Alex Lowe

The Common Ground comedy series, for which all episodes are set in the same stretch of south London, draws to a close with two more short films. In the main it's been a success with the majority of the stories working well. Tonight's double bill opens with the amusing Nell, Ted and Marlon in which Marlon (Daniel Lawrence Taylor), who claims to be a former member of garage and hip-hop group So Solid Crew, arrives to give guest lessons at a local singing class and becomes infatuated with Nell (Eri Jackson) and her oddly protective brother Ted (Danny Morgan). The wry Barry stars Alex Lowe as an old man who decides to live out a long forgotten bucket list when his wife dumps him - leaving his daughter (Linda Robson) a little perplexed.

Great Night Out is a comedy drama about four thirtysomething mates from Stockport, whose principal interests are football, banter, women and the pub. That is also about as deep as their characterisation goes, leaving the quartet looking for all the world like stereotypes in search of a lager advert to occupy.

Episode 1 ambles along inoffensively enough, neatly interweaving a trio of plots concerning salsa classes, an anniversary celebration and a runaway groom on a London-bound train, but despite several winning performances I never really engaged or identified with any of the main characters.

This was a problem further compounded by two scene-stealing cameos from Jessica Gunning and Alex Lowe, as an obnoxiously insensitive party crasher and an endearingly bizarre Lancashire salsa teacher respectively. The characters charged with actually carrying the series looked very dull by comparison.

Great Night Out has so far provided nothing more than an okay night in, but things may improve as the series settles into its run. A few more laughs certainly wouldn't go amiss.

The first episode of Watson & Oliver was, on the whole, pretty poor. It began well - I was especially fond of the opening sketch in which Lorna Watson draws eyebrows on her face in response to Ingrid Oliver's feelings, which became more and more ridiculous as the conversation went on. The duo are good physical performers.

However, I didn't enjoy the second half of the episode nearly as much.

The problem seems to be the writing. Some of the sketches seemed lack any purpose, like the friendly conversation between a prisoner and a warden. It totally stumped me, and I think judging by the audience reaction the studio didn't realise understand it either (mostly light tittering and nothing more).

Concerning the writing, I think that the most interesting aspect of Watson & Oliver is that while Watson and Oliver are the main writers, there is a larger bunch of writers providing "additional material". In the opening episode, for example, Kevin Cecil, Ali Crockatt, David Scott, Alex Lowe and Robert Mills all contributed. In other words, apart from the two stars, all the writers are men writing for female roles. Perhaps if Watson and Oliver wrote all their material there'd be a fluidity to the show and it might, well, be a bit better.

Still, it's probably best to see what comes up in future episodes...

Sally Phillips plays Clare, self-absorbed social worker and new mother in the latest series of the sitcom by Harry Venning and David Ramsden. In their meticulously observed comedy of modern manners, Liza Tarbuck plays best friend Helen, Alex Lowe is Brian, the proud new father, whose best mate is Simon (Andrew Wincott), Helen's ex-husband. Nina Conti retains her role of put-upon Megan and doubles up as Nali, the au pair (not nearly as put-upon as she at first seems). Meanwhile, is this baby to be called Mandela, Mahatma or Thomas Paine?