her love for Sackcloth-Vest.

How long it will be before these two can escape the drudgeries of normal life (in vast country estates!) and elope with one another is the subject of this opening episode. The writing and acting are both faultless and the series cast includes other great comic names such as Morwenna Banks, Nigel Planer and John Sessions, who crops up as saucy novelist DH Lollipop in future weeks.

This is a real Bohemian rhapsody - and I bet it moves to TV!

The generous sexual morés of Bloomsbury have been a gift to satirists for decades, and Sue Limb becomes the latest writer to unwrap their comic potential. It is an Autumn afternoon at Sizzlinghurst Castle where writer Vera Sackcloth-Vest is planning one of her Sapphic elopements and wants to tidy the garden before she goes. "I must just tie up Mrs Herbert Stevens," she cries. "I don't want her thrashing about in a gale." Miriam Margolyes stars as Vera, while Alison Steadman and Morwenna Banks play her inamorata, Ginny Fox and Venus Traduces.

Sparky late-night comedy from Katy Wix about Ben (Reece Shearsmith), a scientist on a sub-Antarctic island doing a study of the albatross. There's another scientist on the island with him but they don't communicate, so Ben takes to keeping an audio diary. As you can imagine, there isn't much scope for social adventure on this island and Ben is not what you'd call adventurous anyway. But, in a Pooterish way, he is quite funny, even when all he's doing is losing his watch. Also starring Julian Rhind-Tutt and Alison Steadman, produced by clever Tilusha Ghelani.

Thanks to Radio 4 Extra, listeners had an opportunity to hear the pilot episode of Miranda Hart's Joke Shop, first broadcast in May 2007, and also featuring Alison Steadman and Katy Brand.

This was amusing to hear but it was even obvious back then that Hart's wonderful visual humour - including her asides to the audience - meant she belonged on the small screen.

Hmm. How strange of Radio 4 to schedule on the same day two comedies about offspring still living at home. This rather over-written one is about a mother (Alison Steadman) whose son (Alexander Kirk) is 41 and not yet moved away. He says he's going to New York, save up, pass his driving test. These prospects seem remote as Mother serves up the oven chips with fair warning that she's going to get him a girlfriend, so he'll move out. Now there's a modern supposition. These days they'd both move in, as used to be customary in all hard times of yore.

Alison Steadman interview

It's been fun. Young people have been coming up to me on the street and it appeals to all ages. People shout 'Pamela!' at me. It's great to be in a show everyone enjoys.

Alison Steadman: I want to do more Gavin & Stacey

The comic actress says she wants to do another Gavin & Stacey Christmss special, and shares her festive plans but keeps tight-lipped about her New Year's resolutions.

Alison Steadman interview

Now best known for her brassy Essex alter ego, Gavin and Stacey star Alison Steadman says she is living proof that women no longer have a sell by date in showbiz.

Abigail's Party is routinely found in the upper reaches of those "best ever TV drama" lists and quite right, too. Mike Leigh's suburban satire, little more than a filmed stage play when it was first broadcast as a Play for Today in 1977, is painfully brilliant. And it belongs entirely to Alison Steadman as Bev. Ah Bev, castrating monster and Demis Roussos devotee who, during the course of one memorable night, sails through a terrible drinks party like a Dreadnought with a hostess trolley. It is one of the great television performances. Bev is both grotesque and hilarious, with her nasal drone and towering lack of sensitivity ("Ange, can you take a little bit of criticism?"). Steadman earlier discusses Bev, and other characters from her remarkable career, with Mark Lawson. She's nice, modest and a complete professional.

Political and polemical do not always a great comedian make, but Jeremy Hardy keeps his revolutionary fist in an amusingly silky glove for Radio 4. This series of comic lectures - in which he is joined for mock interviews by guests such as Alison Steadman, Rebecca Front and, as is the case here, Gordon Kennedy - started back in 1993. Subjects covered down the years have helped the nation grow to the fulsome state of cultural, intellectual and spiritual awareness that we are blessed with today. None of this would have happened if Jeremy Hardy had not lectured us upon How to Argue Your Position, How to Improve Your Mind and the seminal How to Have Sex. Why was this man not in the Queen's Birthday Honours? Oh, yes. He's a socialist.