Danny K
Friday 30th May 2008 9:05pm [Edited]
238 posts
It's appears to be a recurring theme on the Critique board, that if a sketch reminds you of something very, very, similar, then the current sketch under review is deemed somehow lacking, and the 'it's already been done' label is applied to it.
But pause for a moment and consider: There is NOTHING NEW UNDER THE SUN.
I don't need to read the brand new James Bond novel to know I've come across the plot countless times before. In fact Polti asserts there are only 36 'dramatic situations' anyway. Others contend there are only 7 plots. While yet other 'experts' insist everything can be boiled down to 3 plots.
And to be honest,(and why not?) how often have you swallowed the hype and paid to see the latest 'must-see' film, only to realise it's a standard, boy-meets-girl, boy-loses-girl, boy-wins-back-girl film? If it's told in an engaging way, you'll suspend disbelief and buy into it.
'They' said film musicals were dead because it had all been done - yet Grease came out to massive box-office success.
'They' said the western was dead because it had been done - yet Dances with Wolves swept the board at the Oscars.
Need I go on?
I found the sketch okay, just a quiet little smiley from me in response to the irony implicit in the sketch.
You can't come up with a brand new plot - they've all been done - you have no option but to use plots everyone's seen before - but it's the surprises along the way, and the way you tell it that matters. Being original is just about the hardest thing in the world to do I should imagine.
Yes, you may have seen the sketch structure before but IT'S HOW YOU TELL 'EM today that matters. That's the tough part, originality pah! It's all in how you tell 'em! And the above sketch nicely comments on the hectoring do-gooder Gillian McKeith which the same sketch from yesteryear can't. (In the past she used to prefix her name with the title 'Doctor', to which she was not entitled).
And as it seems to be an issue with some, all the woman in the first line has to say is: "Gillian McKeith is that you? Are you alright?"
The audience, now knows who it's supposed to be with their head down and is quite prepared to suspend disbelief if wig etc., are applied - otherwise there'd be no Bush/Blair/Brown sketches would there?