British Comedy Guide

Purgatory

Guys, I've put the first 10 pages of my sit-com up. Would appreciate any comments you may have.

Thanks, Ross

EXT – Main crossroads in city centre - Day

A Double Decker Bus, breaks screeching, crashes into a car. A male body come’s flying through the front windscreen, bouncing off the car, and rolling onto the pavement.

CUT TO

EXT – Main Crossroads – View from pavement – Day

GREGOR BLACK’S ghost rises from the pavement, leaving its body behind. Gregor was a medium built man, late twenties, short cropped hair spiked up at the front, and a small beer belly beginning to grow. He’s Casually dressed.

Gregor’s ghost, confused, surveys the scene.

BEAT

The BUS DRIVER leaps out, check’s the body, its’ dead.

BEAT

GREGOR:
Hey what the hell happened here? You’ve hit someone

The CAR DRIVER staggers out. The bus driver moves to help.

GREGOR:
Hey what about this one

No one responds. Gregor looks down at the corpse.

GREGOR:
God that’s me! Oh my god

Gregor tries to kick the body but his foot passes through. Panicking, on his knees, his hands can’t touch the corpse.

Kneeling, Gregor feeling of someone standing behind him

He turns slowly to see DEATH, 7 foot tall in a long black hooded cloak and carrying a scythe. Gregor recoils.

DEATH:
Mr Black, welcome to purgatory

GREGOR:
What! Purgatory?

DEATH:
Yes, Purgatory, the place between heaven and hell

GREGOR (CONFUSED):
Why am I not in heaven?

DEATH:
You’re not a good person

GREGOR:
Who say’s?

DEATH:
I SAY AND MY WORD IS LAW

Gregor moves away, frightened

GREGOR:
Well why am I not in Hell?

DEATH:
Is that not a bit bloody obvious? We need to decide which side you favour

GREGOR:
What?

DEATH:
The management of purgatory needs to decide if you’re going to Heaven or Hell

GREGOR:
So how do they decide?

DEATH:
Well they’ll talk to all the people you had dealings with, see what they think of you?

GREGOR:
But there all still alive
DEATH:
Yes, we need to wait until each one dies. It can be quite a time consuming process.

A scream comes from the back of the bus. It’s female

DEATH:
Stay

GREGOR:
What

DEATH:
STAY

Gregor backs off moving through his dead body. Realising what he’s done, he jumps backwards away from the body.

Death moves through the side of the bus to stand next to a dead woman’s body. Hovering over the dead body is the ghost of CAROL BURNS. Early twenties, pretty, short blonde cropped hair and gothic, student style clothing.

CAROL (PANICING):
Who are you? What happened?

DEATH:
I am Death. This is Purgatory

CAROL:
Purgatory?

DEATH:
Yes, Purgatory, the place between heaven and hell

CAROL:
Why am I not in heaven?

DEATH:
God have I not just answered these blooming questions?

CAROL:
What?

DEATH:
Look I’ve had enough. God has infinite patience. Satin has infinite evil, and I get an infinite supply of bloody idiots that can’t work out their dead.

CAROL:
I’m dead!

DEATH:
Of course you’re bloody dead. Look at me. I’m 7 foot tall, hooded cloak, dirty great big scythe. Are there any thoughts in that little skull of your’s?

CAROL:
You could be a heavy metal fan

DEATH:
Touch my arm. What do you feel?

Carol nervously leans forward running her hand across Death’s arm

CAROL (SHOCKED):
Bones

DEATH:
Well I think that covers it. I’m not a heavy metal fan, but do like a bit of Status Quo now and again.

CAROL:
I can’t be dead, I’m only 20

DEATH:
Really, well see that man over there.

Death points to Gregor

DEATH (CONTD):
He distracted the driver, there’s a crash, and you end up here. I see ex-people every day, all age groups. At least at 20 you’ve had a life
CAROL:
Life, I had a life until that idiot decided to end it.

Carol’s ghost storms towards Gregor.

CAROL:
Hi, I’m Carol, the girl you killed

GREGOR:
I didn’t kill you.

CAROL:
You harassed the driver, forced him to make a mistake. You’re a mistake.

GREGOR:
That’s a bit nasty

CAROL:
I lost my life because of you. I’ll never graduate, get married, have kids, or grow old.

GREGOR:
Great, live fast die young.

CAROL:
I was a student. How the hell is that living fast? I got up at eleven, home around three. Then I went to the pub.

GREGOR:
Better than me. I worked from sixteen

DEATH:
Better than me. I have been working since the universe began. I could do with a couple of weeks off.

CAROL:
Shut up Death

DEATH:
What? How dare you speak to me like that. I could push you down the way. Hell’s a-waiting.

CAROL:
Well the day couldn’t get any worse.

BEAT

DEATH:
Come, it’s time to go to your new home

GREGOR:
Where

DEATH:
Purgatory

GREGOR:
I thought this was Purgatory

DEATH:
It is, but you need somewhere to stay awaiting your trial. Follow me.

Death walks to a small metallic shiny black hatchback car.

DEATH:
Please take a seat in the back
Gregor signals for Carol to enter first. She glares at him and climbs in.

GREGOR:
Death, I need to speak to my girlfriend, I need to apologise to her.

DEATH:
It’s too late now.

GREGOR:
Can’t you send her a message? Say I’m ok

DEATH:
No, you’re not ok. You’re dead.

GREGOR:
Well thanks for your help there.

Gregor enters the car. He slips and falls into Carol’s lap

CAROL:
Get to your own side murderer.

