British Comedy Guide

City Gent Interview

INT. DAY. OFFICE.

A JOURNALIST (DAVID) IS INTERVIEWING A MAN (CLARENCE).

DAVID: The City of London, the heart of the world's financial markets. But unbeknown to many there lies a man at the epicentre of trade and commerce. This man, Clarence, has an addiction. He is addicted to Cockney. Thank you for agreeing to be interviewed Clarence.

CLARENCE: Your welcome and may I say that is a more of a compulsion, I am not Cockney dependant.

DAVID: Ok Clarence. This, what you would call a compulsion, how does it manifest itself in day to day life.

CLARENCE: It involves obsessive disorders ranging from brief linguistic interludes on to full blown episodic Cockney behaviour lasting for days on end.

DAVID: When did you first encounter Cockney?

CLARENCE: I had been working late with a broker trading stategies on our hedge fund. We decided to go for a drink. A group of men came in speaking a mysterious and seductive language, they challenged us to a game of darts. The drink flowed, one thing led to another and by the end of the night I had been involved in my first knees-up.

CLARENCE STARTS DANCING AND SINGING: Knees up mutha brown, knees up mutha brown..

CLARENCE SITS DOWN: Sorry, sorry about that.

DAVID: Its ok, and I believe your behaviour became more unpredictable as a result.

CLARENCE: That night was the catalyst, the following weekend I was going to the West End with my wife to watch a play and I went to the toilet in the theatre, escaped through the window and got a cab to East London to see Chas and Dave.

DAVID: Then the lying started?

CLARENCE: I rang my wife and said I had a call from a venture capitalist who required asset management with his portfolio. The truth was though I was drinking Britney Spears and ended up elephant's trunk. I had to tell the Duchess of Fife a few pork pies when I got back to the Pope in Rome.

CLARENCE STARTS TAKING DEEP BREATHS.

DAVID: I understand this must be difficult for you. You became acquainted with some senior Cockneys that evening?

CLARENCE: They became acquainted with me. I told them where I worked and my curiosity with their way of life, then it escalated.

DAVID: Escalated in what way?

CLARENCE: They began targeting me on my route to work. First off, flower sellers and barrow boys became more apparent en route to The City. Then a rag and bone man would pass within earshot of my office and he was selling The Economist as well.

DAVID: How did you react to the pressure?

CLARENCE: I had no sooner had a frank discussion with a Japanese Futures investor about the debt-snowball method when I cracked and went on a three day Pearly King Binge. I was out of control.

DAVID: Who were these peddlars, desperate to reel you in?

CLARENCE: They were a cabal of powerful Cockneys and their ultimate goal was the Cockneyfication of The Square Mile but they needed a puppet on the inside. I'm not going to name name's but one of them acted in Scum and Sexy Beast.

DAVID: I see, he shall remain anonymous. Were the movers and shakers in high office aware of these fifth columnists?

CLARENCE: Not initially, though when I started buying lorry loads of old pianos and placing them in JP Morgans, it raised a few eyebrows. I attempted to gather everyone round the joanna for a ding dong at the end of each day, muttering an excuse about stress relief.

DAVID: The Cockneys had you by the Niagara Falls by that stage?

CLARENCE TAKES CLOTHES OUT OF A BAG AND HAS CHANGED INTO AN OLD STYLE CHIMNEY SWEEP. HE DARKENS HIS FACE WITH COAL.

DAVID: Clarence, Clarence are you ok?

CLARENCE STARTS SINGING AND BOLTS OUT OF THE ROOM.

CLARENCE: Chim chimney chim chimney chim chim cheroo.

HIS SINGING GETS QUIETER AND QUIETER AS HE GETS FURTHER AWAY.

DAVID: I'll think we'll have to end that there.

That is superb! Love it! Wish I'd wrote it. Laughing out loud

So you do the long and the short.

Nicely controlled pythonesque sketch, funny and plot development.

Cheers sirs.

n.b. if you shorten it a tad, and worked in the mess in the markets.
Thats a topical sketch worthy of sending out.

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