Press clippings Page 3
Review: The Comeback
Shallow if skilfully constructed silliness from offbeat double act The Pin.
The Stage, 16th December 2020The Comeback review - comedy that sparkles by The Pin
Described as 'the cure for theatre' by producer Sonia Friedman, Alex Owen and Ben Ashenden's debut play is full of heart, pleasing pratfalls and endless flips of perspective.
Brian Logan, The Guardian, 16th December 2020Review: The Comeback
The Comeback allows two immensely talented, up-and-coming actors to talk live on stage about the charms, eccentricities, and general fun of their industry - all the while telling a genuinely hilarious and engaging stage play.
Nick Ferris, A Younger Theatre, 16th December 2020Review: The Comeback
No sooner has The Comeback hit the West End stage than it will be forced to close, as London goes into Tier 3 coronavirus restrictions from Wednesday.
Steve Bennett, Chortle, 14th December 2020Petrichor review - cringingly funny web sitcom
The Pin's Alex Owen, Katy Wix and Lolly Adefope are among the cast in a superb series about a delusional wannabe auteur.
Brian Logan, The Guardian, 10th December 2020The Pin interview
As comedy duo The Pin head for London's Noël Coward Theatre with their debut play The Comeback, they tell Fergus Morgan about their busy and successful career and the good luck that propelled them from fringe comedians to West End performers.
Fergus Morgan, The Stage, 4th December 2020The Pin to make West End stage debut
Sketch duo The Pin are to make their West End debut this Christmas with their first play, The Comeback.
British Comedy Guide, 15th October 2020The Pin to star in Audible comedy series
Audible is launching scripted mockumentary The Special Relationship from UK comedy duo Alexander Owen and Ben Ashenden (aka The Pin).
Andreas Wiseman, Deadline, 3rd July 2020Comedians working from home
Without any gigs to perform, comics are spreading good cheer on Twitter and TikTok. Here's a roundup of the latest from Suzi Ruffell, Jessica Fostekew, Mo Gilligan and others.
Chris Wiegand, The Guardian, 6th April 2020