Gregor moves away nervously, trying not to look at Carol. A scythe blade slips through the front passenger window just missing Carol

CAROL:
Hey, be careful, you could hurt someone with that thing.

DEATH:
Sorry, should have bought a bigger car

GREGOR:
I thought Death rode a pale horse.

DEATH:
I do, but he’s getting old. I tend to only ride him at weekends.

Death shunts the scythe about, just missing both Gregor and Carol on several occasions before pulling the scythe back out and putting it back in haft first. This leaves the scythe blade sticking out the window.

DEATH (CONTD):
Sorry.

Death climbs into the car

DEATH:
Belt up folks

The car reverses out onto the road

The bus driver stands up having helped the driver of the car. Deaths car reverses, swerves to miss the bus driver but the scythe blade cuts straight though his body pulling the soul out and snapping it. The driver collapses to the ground dead.
The car screeches to a halt.

DEATH:
Oh bugger.

FADE OUT

EXTDINER CARPARKDAY

Death’s car cuts of the main road into the car park of an American style diner with a motel at the back. The car pulls up just outside the entranceway. Death climbs out the car, dragging his scythe out the window.

DEATH:
Right, everyone out

GREGOR:
What?

DEATH:
Out, this is your new home.

CAROL:
This?

DEATH:
Yes, it’s a hotel. You can stay here until your case is finished.

CAROL:
How long will my case take?

DEATH:
Let me check

Death pulls out a palmtop. He pulls out the pointer from the side of the palmtop but his skeletal hands can’t hold it, and it drops to the floor.

DEATH (CONTD):
Bugger, not again. Cost’s me a fortune in pointer thingy’s.

Death uses his skeleton finger to tap the screen a few times

DEATH (CONTD):
Gregor, you will complete the trial in 42 years, 1 month and 3 days.

GREGOR:
What?

DEATH:
I’m assuming you heard me and are just surprised about the length of time it takes

GREGOR:
Err, well yes

DEATH:
I can’t just wade in and take people willy nilly

Carol giggles at Death’s language

DEATH (CONTD):
Stop that girl. Anyway, we need to wait on each person dying. They’ll come to Purgatory before heading to their resting place.

GREGOR:
So I’m stuck in a run down hotel for over 40 years?

DEATH (IMPATIENTLY)
Yes, have I not just said that?

GREGOR:
What’ll we do?

DEATH:
You have TV in your room. 5 channels, but the 5th is a bit of a dodgy picture quality. There’s also a bar, and a small gym.

CAROL:
Oh great, we’ll be busy then. How long have I got to wait?

Death taps his palmtop again

DEATH:
55 years and 3 days

CAROL:
God I’ve some bloody long lived relatives.

Does this mean I’m stuck for decades with my murderer?

GREGOR:
It was an accident, but if I’d met you before this, I’d probably have wanted to kill you.

BEAT

GREGOR (CONTD):
Look Death, I have to get home and talk to my fiancé.

DEATH:
Not possible

GREGOR:
Look I broke her heart. I need to apologise

CAROL:
Fab. Break my body and then you’re girl friends heart. Boy you’re good.

GREGOR:
Look it wasn’t working out, I called her, left a message

CAROL:
Message, heartless bastard!

GREGOR:
Look I have to go back, I need to apologise. I need to look after her. She loved me. She needs me.

CAROL:
She needs a chill out album and a good bottle of merlot.

FADE OUT

PMed you.

So I guess the series takes place in Hotel Purgatory with Gregor, Carol and half a dozen crazy characters with the Devil overseeing.

I'm interested to see how Purgatory 'works' - as I guess BabyCow were.

Thanks for the positive feedback. I will put the rest of the pilot episode up on the site, but I think I agree with the feedback from Baby Cow that the first 10 pages were the best. I spent a fair amount of time re-drafting the first 10 pages. I didn't expect Baby Cow to come back so quick, so I may have completed the re-draft of the remaining sitcom to quickly.

Slag A, thanks for the positive feedback in your PM, I'll continue with this project as follow up episodes will include:-

-Gregor getting a job in the Purgatory Call Centre answering Prayers
-An Audit by the Management Consultants from Hell
-Jesus pays a visit to discuss service contracts for his laundry service.

I like the concept, for me the first scene was too long. I think you could chop it quite a bit and make it snappier. I lost interest a little after Carol died and started skim reading to the next scene to see what happened next. (Short attention span, sorry)

Also it's my pet gripe scripts using 'beat' I think it's hardly ever necessary, and detracts from the story. Probably because it's not a real word. You suddenly think 'oh yeah, this is a script' instead of going with the flow of a story. Um, ok. Maybe this is just me. Keep it up though, there's not enough fantastical stuff on TV.

I like the concept, for me the first scene was too long. I think you could chop it quite a bit and make it snappier. I lost interest a little after Carol died and started skim reading to the next scene to see what happened next. (Short attention span, sorry)

Also it's my pet gripe scripts using 'beat' I think it's hardly ever necessary, and detracts from the story. Probably because it's not a real word. You suddenly think 'oh yeah, this is a script' instead of going with the flow of a story. Um, ok. Maybe this is just me. Keep it up though, there's not enough fantastical stuff on TV.

No idea how that got there twice. :-s

Thanks for your comments, I'll remove Beat.

I'm going back to basics, re-looking at the characters again, and will re-write. Slag A mentioned budget issues because of the bus crash. I'll try and find an cheaper way for them to die!!!!!

Rosco

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